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  1. Quickometer - Unknown license
  2. vuur - Unknown license
  3. Cows In the U.S. - Unknown license
  4. Chizz Wide High - Unknown license
  5. Wisecrack - Unknown license
  6. Fontcop IV - Unknown license
  7. GF Hubert Caps - Unknown license
  8. Nonfiction - Unknown license
  9. Paghetti - Unknown license
  10. Radioland - Unknown license
  11. Gordala - Personal use only
  12. ChileanBugs - Unknown license
  13. Acuate - Unknown license
  14. Airmole Antique - Unknown license
  15. Bayern - Unknown license
  16. QuaziMode - Unknown license
  17. FlashBoy - Unknown license
  18. Orangutan - Unknown license
  19. Kraftfahrzeugkennzeichen - Unknown license
  20. Christopherhand - Unknown license
  21. Typographers Holidayfont - Unknown license
  22. murro - 100% free
  23. CuttyFruty - Personal use only
  24. hardcorium - Unknown license
  25. Direktor - Unknown license
  26. Allstar4 - Unknown license
  27. Aargh! by Hackberry Font Foundry, $24.95
    Aargh is a deconstructed, twisted mess of what maybe used to be Courier or Typewriter that is maybe a little tight for the genre, but it is effective.
  28. Schlub by Typadelic, $19.00
    Schlub is just plain weird. It looks like it was drawn with the left hand of a right-handed person using a gloppy pen yet remains very legible.
  29. Corrente by d[esign], $17.38
    Corrente, named aptly for its “electric” letter shading (“corrente” is Italian for “current” (electrical)) will add a little spark to your works. Corrente’s “Dagger” glyphs are lightning bolts!
  30. R&C by JBFoundry, $16.00
    R&C is totally drawn with a ruler and a pair of compasses. It is advisable for technical drawing. By stacking its eight styles, all combinations are possible.
  31. LT Score - 100% free
  32. LT Binary Neue - 100% free
  33. Flipahaus - Personal use only
  34. LT Asus Print - 100% free
  35. Vortax - Personal use only
  36. mortis - Unknown license
  37. Waba by Lewis McGuffie Type, $40.00
    Waba Pronounced ‘Vah-bah’, is a font family that I designed. The name comes from a historical variation on the Estonian word ‘vaba’ – meaning ‘free’, or 'at liberty'. Back in 2017 I visited the Estonian Print & Paper Museum in Tartu to see its great collection of type (well worth a visit!). While I was there I saw some big woodcut blocks of Reklameschrift Herold - a super Art Nouveau/Jugendstil style display font. The Print & Paper Museum's collection covers both Latin and Cyrillic faces and as a foreigner in these parts I'm kind of fascinated by the exoticism of Cyrillic. How it is different but the same to the Latin letters I take for granted (as a humble Englander – no excuses). Not to mention, Jugendstil with its imitation of natural form, reverse-weights and looping-delicious curves (like you've left the window open all summer and the garden plants are climbing in). This mix of Jugendstil, Cyrillic letters and the beautiful historical border town of Tartu inspired me to start drawing Waba. Trimming the serifs from Herold, simplifying those angles and expanding the category of weights, then taking look at the magical logic of Berthold Block and doing a few things that just seemed right at the time – Waba is a bit of love letter to Estonia, the Baltics and the visual history of Eastern Europe. Waba Monogram Waba also contains a monogram face, which allows you to create any monogramming latin and cyrillic. Simply type out your 2-3-4 characters in Waba Monogram, making sure Contextual Alternates is turned on them voila! Monograms can be customised manually using the OpenType select-pop-up in Adobe. Also included are a few Discretionary Ligatures for Mc, De, Von etc. Monograms work best when Contextual Alternates is turned on.
  38. Rae's Monogram Family by Outside the Line, $19.00
    Rae's Monogram Family is a contemporary take on monograms. Rae's Monogram One letters are best used as the right and left letters. You can add Rae's Monogram Two for the middle letter. Rae's Monogram Doodles One are 50 small illustrations to use with the monogram. If you don't see the one you want take a look at over 1,000 others in Outside the Line's Doodle font library. Of course just because it was planned this way doesn't mean you have use them this way. Use your imagination! You can use just one font, or two or all three. Commercial Licensing: Rae's Monogram Doodles One uses Outside the Line's normal licensing if you are using an illustration alone or not in a monogram on commercial goods. Plz read the http://www.outside-the-line.com/license/ Rae's Monogram One and Two offers Impression Licensing. If you don't intend to sell any items made from these fonts you don't need an additional license. But if you do, to make it easier Outside the Line offers the added ability to buy this license upgrade at the time you place your order. Plz contact Rae directly to do that. By default, you're allowed to sell 250 items in total without any additional licensing required and should you intend to sell more items, additional levels of licensing can be purchased now or at any time in the future. To be clear, 250 items doesn't refer to how many different items you may create but rather refers to the number of total sales of any item or items created with these fonts. If you have any questions or need additional commercial licensing feel free to contact Rae at hello@outside-the-line.com She is always happy to hear from you.
  39. Mutable by Paulo Goode, $35.00
    Mutable is as flamboyant and changeable as its name suggests. These characterful fonts were designed specifically for display purposes. It’s an exuberant type family that’s jam-packed with alternates and bestowed with a loud personality. This typeface is defined by its barbed serifs and elegantly curved terminals, or “foxtails” as they are sometimes known. An extremely large x-height amplifies the friendliness and buoyancy of the lowercase glyphs. These qualities give Mutable a unique aesthetic that will undoubtedly give your logotypes, headlines, and titles a distinctive appeal. Mutable has a strong Art Nouveau influence and was mainly inspired by Ed Benguiat’s Tiffany and the mysterious Pretorian typeface accredited to P.M. Shanks and Sons of London. Special OpenType features include 523 alternates that will make each word resonate beautifully when used in titling and branding situations. With so many alternates available, you may find it difficult to stop playing and settle on a selection... but that’s a good thing, right? Small Caps are also included (along with their matching diacritics and alternates) – these are designed to harmonise with regular lowercase forms making unicase-style typography a cinch. Mutable has a total glyph count of over 2,400 characters. There are 9 weights across 2 widths, ranging from a delicate and wispy Narrow Thin to a chunky and imposing Ultra. And... it’s variable! This allows you to select any width or weight in between, making Mutable even more... erm... mutable! This type family has an extensive character set that covers all Latin European languages. Finally, you can test drive Mutable immediately as the Regular weight is offered as a free download. Key features: 9 Weights 2 Widths Variable Small Caps 500+ Alternates Old Style Figures European Language Support (Latin) 2400+ Glyphs per font
  40. Gersio by Rosario Nocera, $16.00
    Gersio is a revisiting of a lapidary typeface from the 19th century designed for the horror and thriller genre but thanks to its strong distinctiveness it’s also suitable for branding. Gersio is available in light, regular and bold weights in two versions: solid and Scratched, it also offers a large selection of alternative letters. Gersio is suitable for display works, posters and billboards.
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