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  1. Semiramis, a font designed by The Scriptorium, carries a distinct, artistic character that sets it apart in the realm of typography. This font beautifully mirrors its namesake's allure and mystery, S...
  2. Corporate HQ, designed by the talented Vic Fieger, is a font that embodies a unique blend of professionalism and creativity. Reflecting the essence of corporate identity with a twist of individuality...
  3. Infobubble2, a distinctive font created by Iconian Fonts, embodies a playful yet articulate design that resonates well with a variety of creative and informative projects. Iconian Fonts, known for it...
  4. Ah, the elusive font EMILKOZAK.COM | fartdeco, a typographical enigma that caters to the refined taste of those who appreciate a good giggle alongside their graphic design. Picture this: the roaring ...
  5. The Tiki Tooka BV font by Blue Vinyl Fonts is an enchanting and playful typeface that immediately transports you to a world of whimsy and adventure. Inspired by the theme of tropical islands and the ...
  6. The "Only Fools and Horses" font is inspired by the classic British television comedy series of the same name. This font captures the essence and heart of the show, which has been beloved by audience...
  7. The White Rabbit font, crafted by Matthew Welch, presents a unique blend in the world of typography that skillfully marries the essence of digital readability with the charm of humanistic touches. It...
  8. KR Birdy is a delightful and engaging font created by the talented designer Kat Rakos. This unique typeface immediately captures the attention of its audience with its playful and whimsical character...
  9. The Matrix font, inspired by the iconic science fiction movie "The Matrix," echoes the digital rain imagery synonymous with the film's unique visual style. Picture those cascading green characters, r...
  10. JF Cotswold Leaves, a creation of Jester Font Studio, stands as a captivating and distinctive font that draws inspiration from the natural elegance and intricate beauty of leaves found in the Cotswol...
  11. Nuixyber Next, designed by ffeeaarr, is a compelling font that captivates the essence of contemporary typography while nodding to the evolution of digital aesthetics. This font distinguishes itself b...
  12. The Many Weatz font, designed by the talented Måns Grebäck, is a striking example of calligraphy art brought to life through digital typography. This font captures the essence of traditional calligra...
  13. The "Whispers Calligraphy_Demo_Essential_Bold" font, crafted by FontsandFashion, embodies a unique blend of elegance and expressiveness. This particular version, with its emphasis on a bold weight, t...
  14. Arctic is a font that embodies the chill, pristine vastness of its namesake, while also encapsulating warmth and approachability. Imagine the sharp, clean lines of ice formations and the fluid, organ...
  15. Helena-Bold by Paul Lloyd Fonts is a distinctive display typeface that captures the essence of classical elegance infused with a contemporary boldness. It is part of a larger family that embodies the...
  16. The 1543 Humane Jenson font, designed by Gilles Le Corre, is a tribute to the rich history of typography, blending meticulous craft and historical homage. This font is intricately designed to echo th...
  17. Riggle is a font that dances across the page with a playful yet robust energy. Imagine each letter crafted not merely to form words, but to invoke a feeling of joy and creativity. Its design leans in...
  18. The Diploma font is a classic and elegant typeface that is synonymous with sophistication and prestige. It evokes the time-honored traditions of academic excellence, official recognition, and high ac...
  19. MKristall, created by Manfred Klein, is a distinctive font that captures the essence of crystalline structures through its design. Manfred Klein, known for his prolific output of diverse and often ex...
  20. Carrington is a distinctive and elegant script font that possesses a genuinely timeless quality. Its sophistication and charm are reminiscent of the early 20th century, drawing heavily from the class...
  21. FT Pedant Dilettante, crafted by Fenotype, a font foundry known for its diverse and high-quality typefaces, stands as a testament to the blend of meticulous detail and artistic whimsy. The font encap...
  22. TT Marxiana by TypeType, $59.00
    TT Marxiana useful links: Specimen | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Marxiana: TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its Antiqua and Italic, Grotesque and Elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set of different fonts, which allows using modern methods and using modern software to create, for example, a magazine in a design typical of the late 19th century. The TT Marxiana project started in the late summer of 2018 and from the very beginning went beyond the traditional projects of TypeType because of the importance of preserving the historical identity. Since up to this point, we had never before reconstructed the font from historical paper sources and with such a level of elaboration and attention to detail, it took us two years to implement this project. You can read more about all stages of the project in our blog, and here we will briefly talk about the result. As it turned out, drawing a font following the scanned pages of a century-old magazine is a very difficult task. In fact, such a font reconstruction very much resembles archaeological excavations or solving a complex cipher, and all these efforts are needed only in order to finally understand what steps need to be taken so that the resulting font is not just an antiqua, but the specific and accurate antiqua from "Niva" magazine. In addition, due to the specifics of printing, same characters in the old magazine setting looked completely different, which greatly complicated the task. In one place, there was less ink than needed, and the letter in the reference was not well-printed and thin, in some other place there was more ink and the letter had flooded. An important task was to preserve and convey this feeling of typographic printing, but at the same time it was important to identify the common logic and character of the dot gains so that the font would form a harmonious, single, but at the same time lively picture. Since the "Niva" magazine was historically published in Russian, the magazine had no shortage of references for the reconstruction of Cyrillic characters, but there were not many Latin letters in the magazine at all. In addition, the paper source lacked a part of punctuation, diacritics, there were no currency signs nor ligatures at all—we developed all these characters based on font catalogs of the 19–20 centuries, trying to reflect characteristic details from the main character composition to the max. So, for example, the Germandbls character, which is not in the original "Niva" set, we first found in one of the font catalogs, but still significantly redesigned it. We decided that in such a voluminous project, only graphic similarities with the original source are not enough and we came up with a feature that can be used to exchange modern Russian spelling for pre-revolutionary spelling. When this feature is turned on, yat and yer appear in the necessary places (i, ѣ, b, ѳ and ѵ), the endings of the words change, and so appears a complete sensation of the historical text. This feature works in all fonts of the TT Marxiana font family. TT Marxiana Antiqua is a scotch style serif, the drawing of which carefully preserved some of the artifacts obtained by printing, namely dot gain, a slight deformation of the letters and other visual nuances. TT Marxiana Antiqua has an interesting stylistic set that imitates the old setting and in which some of the signs are made with deliberate sticking or roughness. Using this set will provide an opportunity to further simulate the setting of that great time. TT Marxiana Grotesque is a rather thick and bold old grotesk. Its drawing also maximally preserved the defects obtained during printing and characteristic of its paper reference. In addition to pre-revolutionary spelling, TT Marxiana Grotesque has a decorative set with an inversion. This is a set of uppercase characters, numbers and punctuation, which allows you to type inverse headers, i.e. print white on black. As a result of using this set, you get the text against black bars—this way of displaying was very characteristic for print advertising at the turn of the century. In addition, about 30 decorative indicator stubs were drawn for this set: arrows, hands, clubs, etc. TT Marxiana Elzevir is a title or header font and is a compilation of monastic Elzevir that were actively used in the "Niva" magazine for all its prints. Unlike the antiqua, TT Marxiana Elzevir has sharper forms, and the influence of deformations from typographic printing is not as noticeable in the forms of its signs. This is primarily due to the specifics of its drawing and the fact that it was usually used as a heading font and was printed in large sizes. The height of the lowercase and uppercase characters of Elsevier is the same as the heights of the antiqua, but the font is more contrasting and lighter, it has a lot of white and, unlike the antiqua and the grotesque, there are a lot of sharp corners. An exclusive feature of the TT Marxiana Elzevir is an alternative set of uppercase characters with swash. • TT Marxiana Antiqua consist of 625 glyphs each and and it has 23 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, ss05, case. • TT Marxiana Antiqua Italic consist of 586 glyphs each and and it has 22 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Grotesque consists of 708 glyphs and it has 22 OT features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Elzevir consists of 780 glyphs and it has 21 OT features, such as: aalt, ccmp, locl, ordn, frac, tnum, onum, lnum, pnum, calt, ss01, ss02, ss03, ss04, ss05, ss06, salt, c2sc, smcp, case, liga. FOLLOW US: Instagram | Facebook | Website TT Marxiana language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chiga, Cornish, Corsican, Cree, Danish, Dutch, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Galician, German, Gusii, Haitian Creole, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Ladin, Leonese, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Mauritian Creole, Minangkabau, Montenegrin (cyr), Mordvin-moksha, Morisyen, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Samburu, Sango, Sangu, Scots, Sena, Serbian (cyr), Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Taita, Tetum, Tok Pisin, Tsonga, Tswana, Ukrainian, Uyghur, Valencian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zulu.
  23. Bifurk is a striking and versatile typeface that stands out for its unique blend of creativity and functionality. Characterized by its modern approach, Bifurk merges simplicity with complexity, offer...
  24. Ah, Olympus by Levi Halmos, the typeface that climbed out of the typography pantheon to grace us mere mortals with its divine presence! This font, much like the mythical abode it's named after, stand...
  25. The AddamsRegular font is a captivating and distinctive typeface that stands out due to its unique characteristics, drawing inspiration from the whimsical and macabre world of the Addams Family. This...
  26. Casa Sans, a typeface designed by Peter Wiegel, is an embodiment of both modernity and simplicity, making it a sleek choice for various design projects. This sans-serif font showcases the designer's ...
  27. **CMCorruged** by Charly Masci emerges as a delightful exploration of texture and depth within the realm of typography. This font, crafted with meticulous attention to detail, encapsulates the aesthe...
  28. "Club Dia" is a unique and vibrant font designed by dibujado | dabnotu, an artist known for their distinctive and imaginative approach to creation. This particular typeface stands out with its bold a...
  29. The font named "Greek House Fathouse," created by Greek House of Fonts, stands out as a distinctive typeface steeped in the aesthetic sensibilities of Greek letter organizations, particularly those f...
  30. Ah, "AddShade" – the mysterious, yet seemingly playful character in the grand narrative of typography. Picture this: Imagine you're walking down the street on a sunny afternoon. The sun is high, cast...
  31. The font "Chopin-Bold" evokes a sense of elegance and grandeur that is truly reminiscent of its namesake, the famed composer Frédéric Chopin. Known for his romantic-era compositions that stir the sou...
  32. JAVATA, conceived by Multype Studio, represents a remarkable fusion between modern design aesthetics and traditional typographic principles. It stands out as a versatile typeface, designed to meet th...
  33. The font Orange Juice is like the wild, energetic friend that brings the party to any design. Crafted by the talented Brittney Murphy, it's as if she dipped her brush in pure sunshine and zest, captu...
  34. OldSansBlack is a distinctive font that traces its roots back to the creative endeavors of Manfred Klein, a prolific typographer known for his wide range of fonts that vary from whimsical to seriousl...
  35. The London font, designed by the talented Jovanny Lemonad, is a distinctive typeface that captures the essence of modernity and elegance. Envision a font that effortlessly combines the historic charm...
  36. The "Cartoonist" font, designed by George Edward Purdy, is a testament to the playful, expressive nature of fonts inspired by the golden age of comics and animation. This typeface stands out due to i...
  37. Steelfish by Ray Larabie is a bold, dynamic typeface that captures the essence of modernity and strength. Its design is a tribute to the resilience and enduring power of steel, making it a favorite a...
  38. The Strobo font, designed by Graham H Freeman, is a distinctive typeface that embodies both modernity and a touch of retro-futuristic flair. It is a font that seems to have been crafted with a keen e...
  39. The "Bonkers" font, particularly when adorned with a shadow effect, commands a playful yet bold presence in any visual composition. This typeface can be characterized by its robust and dynamic nature...
  40. The font KR Butterfly Two, created by the talented designer Kat Rakos, is a beautifully whimsical and distinctly decorative typeface. This font is part of a broader collection that showcases Rakos's ...
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