Apollo is oddly one of the lesser known typefaces of Frutiger, perhaps due to the extreme fame of some of his other works, like the typefaces Frutiger® and Univers®. Stylistically, the very legible and harmonic Apollo is an old face. Frutiger designed it especially for the photosetting used at the time. The Apollo typeface family consists of the weights roman and semibold and their respective italics as well as expert sets. Frutiger optimized the relation between the two weights so that the roman is robust enough to present a legible text on soft paper but light enough to contrast with the semibold. The clear, elegant Apollo is perfect for headlines as well as long texts.

Heart of Saint George is elegant handwritten calligraphic font. It comes with uppercase and lowercase characters, a set of punctuation marks, numbers, Cyrillic characters, ligatures and multilingual support. Ideal for logos, quotes, posters, branding projects, product packaging, t-shirt, book cover, greeting cards and applicable for any graphic design.

This swirly, twirling font was created specifically for monograms. Each letter's unique design flows beautifully.

The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs. Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein.

Introducing The Smell After Rain by Tlatous Type. The smell after rain is a Modern Handwritten Font. this font is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background.

Proudly present "Dancing In The Rain" Dancing in the rain is a simply nostalgic font that will always remind us of the 80s and 90s. This font has a smooth curve in both the regular and italic versions. This font can be used for both headlines and body text. you can also apply it for various other needs such as fashion, skincare, and much more. This font is has full of uppercase and lowercase letter, number, punctuation. This font also has multilingual support and of course it is PUA Encoded. I really hope you enjoy it – please do let me know what you think, comments & likes are always hugely welcomed and appreciated. More importantly, please don’t hesitate to drop me a message if you have any issues or queries. Thank you

The handwriting of a teen girl- bubbly, round, legible, and cute.

This commanding typeface is based on Welling Black, a Fotostar offering from the 1970s. Equally well suited for headlines and subheads. Both versions support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

This is the classic style of Vilna font with Nikud and Taamim.

In predator, a fantastic sci-fi movie. My version of the fantastic script used to write the alien language, adapted into Old Hungarian runic script. Other versions are Anglo-Saxon Runic and Old Turkic Runic.

CARISTHA - the bouncy script - Caristha is great for branding, web design, product tag, wedding card, wedding invitation, logo, quotes, and more it comes in 2 styles of swash. Very easy to access ( You can see on presentation pictures) underscore+underscore+lowercase for titling swash v.1 lowercase+underscore+underscore for ending swash v.1 underscore+underscore+two+lowercase for titling swash v.2 lowercase+underscore+underscore+two for ending swash v.2 Features: Uppercase Lowercase 2 styles of swash (all lowercase) Numeral Multilingual Support Ligatures PUA encoded

Frutiger based the design for his Meridien on the 16th century characters of Jenson, saying: As I designed Meridien, I wanted to avoid stiffness in the forms - I thought they should have a more natural line and flow. My main consideration was in creating a font which was both extremely legible and aesthetically pleasing. Meridien is proof of Frutiger’s success in his endeavor.