Claxon is reminiscent of the types from the 1920s Bauhaus movement. Designed with very short ascenders and descenders for tighter line spacing. Effective for short headlines and general use.
The Brown Sound is an authentic signature script font. This handwritten beauty is suitable for high-end, sophisticated branding, movie poster, album cover or for simple, memorable Instagram quotes.
Outline brush script originally designed for embroidery application. Everett was designed for all media and works best at 24 point and above. Everett requires subjective display kerning and compensation.
Christmas Thania is a friendly, fresh, rich, and elegant handwritten font. It is ideal for holiday-themed greeting cards and for any crafting project that requires a romantic touch.
Cocktail - elegant retro serif with an artistic touch. Specially designed for vintage, retro, elegant projects, perfectly suitable for creating simple, lifestyle designs such as logos, title, packaging, and more.
Christmas Mint is a friendly, fresh, rich, and elegant handwritten font. It is ideal for holiday-themed greeting cards and for any crafting project that requires a romantic touch.
Positively bold, Cachalote was drawn by subtracting negative space. The resulting glyphs show unexpected, original forms, packed in an unicase font. Suited for impact. For the coolest looks. Positively.
Opal, while not one of the most ubiquitous names in graphic design or typography, carries with it an air of elegance, versatility, and clarity. It's a typeface that seems to bridge the gap between th...
As of my last update in early 2023, the font named "OZH" created by Paprika Breitholtz is not broadly recognized within mainstream font databases or among widely circulated typographic resources. How...
Sure! Kontor is a distinctive typeface crafted by the talented Matthias Ribeaucourt, embodying a unique blend of clean lines and functional beauty. Its design is influenced by the pragmatic needs of ...
As of my last knowledge update in April 2023, the font named "Triangler" by Tim Ko does not have a widely recognized or documented description in the major typographic and design resources available ...
Docteur Atomic by Jonathan Paquette is a striking and imaginative font that encapsulates the essence of adventure and innovation, woven into the very fabric of its design. Created with a nod to the r...
Regarding your inquiry, as of my last update in April 2023, "Cher Font" specifically may not refer to an officially recognized font type or widely used typeface named after the iconic singer and actr...
The "Pure Evil 2" font, designed by Chris Hansen, is a testament to the creative potency embodied in font design, particularly when it aims to evoke a specific atmosphere or emotion. This font stands...
The Kingthings Pique'n'meex font, designed by the inventive entity known as Kingthings, embodies an extraordinary blend of whimsy and intricate design that sets it apart from more conventional typefa...
As of my last update in April 2023, the FC Basic Font doesn't stand out as a widely recognized typeface within the vast landscape of typography. However, based on the name 'FC Basic Font,' I can offe...
Disoluta, crafted by the talented Spanish type designer Fernando Haro (known as deFharo), is a compelling and versatile font that straddles the fine line between tradition and innovation. This typefa...
Ah, the enigmatic DomoAregato font by Dieter Schumacher, a typographic creation that looks like it belongs in a neon-lit cyberpunk cityscape as much as in a cozy, retro computer lab. Picture this: th...
Jurassic is not a specific font identified within standard typographic resources or widely known font libraries as of my last update. However, the concept of a "Jurassic" font would typically evoke t...
Ah, the ever-so-futuristic and slightly otherworldly font known as Nasalization, crafted by the visionary Ray Larabie, is like the Vespa scooter of typography: quirky, stylish, and with a hint of ret...
Imagine a font that decided to sneak out of an elegant, old manuscript, put on a modern suit, and strut into the digital age with confidence and a pinch of whimsy. That, my friends, is ClerestorySSK ...
Asylum, crafted by Clearlight Fonts, embodies a unique font narrative that stands out in the realm of typography for its distinctive characteristics and vibrant personality. This typeface is a conver...
As of my last update in April 2023, "Geared Up" might not be a widely recognized or established font within the mainstream typographic community or among popular font databases. However, given a crea...
Quinoa by Catharsis Fonts, $29.00 
Quinoa is display typeface by Catharsis Fonts that unites the seemingly opposed concepts of clean geometric architecture and organic humanist warmth. While it is designed for display and editorial purposes, its accessible forms make for comfortable reading even at small text sizes. Its exuberant adaptive "f", "j", "Q" and refreshing titling alternates bring display text to life. Quinoa covers multilingual Latin, Cyrillic, Greek, Hebrew, Arabic, and Armenian. The Quinoa family spans four stylistic cuts (Quinoa, Quinoa Titling, Quinoa Round, and Quinoa Text) with matching hand-slanted obliques, each of which comes in nine weights. The Titling cut offers a number of alternate capital letter designs with lowercase-inspired forms for a refreshing unicase look, and the Round cut additionally removes the spurs from arched letters like n. The text cut introduces true diagonals and a two-storey "a" for a more sober, reading-friendly look. A host of other OpenType features including ligatures, contextual alternates, small caps, figure sets, and character variants are built into all cuts. Furthermore, the small caps of Quinoa, Quinoa Titling, and Quinoa Text are available as dedicated font files under the names "Quinoa SC", "Quinoa Unicase" and "Quinoa Text SC" for ease of use. Acknowledgements: I am thankful to the TypeDrawers and the Typografie.info communities for great feedback and support. In particular, Thorsten Daum has been tremendously helpful with suggestions and quality control. Thanks to Craig Eliason and Jan Willem Wennekes for their help with the Latin, Alexander L. Stetsiuk for Cyrillic, Ofir Shavit and Jonathan N. Washington for Hebrew, Khaled Hosny for Arabic, and Hrant H. Papazian for Armenian.
Trendy, classy & modern style serif font for your fancy projects. Elegant, fashion and classic style on Karchas font will be great for any branding project. Lot of alternates and ligatures will help you to create unique and original logo design or website header! Enjoy :) -Multilingual support -Lot of alternate characters -Lot of ligatures -Great for modern branding projects!
Autovia is a condensed sans-serif based on the typeface created for the US Highway signs in the 50s. Autovia comes in 6 weights. Has more than 350 glyphs and 8 stylistic sets, and supports all the Latin based languages. A new and more casual addition for the Highway fonts sub-genre ideal for big headlines.
Marteau is a strong, clean, and modern condensed geometric sans-serif. Its purpose lies in branding, advertising, packaging, and all other design that calls for a big impact. It is the display typeface for all things contemporary, from rustic coffee shops to colorful web design – the versatility of Marteau allows for perfect integration into a wide variety of aesthetics.
An uncredited typeface discovered within the pages of Alphabete: Ein Schriftatlas von A bis Z named "Fat Cat" provided the pattern for this exercise in minimalist type design. Best used sparingly for inescapable, if somewhat cryptic, headlines. Both versions of this font include the complete Latin 1252 and CE 1250 character sets, with localization for Romanian and Moldovan.
Trendy, classy & modern style serif font for your fancy projects. Elegant, fashion and classic style on Dagstam font will be great for any branding project. Lot of alternates and ligatures will help you to create unique and original logo design or website header! Enjoy :) -Multilingual support -Lot of alternate characters -Lot of ligatures -Great for modern branding projects!
An original type family designed for ParaType in 2001 by Zakhar Yaschin. The fonts were created within 'One Touch' project. The aim of the experiment was searching for a grapheme through primitive forms and intentional avoiding 'adjusted' characters. The family includes Wood style imitating woodcut letters, and a set of pictograms. For use in advertising and display typography.
