Erghon is a handwritten font with quick dry strokes and a signature style. It's perfect for branding projects, homeware designs, product packaging or simply as a stylish text overlay to any background image or posters. Erghon has an entire alternate glyph set. This is accessible simply by their own separate font file - just install this as normal and select 'Erghon Swash' , ‘Erghon' or ‘Erghon’ in your text-tool. Erghon includes 2 Font files: 1. Erghon Regular - A handwritten script font containing upper & lowercase characters, numerals and a large range of punctuation. 2. Erghon Swash - A set of 26 hand-drawn swashes, with cool touch to underline your text set in Erghon.

Lostgun is a Stunning, classy upper and lowercase typeface that looks incredible in both large and small settings. Best used as a display for headings and logos, Lostgun has clean lines and smooth curves that gives any project an extra touch of class. IMPORTANT NOTE: Lostgun includes a lot of Ligatures that may show by default. If you want to use an alternate character in the place of a ligature or to use the basic characters instead, you may need to disable the OpenType Feature on your software. Main Features: Uppercase & Lowercase letters Punctuation and special characters Multilingual support OTF Format Alternate and Ligatures

Vemina Is Handwritten Monoline Script font which is make with natural movement, elegant for signature style and any other needed. Vemina Handwritten is suitable for any branding projects, logo, wedding designs, social media posts, product packaging, product designs, advertisements, label, photography, watermark, invitation, stationery and any projects that need handwriting taste looklike. Included : Web Font (Only WOFF format) Standard glyphs Begin and Ending Swash Ligature Works on PC & Mac Simple installations Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters – Fully accessible without additional design software. Multilingual support for; ä ö ü Ä Ö Ü ß ¿ ¡

This ornamental font is the interpretation of ornaments of Trypillya culture. Trypillya culture, or Cucuteni-Trypillya is an archaeological culture of neolithic times. Its name derives from the name of the village of Trypillya nearby Kyiv. This culture experienced its culmination between 5500 and 2750 BC. The Trypillians lived in the territories between the Carpathian Mountains and the Dniper River of the modern Ukraine, Moldova and Romania. Many interesting ceramics decorated with original geometric ornaments survived to amaze us. Its heritage is still a little unknown to the public and therefore the patterns that are reproduced in this font have no analogues in the digital format.

Condemned is a light destructive sans typeface created from an old damaged ATF Specimen Book from 1912, and looks reminiscent of poorly transferred rub off type. It contains a complete alternate core character set for a subtly randomized look. Here's what's included with Condemned: 684 glyphs - including Capitals, Lowercase , Numerals, Punctuation and an extensive character set that covers multilingual support of latin based languages. (see the 5th graphic for a preview of the characters included) Contextual Alternates that auto-switches between Capitals & Alternate Capitals, Lowercase and Alternate Lowercase, as well as Numerals and Alternate Numerals for visual randomness. To access the Contextual Alternates feature, you will need to be using software with Opentype compatibility otherwise you can access the alternate glyphs via a Glyphs panel. Stylistic Alternates feature that swaps all standard Capitals, Lowercase, and Numerals with their Alternates Alternate Capitals and Lowercase are complete with all international accented characters Font is provided in TTF & OTF formats. The TTF format is the standard go to for most users, although the OTF and TTF function exactly the same. Here's why Condemned is for you: You're into legible but distressed typestyle that imitates a random distress to it You love condensed gothics, and want to pair them with a distressed condensed gothic You're a fan of old Letraset/Transfertype rub off lettering You're recreating weathered military ephemera and want a typeface with some tooth to it You just like to collect quality fonts to add to your design arsenal

Fantastic ML is an exuberant Art Nouveau font. It was originally released as “Modern Style” by Fonderie G. Peignot & Fils, Paris, France sometime before 1903. Since “Le style moderne” was the generic French name for Art Nouveau, it is possible that someone decided a less generic name was needed. The typeface became known as Fantastic. Compared to conventional text letters, it is just that. Fantastic has a whimsical, architectural feel. The typeface reminds me of a cross between Hoffmann’s Palais Stoclet in Brussels and Gaudi’s Sagrada Familia church in Barcelona. The letterforms themselves are similar to those by Ludwig von Zumbusch on the cover of “Jugend” in March, 1896, but with the addition of serifs. Fantastic ML is a decorative, all-cap font intended for display use and functions best at 18 points or larger. There are a total of 306 glyphs. In addition to the standard 1252 Western Europe Code Page with character slots up to decimal position 255, there are glyphs for the 1250 Central Europe, the 1252 Turkish and the 1257 Baltic Code Pages. However, some older applications may only be able to access the Western Europe character set (1252). The zip package includes two versions of the font at no extra charge. There is an OTF version which is in Open PS format and a TTF version which is in Open TT format. Use whichever works best for your applications.

As Titans Clash in The Final Battle of Good versus Evil, Man versus Machine, God versus Mortal and Coke versus Pepsi, ace lettering artist, Ferran Delgado from Spain teams up with our very own John ‘JG’ Roshell for one last attack on the assembled Cover Lettering Styles of Yore. Fill your lungs and prepare for... BATTTTTTLECRRRRRYYYYYYYYYYY! See the families related to Battle Cry: Battle Scarred & Battle Damaged .

Karika Encore is the 3rd volume in the Karika series of swirly circular symbols. The 52 original designs feature floral and musical motifs in circular symmatrical forms. A splendid addition to any illustration or design project such as backgrounds, greeting cards, posters, etc. Karika Encore's characters are symmetrically sized in height and width so they'll work charmingly together with our Karika Hearts and Karika Swirls symbol fonts.

British Empire is an attempt to re-create some of the typographic characterisics of countries within the former British Empire. It is a sans-serif with unusual up-facing serifs on some of the caps and the lower case round characters have flick round terminals Though designed as a headline face it still works well in limited text. There are four weights with four corresponding italics.

sterlington is an ornamental font, with a hint of Victorian style that can be seen in every form of the letter, this font is also accompanied by additional free ornaments and floral illustrations that you might use to add a more vintage impression and feel of royal romance, very suitable for design such as logotype, headline, label design, coverbook, business card, and many more

Aleesya Rose is a Stylish Font Family to bring a touch of elegance to any design. The clear contrast blends into all styles - even thin styles - and the strong individuality by weight delights the designer's imagination. 14 styles including 7 weights and italics are essential for designers to complete more detailed and sophisticated typography. This style has 426 glyphs each, check the glyph window in your app. The upright standing of the vertical stems stably supports the center of gravity of the entire font. And the thin strokes used as finishing touches will convey an elegant personality to the layout. The ligatures are designed to appeal to the reader with their beautiful tenderness, and they are: Ba, Be, Ha, He, LO, Le, Lo, Re, Ro, ck, de, do, ee, ff, fi, oo, rr, th. In particular, we recommend that you choose this font family to achieve the following purposes: Editorial design, Personal branding, Branding business, logo design, portfolio, and any special design.

Sherlina Script Sherlina Script a fresh & modern new script with a handcrafted calligraphy style, decorative characters and dancing baseline! Very pretty for invitations such as greeting cards, branding materials, business cards, quotes, posters and more!! Sherlina Script comes with 476 glyphs. Alternative characters are divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternate, Contextual Alternate. The Open Type feature can be accessed using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop version of Corel Draw X, and Microsoft Word. And this Font has provided PUA unicode (custom coded font). so that all alternative characters can be easily accessed in full by a craftsman or designer. Sherlina Script: Uppercase & Lowercase Letters International Languages ​​& Symbols Support Punctuation & PUA Numbers Unicode Range Standard Alternative Style If you don't have a program that supports OpenType features such as Adobe Illustrator and CorelDraw X Versions, you can access all the alternative glyphs using Font Book (Mac) or Character Map (Windows). thank you

Introducing,Handy Script Is a Beautiful font of retro style, Give your typography design a touch of retro style with Handy Script, Handy Script is one of hand lettering project. It was very inspired from the famous retro typography designs. Handy Script also comes with extra Extruded Font version. So you don’t need extra effort for create an extrude effect for this font. This mean it will saves your time. Handy Script Comes With 406 Glyphs and OpenType Features are also added to this font. The Features includes: Stylistic Alternates, Swashes, Ligatures, and Stylistic Set. You can pick the alternate for all style. If you have any questions, please contact me at: malindocreative@gmail.com. Feel free to contact me, I am happy to help you. Thank you for your kindness and support, it’s not hidden, what you see in preview is what it contains, Hopefully Useful, Good Luck For You, And Love You All.

KT Quantum is a Display Serif Typeface with 8 weight from Thin to Extrablack. Quantum adapted from 1911 old style serif typeface, Our mindset is to bring this historical typeface to this era, which is we have to redrawing that from the scratch and refining the shape to build the strong characteristic and make it ours. KT Quantum have total 434 glyphs and 203 language support. Quantum support latin basic, latin-1 supplement, latin extended A-B, Spacing modifier letters, and combining diacritical marks. This typeface have a bold characteristic with masculine and feminine effect in the same time, that's make this typeface suitable for your Headline and sub-headline, we don't recommended to use it as body text in small size, because it has a very large contrast and reduce the legibility and readability Whats Include: Webfont is available if you purchase the webfont option and we will send the file direct to download it. Enjoy & Happy Creating We're Here Tapinkco@gmail.com

Ernestone Script Ernestone Script a fresh & modern new script with a handcrafted calligraphy style, decorative characters and dancing baseline! Very pretty for invitations such as greeting cards, branding materials, business cards, quotes, posters and more!! Ernestone Script comes with 476 glyphs. Alternative characters are divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternate, Contextual Alternate. The Open Type feature can be accessed using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop version of Corel Draw X, and Microsoft Word. And this Font has provided PUA unicode (custom coded font). so that all alternative characters can be easily accessed in full by a craftsman or designer. Ernestone Script: Uppercase & Lowercase Letters International Languages ​​& Symbols Support Punctuation & PUA Numbers Unicode Range Standard Alternative Style If you don't have a program that supports OpenType features such as Adobe Illustrator and CorelDraw X Versions, you can access all the alternative glyphs using Font Book (Mac) or Character Map (Windows). thank you

Al Veshion is a floral luxury font. It's a fashionable, elegant, decorative font. Floral ornament letters are ideal for your wedding monograms and logos, fashion product, herb, back to nature vibe, organic vibe, and many more. Use this font for wedding invitations, branding, packaging, magazines, florist shops, social media, restaurant menus, greeting cards, headers and many more. This typeface features 190+ characters with some language adaption that is guaranteed to give your project a competitive edge. Al Veshion features: OpenType support, Multilingual support (15 languages) and is PUA Encoded. Easy to use alternates. It's OpenType support but you can easily call alternates character using special combination like A.2 B.2 a.2 v.2 so you don't need special software. Thanks for checking out Al Veshion. I really hope you enjoy using it! If you have any questions I'd be more than happy to answer them, just send me a message!

The Adelle family continues its stylistic expansion with the release of Adelle Mono and Adelle Mono Flex by Veronika Burian and José Scaglione. Monospaced typefaces are the default choice for developers and programmers and are also an aesthetic choice for many designers and communicators. The Adelle Mono font family has two widths to serve both breeds and a variable font for the flexible spectrum in between. Monospaced typefaces are born of necessity rather than purely aesthetic values. Each glyph is constrained to a strict box, making the naturally smaller ones the same width as the naturally wider ones. While this serves the functional purpose of keeping text aligned in vertical and horizontal rows, it is completely unnatural in terms of readability. A monospaced ‘l, i’ are overblown compromises while ‘m, w’ become compressed mutations. The Adelle Mono family was therefore designed with both the developer and the aesthete in mind. Adelle Mono respects its necessary constraints while still being visually appealing and easily read. Activate it for use in Sublime, Swift, Terminal, or your IDE of choice and see how well it performs. Clarity will lead to less developer mistakes, and its aesthetic appeal will make your work enjoyable. Adelle Mono Flex is the proportional width version that works for any kind of normal text reading or a design intended to invoke “system or information aesthetics”. Opposite the demands of the monospace family, Flex is reader friendly and intended for branding, annual reports, paragraphs, UI, logos, posters, screens, tables, captions, and more. Employ the Mono version where monospace is needed and the Flex version where reading or coherence is priority. Adelle Mono’s experimental 20-style design explores the space between proportional and monospaced types. It boosts creativity and coherence by providing flexible options in the same family, including italics and the variable font format with an axis of weight and a spectrum axis between multi-width and monospaced characters. Combining Adelle Mono with either Adelle or Adelle Sans adds more layers and adaptability to your work.

Suddenly...it’s the World of Tomorrow! With the push of a button Dynatype automates your typesetting experience. Dynatype is actually Two fonts in One–without switching fonts you can instantly change from Dynatype’s “regular” style to its alternate connecting version with the simple push of a button. For more details download “The Dynatype Manual” from the Gallery Section. What is Dynatype? Dynatype is the upright, slightly more formal cousin of Dynascript. It shares many of the characteristics of it’s slightly older relation, but is drawn entirely from scratch and has it’s own unique character. Dynatype may be reminiscent of various mid-century neon signage, and of sign writing, Speedball alphabets and even baseball scripts. Its design also takes some cues from a historical typographic curiosity that began in Germany in the ‘20s and which lasted into the ‘60s—when Photo-Lettering gave it the name "Zip-Top". Basically it was believed to be the wave of the future—that by weighting an alphabet heavier in its top half, one could increase legibility and reading speed. The jury’s still out on whether or not there’s any validity to this notion, but I think you’ll agree that in the context of this design, the heavier weighting at the top of the letters helps to create some uniquely pleasing forms, and a font unlike any other. Typesetters across the planet will also be able to set copy in their language of choice. Dynatype’s 677 glyphs can be used to set copy in: Albanian, Basque, Catalan, Cornish, Croatian, Czech, Danish, Dutch, Esperanto, Estonian, Faroese, Finnish, French, Galician, German, Hungarian, Icelandic, Indonesian, Irish, Italian, Kalaallisut, Latvian, Lithuanian, Malay, Maltese, Manx, Norwegian Bokmål, Norwegian Nynorsk, Oromo, Polish, Portuguese, Slovak, Slovenian, Somali, Spanish, Swahili, Swedish, Turkish, and Welsh—and of course English. Sorry! Off-world languages not yet supported. PLEASE NOTE: When setting Dynatype one should ALWAYS select the “Standard Ligatures” and “Contextual Alternates” buttons in your OpenType palette. See the “Read Me First!” file in the Gallery section.