Drab is a neutral grotesque, but with decorative elements. Suitable for texts and titles. When you do not need a strong accidental but a boring set, Drab is also not suitable. Drab supportsBasic Latin, Cyrillic and more than 100 languages all together. The font was designed by Viktor Pesotsky.

The quest for an identity in the 1980s world of personal computers is the best way to describe Technerd JNL, a retro-style monoline font with clinically mechanical letter structure and a personality only a dot matrix could love. Picture if you will columned reports, interoffice memos and other paper ephemera of the day with this perfect form-and-function typeface, simply reeking of early 80s know-how!

Vintage sheet music for the title song from the film "Forty Second Street" was the inspiration for Theater Lights JNL. While the idea of letters comprised of circles (to simulate bulbs) can be both vintage [as in marquee lights] or modern [simulating dot matrix printers], it is always a fun approach to a tried-and-true style.

Step into the world of cultural sophistication with Turban Genie - Arabic Font. This meticulously crafted digital typeface embodies the elegance of Arabic calligraphy, adorning your designs with intricate details and strategically placed dots on select characters, reminiscent of traditional Arabic writing.

Gusto comes in three related variants that go from hot-dog to melted chocolate, a gastronomic combination not to be passed up (or thrown up).

Chesta is playful monoline font for a lot of purposes. Such as branding, packaging, logo, craft, fashion, poster, brochure, etc.

Full of life Hispanic Didot in 2 optical sizes Retiro is a daring interpretation of Spanish typography. Severe, austere and yet, full of life, Retiro is a vernacular version of Castilian and Andalusian in a typical Didot. Named after a lovely park in Madrid, Retiro started life as a a bespoke typeface designed to give a unique voice to the magazine Madriz. In 2006, the founder of Madriz was looking for a Didot for his new magazine. The Didot is the archetypal typeface used in high-end magazines. Retiro is a synthesis of these high contrast styles mixed with an Hispanic mind. Result is then, after 2-3 years of work, a typeface with countless variations to establish typographic shades adapted to different sections and pages of the Madriz. In 2014, it was necessary to further revise the typeface before its launch at Typofonderie. In order to keep its originality, the unique weight was retained, but complemented with optical size variants to set highly contrasted headlines into various sizes, visually balanced. How to use Retiro optical sizes? Each font provided in Retiro family is named according to the scale of body size: 24 pt and 64 pt. Of course, these names are referring to the body sizes used in typographic design. In the “glorious old days,” the letterpress period, it was customary to cut punches directly to the size at which typefaces would be used. The punchcutter had to visually adapt his design to the engraving size. The aim was to optimize the best contrast and general weight, but also to respect both design’s and reader’s needs. In Retiro’s case, intended for large titling sizes, it’s an adaptation of this ancient practice for our contemporary uses. Although each font is named by a typographic point size, do not feel obliged to use this font at this precise size, but why not, in larger or smaller. It’s rather the concept of gradients that must be preserved in layouts, rather than strictly size numbers. It’s up to the designer to select the right font size for his own designs. Granshan Awards 2012 Creative Review Type Annual 2011 Designpreis 2011 Club des directeurs artistiques, 41e palmarès Type Directors Club 2010 Certificate of Type design Excellence

Kustomtype's 'Annexxus' font is a serrif font family with a regular & oblique version. It contains all upper & lower cases. The 'Annexxus' family is coordinated into letterforms, metrics, and weights to work better together. Why still looking for old school types for your posters, text, design, artwork, headtext, editoral design, magazines, etc.? Dress up your graphic work with 'Annexxus! A good font does not have to be perfect to be wonderful!

Introducing Lubeck Display, new generation Typeface with 3 Weights. Lubeck Typeface created with the vision of to attract the audience to your brand . The finest details of this typeface are methodically and mathematically created. Lubeck is created with all the tasks of a corporate font and also for the usage in a variety of projects, including branding, logos, titles, headlines, servers, screens, display, digital ads, and everything else. We are putting a lot of effort on this font as a long-term project. The Typeface includes Three Weights. Light, Regular and Medium Features: Numerals, extended punctuation & Basic Symbols(200+ Glyphs). Expert kerning and quality crafting. Uppercase Letters & Lowercase Letters.

Diamond Jim JNL was inspired [in part] by an image of a 1970s Letraset® dry transfer typeface made entirely of small stars. By creating his own layout using tiny diamond shapes, Jeff Levine has produced a font that takes on multiple appearances. At 24 point it resembles dot matrix printing; at 48 point the diamonds are clearly visible; and overall, the design has a distinctive 70s retro feel. Limited character set.

Wandhen is handwritten brush font suitable for a lot of projects. such as flyers, crafting, logo, banner, packaging, design product, etc.