5,267 search results (0.134 seconds)
  1. Fontasia V2.0: The Revenge, although a fictional creation, paints an exciting narrative in the world of typographic design. Imagine it as not just a font but an epic saga that unfolds on the canvas o...
  2. The font named "Hendrix Demo" by The Scriptorium is a vivid encapsulation of both creativity and tribute, designed with an essence that echoes the legendary flair of Jimi Hendrix, to whom it ostensib...
  3. "Tin Doghouse" is a truly unique and quirky font that immediately catches the eye with its playful yet edgy design. Created by the imaginative designer or collective known as Starving-4, this font em...
  4. As of my last update in April 2023, I don’t have information on a font specifically named "Ogilvie," indicating it may not be widely recognized in mainstream typography resources or it could be a mor...
  5. As of my last update in April 2023, "Paul6" does not appear to be a widely recognized or documented font within the typographic community or among the standard collections from major type foundries. ...
  6. As of my last update in April 2023, "FAXADA" is not a widely recognized or specifically documented font within major font libraries or typographic resources. However, discussing it hypothetically, le...
  7. Imagine a font that embodies the sleekness of modern design and the openness of futuristic concepts, all while maintaining an ease of readability that makes it perfect for a wide range of application...
  8. As of my last update in April 2023, there isn't a widely recognized or commercially available font specifically known as "Yodle." It's possible that "Yodle" could be a custom or a less-known typeface...
  9. Asgard by Zetafonts, $39.00
    Francesco Canovaro designed Asgard as a way to mix his passion for the raw energy of extra bold sans serif typography with the expressivity of high contrast and calligraphy-inspired letterforms. He built the typeface around a strong geometric sans skeleton, to make the letters feel solid and powerful while using wood-type vernacular solutions to solve density through high contrast details. The typeface name was chosen as an homage to the mythical homeland of the Norse Gods, evoking a land of fierce warriors, power and strength - but also of divine, delicate beauty. Thanks to the help of Andrea Tartarelli and Mario de Libero the original design was extended along with the design space, expanding the number of weights and widths with a "workhorse typeface" approach, and adding also a slanted axis to experiment with italics. The result is a super-family of 9 styles of 8 weights for a total of 72 fonts, each coming with an extended set of 968 glyphs covering over 200 languages using Latin, Greek and Cyrillic scripts. The three variation axes (width, weight, slant) are also all accessible in a variable font version that is included with the whole family. This gives the designer a full range of options for typesetting, with the Roman and Fit widths providing basic display and text-sized alternatives, and the Wide width adding more display and titling options. The inclusion of backslant italic styles gives Asgard an extra chance to add its voice to the typographic palette. To complement this, all Asgard fonts have been given a full set of Open Type Features including standard and discretionary ligatures, stylistic sets, positional numerals and case sensitive forms. Dynamic and expressive, Asgard is a super-family that manages to look brutal and refined at the same time, quoting the vernacular typographic practices of letterpress print while expressing the contemporary zeitgeist. • Suggested uses: perfect for contemporary branding and logo design, bold editorial design, dynamic packaging and countless other projects. • 73 styles: 8 weights + 8 italics + 8 backslant italics, 3 different widths + 1 variable font. • 968 glyphs in each weight. • Useful OpenType features: Access All Alternates, Contextual Alternates, Case-Sensitive Forms, Glyph Composition / Decomposition, Discretionary Ligatures, Denominators, Fractions, Kerning, Standard Ligatures, Lining Figures, Localized Forms, Mark Positioning, Mark to Mark Positioning, Alternate Annotation Forms, Numerators, Oldstyle Figures, Ordinals, Scientific Inferiors, Stylistic Set 1, Stylistic Set 2, Stylistic Set 3, Subscript, Superscript, Slashed Zero • 219 languages supported (extended Latin, Greek and Cyrillic alphabets): English, Spanish, Portuguese, French, Russian, German, Javanese (Latin), Vietnamese, Turkish, Italian, Polish, Afaan Oromo, Azeri, Tagalog, Sundanese (Latin), Filipino, Moldovan, Romanian, Indonesian, Dutch, Cebuano, Igbo, Malay, Uzbek (Latin), Kurdish (Latin), Swahili, Greek, Hungarian, Czech, Haitian Creole, Hiligaynon, Afrikaans, Somali, Zulu, Serbian, Swedish, Bulgarian, Shona, Quechua, Albanian, Catalan, Chichewa, Ilocano, Kikongo, Kinyarwanda, Neapolitan, Xhosa, Tshiluba, Slovak, Danish, Gikuyu, Finnish, Norwegian, Sicilian, Sotho (Southern), Kirundi, Tswana, Sotho (Northern), Belarusian (Latin), Turkmen (Latin), Bemba, Lombard, Lithuanian, Tsonga, Wolof, Jamaican, Dholuo, Galician, Ganda, Low Saxon, Waray-Waray, Makhuwa, Bikol, Kapampangan (Latin), Aymara, Zarma, Ndebele, Slovenian, Tumbuka, Venetian, Genoese, Piedmontese, Swazi, Zazaki, Latvian, Nahuatl, Silesian, Bashkir (Latin), Sardinian, Estonian, Afar, Cape Verdean Creole, Maasai, Occitan, Tetum, Oshiwambo, Basque, Welsh, Chavacano, Dawan, Montenegrin, Walloon, Asturian, Kaqchikel, Ossetian (Latin), Zapotec, Frisian, Guadeloupean Creole, Q’eqchi’, Karakalpak (Latin), Crimean Tatar (Latin), Sango, Luxembourgish, Samoan, Maltese, Tzotzil, Fijian, Friulian, Icelandic, Sranan, Wayuu, Papiamento, Aromanian, Corsican, Breton, Amis, Gagauz (Latin), Māori, Tok Pisin, Tongan, Alsatian, Atayal, Kiribati, Seychellois Creole, Võro, Tahitian, Scottish Gaelic, Chamorro, Greenlandic (Kalaallisut), Kashubian, Faroese, Rarotongan, Sorbian (Upper Sorbian), Karelian (Latin), Romansh, Chickasaw, Arvanitic (Latin), Nagamese Creole, Saramaccan, Ladin, Kaingang, Palauan, Sami (Northern Sami), Sorbian (Lower Sorbian), Drehu, Wallisian, Aragonese, Mirandese, Tuvaluan, Xavante, Zuni, Montagnais, Hawaiian, Marquesan, Niuean, Yapese, Vepsian, Bislama, Hopi, Megleno-Romanian, Creek, Aranese, Rotokas, Tokelauan, Mohawk, Onĕipŏt, Warlpiri, Cimbrian, Sami (Lule Sami), Jèrriais, Arrernte, Murrinh-Patha, Kala Lagaw Ya, Cofán, Gwich’in, Seri, Sami (Southern Sami), Istro-Romanian, Wik-Mungkan, Anuta, Cornish, Sami (Inari Sami), Yindjibarndi, Noongar, Hotcąk (Latin), Meriam Mir, Manx, Shawnee, Gooniyandi, Ido, Wiradjuri, Hän, Ngiyambaa, Delaware, Potawatomi, Abenaki, Esperanto, Folkspraak, Interglossa, Interlingua, Latin, Latino sine Flexione, Lojban, Novial, Occidental, Old Icelandic, Old Norse, Slovio (Latin), Volapük.
  10. TT Runs by TypeType, $39.00
    TT Runs useful links: Specimen PDF | Graphic presentation | Customization options TT Runs Version 2.0—an Unusual Wide-Proportioned Sans Serif! An update that expands the font's capabilities. TT Runs is a font designed for the sports industry. Before starting the development, we researched the identities of various Olympic venues and analyzed current sports brands. We put in maximum effort to design a unique yet elegant modern font well-suited for the sports sector. TT Runs has wide and unusual proportions that are different from traditional ones. It is because of the reversed contrast, which refers to the distinction between the upper and lower parts of letters. The uppercase letters have distinctive inverted proportions, particularly noticeable in characters like K, C, S, and R. This design choice gives the font an original personality and makes the letters look stylish and suitable for both athletic and casual sportswear. While updating the font, we kept its distinctive characteristics and preserved the graphical look of the majority of the characters. However, we thoroughly redesigned the outlines and italic font styles and updated the font's technical aspects entirely. As a result, TT Runs has become more convenient to use, and its range of applications has significantly broadened. - More projects and countries! The set of each font style has expanded from 791 to 917 characters. We added new languages and characters of the expanded Latin and Cyrillic writing systems. - Perfect italics! The new italic font styles are flawless from both graphical and technical points of view. The updated variable font. We have united the roman and italic font styles. You can now change the font on the axes of slope and weight, choosing the suitable values. - The new set of OpenType features! We added the updated numerators with currency symbols, numbers in filled circles, and localization features for the Dutch, Catalan, Turkish, Serbian, Bashkir, Chuvash, Bulgarian, and Romanian languages. TT Runs is an expressive font. It looks aesthetically pleasing on both athletic and casual clothing and is well-suited for printing on any material. Due to its proportions, the font is an ideal choice for headings, offering excellent readability and an elegant appearance in bigger blocks of text. Created with the sports industry in mind, this font brings a touch of style to any modern project. FOLLOW US: Instagram | Facebook | Website TT Runs OpenType features: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, tnum, onum, lnum, pnum, case, dlig, liga, salt, ss01, ss02, ss03, ss04, ss05, ss06, ss07, ss08, ss09, ss10, ss11, ss12, calt. TT Runs language support: English, Albanian, Basque, Catalan, Croatian, Czech, Danish, Dutch, Estonian, Finnish, French, German, Hungarian, Icelandic, Irish, Italian, Latvian, Lithuanian, Luxembourgish, Maltese, Moldavian (lat), Montenegrin (lat), Norwegian, Polish, Portuguese, Romanian, Serbian (lat), Slovak, Slovenian, Spanish, Swedish, Swiss German, Valencian, Azerbaijani, Kazakh (lat), Turkish, Uzbek (lat), Acehnese, Banjar, Betawi, Bislama, Boholano, Cebuano, Chamorro, Fijian, Filipino, Hiri Motu, Ilocano, Indonesian, Javanese, Khasi, Malay, Marshallese, Minangkabau, Nauruan, Nias, Palauan, Rohingya, Salar, Samoan, Sasak, Sundanese, Tagalog, Tahitian, Tetum, Tok Pisin, Tongan, Uyghur, Afar, Asu, Aymara, Bemba, Bena, Chichewa, Chiga, Embu, Gikuyu, Gusii, Jola-Fonyi, Kabuverdianu, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Kirundi, Kongo, Luba-Kasai, Luganda, Luo, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Mauritian Creole, Meru, Morisyen, Ndebele, Nyankole, Oromo, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Sena, Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Swahili, Swazi, Taita, Teso, Tsonga, Tswana, Vunjo, Wolof, Xhosa, Zulu, Ganda, Maori, Alsatian, Aragonese, Arumanian, Asturian, Belarusian (lat), Bosnian (lat), Breton, Bulgarian (lat), Colognian, Cornish, Corsican, Esperanto, Faroese, Frisian, Friulian, Gaelic, Gagauz (lat), Galician, Interlingua, Judaeo-Spanish, Karaim (lat), Kashubian, Ladin, Leonese, Manx, Occitan, Rheto-Romance, Romansh, Scots, Silesian, Sorbian, Vastese, Volapük, Võro, Walloon, Walser, Welsh, Karakalpak (lat), Kurdish (lat), Talysh (lat), Tsakhur (Azerbaijan), Turkmen (lat), Zaza, Aleut (lat), Cree, Haitian Creole, Hawaiian, Innu-aimun, Lakota, Karachay-Balkar (lat), Karelian, Livvi-Karelian, Ludic, Tatar, Vepsian, Guarani, Nahuatl, Quechua, Russian, Belarusian (cyr), Bosnian (cyr), Bulgarian (cyr), Macedonian, Serbian (cyr), Ukrainian, Gagauz (cyr), Moldavian (cyr), Kazakh (cyr), Kirghiz, Tadzhik, Turkmen (cyr), Uzbek (cyr), Azerbaijan, Lezgian, Abazin, Agul, Archi, Avar, Dargwa, Ingush, Kabardian, Kabardino-Cherkess, Karachay-Balkar (cyr), Khvarshi, Kumyk, Lak, Nogai, Rutul, Tabasaran, Tsakhur, Buryat, Komi-Permyak, Komi-Yazva, Komi-Zyrian, Shor, Siberian Tatar, Tofalar, Touva, Bashkir, Chechen (cyr), Chuvash, Erzya, Kryashen Tatar, Mordvin-moksha, Tatar Volgaic, Uighur, Rusyn, Karaim (cyr), Montenegrin (cyr), Romani (cyr), Dungan, Karakalpak (cyr), Shughni, Mongolian, Adyghe, Kalmyk, Talysh (cyr) .
  11. As of my last knowledge update in April 2023, the font "Kellnear-Italic" does not exist in the widely recognized catalogues of typefaces or within mainstream typographic resources. This doesn't mean ...
  12. Imagine if Tim Burton decided to dabble in typography after a night spent reading ancient grimoires by candlelight, and you'll have a smidgen of an idea about the delightfully eccentric charm of the ...
  13. Alas, my dear inquirer, the font named Conformyst, crafted by the elusive artisans at Clearlight Fonts, remains a figment in the limitless cosmos of typography, as it does not exist (to my current, l...
  14. The font id-Kaze2OT-Light, crafted by Inoue Masaru, is a distinct and refined typeface that stands out for its delicate elegance and gentle grace. Masaru, known for his meticulous attention to detail...
  15. As of my last update in April 2023, the font "Mark" by Mike Font is not a widely recognized typeface in the design community or among the databases and collections of typography I'm familiar with. Ho...
  16. Alas, I can't access up-to-date databases or specific document collections to provide current or exclusive information on particular fonts including "GoodCityModern Plain" by Altsys Metamorphosis. Bu...
  17. As of my last update in early 2023, the "Bharatic-Font" does not reference a specific, widely recognized typographical design or font family within the extensive array of available fonts worldwide. H...
  18. Oh, "Heartfont," the name alone conjures images of love letters penned in the wee hours, secret admirers typing away on their vintage typewriters, and the digital equivalent of a heart-shaped box of ...
  19. As of my last update in early 2023, the font "Futureman" by TeA Calcium does not exist in prominent font libraries or design portfolios, and information on it is not widely available. However, let me...
  20. The Red October Stencil font, masterfully designed by Ivan Filipov, stands as a bold and commanding tribute to typography that demands attention. This font finds its roots deeply embedded in the visu...
  21. As of the last update before my last knowledge update in 2023, "Morevil" is not a widely recognized or standard font within the vast catalog of typography. This could imply that it is either a very s...
  22. Prisma is a distinctive and stylistically unique typeface that doesn't strike a conventional note in the typographic world, making it an intriguing subject of discussion. While not part of the mainst...
  23. Ah, "Future Earth" by Yautja – a font that's not your everyday Helvetica or Times New Roman. No sir, this font is what happens when typography decides to go on a space odyssey and ends up at a rave p...
  24. "Exquisite Corpse" by Chad Savage is an evocative font that stands out due to its unique inspiration and design, encapsulating a sense of artistic collaboration and creativity tied to its namesake. T...
  25. The CHE LIVES! font, designed by Levi Halmos, is a striking and evocative typeface that captures the spirit of rebellion and revolutionary zeal. This font is an artistic homage to the iconic Argentin...
  26. As of my last update in April 2023, "Verdy" is not a widely recognized or established font within the extensive catalog of typographic designs prevalent in both digital and print media. It’s conceiva...
  27. As of my last update, there isn't a widely recognized or standard font named "Karyna Feet." However, the wonderful world of typography often embraces new creations and names, so let's explore the art...
  28. As of my last update in April 2023, "Houndtime" designed by Bree Gorton may not be widely recognized within the mainstream font databases or among popular typeface discussions. However, let me create...
  29. As of my last update in 2023, I don't have direct access to specific databases or updates about fonts developed beyond that point, including the detailed specifics about "Candyful" by Typefactory. Ho...
  30. As of my last update, Saarland, designed by Uwe Borchert, might not be a widely recognized or extensively documented font in mainstream typographic resources or among popular font libraries. However,...
  31. "Feedback BB" is a distinctive font crafted by the renowned type foundry Blambot Fonts, which has made a name for itself within the comic book industry and beyond. Founded by Nate Piekos, Blambot has...
  32. As of my last update in April 2023, I don't have specific data on a font named "Yum" created by Yum Productions, suggesting that it might not be widely recognized or it might be a newer, niche creati...
  33. As of the last update, Harold Lohner is recognized for his diverse range of fonts that tap into both historical inspiration and inventive creativity. The "Roosevelt" font, named evocatively to conjur...
  34. As of my last update in April 2023, there is no widely recognized font specifically named "Jetmix" in the mainstream typographic or design communities. However, the concept of a font named "Jetmix" p...
  35. Nyctophobia, a captivating font created by the talented designer David Kerkhoff, is a masterpiece of design that embodies the essence of fear and intrigue, much like its namesake suggests. The word "...
  36. The font ETIAW v3 is an intriguing and dynamic typeface that stands out for its unique style and character. It is a font that seems to transcend traditional typographic boundaries, offering a fresh p...
  37. As of my last update in April 2023, I should note that specific details about a font named "Melbylon" by Graham H. Freeman may not be widely documented or recognized in popular font directories or am...
  38. The Tektrron font, created by the designer known as onezero, is a striking and imaginative typeface that captures the essence of modernity and technological sophistication. Its design is a nod to the...
  39. Font design frequently embodies the cultural and technological zeitgeist of its time, serving as a bridge between the expressive intentions of the creator and the aesthetic reception of the audience....
  40. As of my last update in April 2023, the font named Calico Cyrillic, attributed to Page Technology Marketing Inc. or Mr. Nobody, represents an intriguing case within typography, primarily due to its n...
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