A Classic italic Roman with a set of alternative swash caps and a number of original swash lower case characters that can create a number of unusual ligatures.

Finesolla is a cool brush script font. It’s perfect for creating logos, product branding, posters, social media posts and much more! Ignite your creativity with this fun font.

German type designer Johannes Erler created this pi and symbols FontFont in 1992. The font is ideally suited for advertising and packaging. It comes with proportional lining figures.

The letters of this cursive font connect together to create script lettering that will add a unique touch to your special occasion announcements, invitations, scrapbook layouts, and programs.

Fantasik is a sophisticated, charming serif font with a fashionable touch. Specially designed for luxury, elegant, feminine projects, this font is perfectly suitable for creating modern, chic designs.

The Billy family contains three individually useful and fun fonts. When combined, the energy and strengths of the different weights play off each other creating an essential family.

Auto-scanning an example of a vintage typewriter font created the design which is now the digital typeface Bitmap Typewriter JNL, available in both regular and oblique versions.

Elegant settings perfect for framing gems, words, quotes and pictures in groups of three. These were created to go well with Gingerbread Borders and Victorian Frames. 76 characters.

Cattleprod is an offbeat slab serif font full of swagger. It was created without any reference, but just the idea of a playful somewhat stumbling stance in mind.

Bagife is a sophisticated, charming serif font with a fashionable touch. Specially designed for luxury, elegant, feminine projects, this font is perfectly suitable for creating modern, chic designs.

North Blue is a new, stylish and quirky script. It was created to look as close to a readable script as possible, and includes great swash characters too.

Diamante Robusto Font is my new font, where all the letters came out of this strange shape created without intention of being the inspiration for this new font.

Niks is the first sans serif created by dooType. It has 4 weights with corresponding italics. The character set supports more than 30 languages and some Opentype Features.

Rogue - A Display Font : Rogue is a carefully crafted display font. It has Extended Latin and Cyrillic characters. It created for poster, web, brand and social media designs.

Gatkins, its a Elegant Script font with swashes! create your own customized signature, quotes, or logo design. This font is support multi language. Also Support PUA. Thank you!

A unique looking sanserif that connects like a script. It's different and innovative design creates a whole new look. A great decorative display font with lots of applications.

Subikto One is the first of a series of pictograms from Subtitude foundry. We've create a multitude of hand positions and combinations. Each hand express a unique gesture.

Dillario is a sophisticated, charming serif font with a fashionable touch. Specially designed for luxury, elegant, feminine projects, this font is perfectly suitable for creating modern, chic designs.

This is a series of elegant ormnaments created for Valentine's day. Each ornament is designed with care to ensure that it can be used at the largest sizes.

Carefully considered letters written long-hand, sealed in an envelope and sent across continents were once the only connection for distant friends and lovers. Dear Sarah is a type that evokes the emotion of those handwritten messages. Using alternates, ligatures and a complex system for randomization and natural connected characters, Dear Sarah seeks to push the boundaries of digital type. The guiding question that drove the design of Dear Sarah was whether it was possible to create a natural looking script that worked well in running text. Hand-written types often work for two or three words, but as soon you you look at them in a paragraph, their unnatural textures make them feel contrived. As one of the first serious types to explore OpenType for a connected script, Dear Sarah uses a unique system to create natural connections. Often script types rely on one connecting point to make sure that all their characters fit together properly. Characters that naturally connect much higher, such as the ‘o’ or ‘v’ are distorted to connect at the same point as an ‘a’ or a ‘c’. Dear Sarah uses multiple sets of lower-case characters to connect at multiple points, creating a much more natural looking script. OpenType is also used to create variety, by using randomization techniques to insert disconnected characters as well as alternates, ligatures, swashes and ink blots to create a natural rhythm across multiple lines.

The font Arsena was designed for a contest on the creation of modern Ukrainian business font "Arsenal" and awarded the 3rd prize. A little squared figure which is enlightened from the middle, unobvious, but the existing modular grid, simplified, but not a primitive design of letters, mathematically defined optimum inclination angle, counterbalanced ratio of thickness, an optimum spacing and a manual kerning - all of this is for the best reproduction in any conditions as well as for the maximum clarity and readability. Asymmetric slab serifs make the font Ukrainian and at the same time have a modern and dynamic look. Besides its highlighting function, Italics also have an independent assignment. The Italics are made under calligraphic traditions in a modern style of mono-thickness (but optically compensated) and in particular, in combination with alternative initials of the same style and it is relevant to use it in a private letter, or in the design of the official greetings, etc. It is also promoted by four typographic ornamental motives. Due to the above-mentioned qualities this font can be used successfully for a wide range of tasks - from business to mass media, publishing, advertising and accidental.

In July 2014, using my light pen, I completed the work in designing the font - Nizar, which was named in honor of the great poet Nizar Qabbani who inspired millions through poetry and prose. The font depends mainly on the characteristics of the traditional Ruq'ah handwriting, but the spirit of the letters tend to embrace the distinguished style that we knew of the poet in his hand-written poetry books. Due to the fact that I could not find all the alphabets in the great poet's handwriting, I adopted the method of measurement and prediction for structure of the missing letters, Which resulted in a new style of the Ruq'ah Typeface; a closer look at the font highlights the common characteristics of all the usual Ruq'ah writings, which are the height of the character "Alef" and spaces and formation on the line, the contextual replacement and convergence of when a letter meets another, closed and open letters, letters coming down from the baseline, and the forms of dots. That been said, hidden touches in the details of Nizar Typeface can be observed, the characters are all dependent on one pen stroke thickness, and are attracted to the baseline as much as possible when vertically and horizontally formed, and the distance between words and lines grows leading to creating both an aesthetic and typographical touch distinguishing this font from the conventional Ruq'ah – which can be found in some of my previous Ruq'ah projects. It is important to mention that after the completion of the Arabic characters and punctuation, I began drawing the Latin alphabets, punctuation and necessary symbols. I cannot fail to also note that the Arabic characters include the Persian, and the Urdu characters. This Typeface is fit to be used in lengthy texts, especially in literary works, artistic print, and diverse visual display, giving the design striking features, modernity and distinction. Sultan Mohammed Saeed