Denso is a font family delivering great force using minimum space. It supports 111 languages, features a total of 309 glyphs and includes an outlined and italicized version for each of the 3 weights.

Apice is a font family made for precise bursts of data. It supports 111 languages, features a total of 310 glyphs and includes an italicized and outline version for each of the 3 weights.

Homogenic is a new casual modern script font. This font describes about girly, feminist, elegant, dynamic, humanist, easy to use and will bring a good harmony when the letters are connected and paired each other. FEATURES - Support Opentype Features - Support Ligatures - Automatic stylistic alternates bb dd ee ff gg hh ii kk ll mm nn oo pp rr ss tt zz ah ak al am an ar ba bh bl br bt cl ch eh ek el em en gh ght gl gn gr gt ie ih ik il im in ir jt lt nt oh ok ol om on or or ov ow se sh sk sl sn sp sr st ue uh uk ul um un ur ve we wi wo yl yn yt Sl Sh Sk - Uppercase - Lowercase - Numbering and Punctuations - Multilingual Support - Works on PC or Mac USE Homogenic works great in any branding, logos, magazines, apparel, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery and any projects that need handwriting taste.

Osmica is a font family heavier than the sum of its parts. It supports 111 languages, features a total of 309 glyphs and includes an outlined, inlined and italicized version for each of the 5 weights.

Sir Richard Henry Bonnycastle (1791–1847) was an English officer and military engineer who served in the War of 1812 and ultimately settled in Canada. I stumbled upon copies of some of his charts and maps, became infatuated with the hand-lettered titles—and the result is the eponymous Bonnycastle. The font has a bold weight and an italic style but is intended as an eye-catching standalone, evocative of its period in history. Use as a titling face on branding materials, event posters, book covers, presentation graphics, historical illustrations, and the like.

Sparrowhawk, a capitals only titling, evokes a suburban English gentility.

Loosely based on Dorsey, an English typeface by Alan Dempsey.

Allure and Grace is an elegant, feminine font. The modern calligraphy uppercase letters are ideal for your wedding monograms and logos. Use this font for wedding invitations, branding, packaging, magazines, florist shops, social media, restaurant menus, greeting cards, headers and many more. This font includes 121 stunning ligatures to make your text as close to a natural handwritten script as possible. It's perfect for wedding design projects, instagram, invitations, signatures, watermarks, logos, letterpress address, titles, birthday invitations, handwriting and other. The font has extensive language support, it includes English and European latin-based languages: French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Finnish and other.

Lazarrous Font This pair was inspired by the haloween poster design that i saw at some coffee shop, It was crafted by hand specially to add natural handmade feeling in its brand identity than i make it clean with pentool. Opentype features Lazarrous font has 171 character set included Lazarrous Font is very good looking in logo, labels, t-shirt prints, product packaging, invitations, advertising and others. What includes Multilingual support (Western European characters). This fonts works with following languages: English, Danish, Dutch, Estonian, Faroese, Filipino, Finnish, French, German, Hungarian, Icelandic, Irish, Italian, Norwegian, Polish, Portuguese, Spanish, Swedish. Thank you for using this font. LS

English designer David Quay created the Agincourt font in 1983. Drawn after the Old English style of type, Agincourt features intricate capitals, which complement the more reserved, slightly condensed lowercase. Agincourt is perfect for use on certificates, greeting cards, or anything that should have an historical appearance.

»Floralscript« is an english copperplate script decorated with flowers and curly leaves.

Based on ‘Players,’ a typeface from English designer Adrian Williams, circa 1976.

Modern Elvish is a humanist sans serif typeface created for the Tengwar “English” mode as popularized in the Lord of the Rings books and films. I imagined the famous elves of this lore living in contemporary times and needing a no nonsense modern typeface for their branding, communications and UX design. Use this typeface for your RPG, LARPing or Cosplay needs. This typeface uses advanced font features such as ligatures and contextual alternates to convert any English text. I would recommend typing in English first, then converting to a font of this typeface.

A casual and fun-loving font based on the work of showcard artist Albanis Ashmun Kelly, from his 1911 book “Expert Sign Painter,” and named for a long-running comic strip. Both versions of this font contain the complete Unicode Latin A character complement, with support for the Afrikaans, Albanian, Basque, Bosnian, Breton, Catalan, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Faroese, Fijian, Finnish, Flemish, French, Frisian, German, Greenlandic, Hawaiian, Hungarian, Icelandic, Indonesian, Irish, Italian, Latin, Latvian, Lithuanian, Malay, Maltese, Maori, Moldavan, Norwegian, Polish, Portuguese, Provençal, Rhaeto-Romanic, Romanian, Romany, Sámi, Samoan, Scottish Gaelic, Serbian, Slovak, Slovenian, Spanish, Swahili, Swedish, Tagalog, Turkish and Welsh languages, as well as discretionary ligatures and extended fractions.

English Scripts are nice and decorative. I wanted to make them strong and expressive, too.

Larisch is a hand-lettered design by the Austrian calligrapher and teacher, Rudolf von Larisch. The original was used for the title page of the 1903 edition of Beispiele Kunstlerischer Schrift (Examples of Artistic Writing). Larisch is an attractive, casual set of caps of even strokes with rounded terminals. Except for the terminals, it is similar in style to Kunstler Grotesk. The numerals are lining or ranging figures, meaning they line up with the baseline, unlike old-style text figures. All are of equal width for setting up columns of numbers. The letters are well formed and easy to read, as you would expect from a writing master. Ligatures includes CH (123), CK (125), FT (135), LA (137), LO (167), OO (172), CO (177) and TT (181. An alternative O with underscore is provided at position 111. Friendly, but not fancy -- a very useful all-cap font.

OldHaroldRee is a modification of PhederFrack, a calligraphic fraktur face. It keeps the lower case letters and inserts a completely different set of upper-case letters, which is in the “Old English” rather than the “Old German” or fraktur style. It comes in two weights, a bit unusual for an Old-English style typeface.

Introducing Melody Party – a brand new serif with all the nostalgic vibes! I've started seeing classic, tightly-spaced serifs of the 80s & 90s making a comeback, and wanted to create the perfect one for you too! Melody Party is a beautifully nostalgic upper and lowercase typeface and has 191 Special Alternates that looks incredible in both large and small settings as a display and body text. I've been loving combining the Regular and Outline, whether all in word or in body text! What's Included? Melody Party Main File 191 Special Alternates Regular and Outline version Instructions (Access special characters in all apps, even in Cricut Design) Unique Letterforms Works on PC & Mac Simple Installations Accessible in Adobe Illustrator, Adobe Photoshop, Microsoft Word even Canva! PUA Encoded Characters. Fully accessible without additional design software. Language Support: Danish, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Luxembourgish, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Spanish, Swedish, Swiss-German, Uzbek (Latin) Thank you Dharmas Studio

Vectis, named in honor of the Roman settlement of Britain's south coast on the Isle of Wight, brings a fresh approach to the classic simple elegance of ancient Roman faces. Vectis is offered as a small caps face designed to add a fresh hint of character to this style of classical design. Vectis can lend a note of formal dignity to any design project or poster and is ideal for clear headings and titles with a traditional feel. Two basic weights are offered, regular and bold, as well as a range of alternate letterforms and ligatures. This popular family has now been expanded with the incised 'Monumental' display face, and well as 'miniscule' lower case forms and condensed widths. Vectis and our Anavio families compliment each other perfectly, and can also be purchased together in a value pack.