My kids have a tin box filled with crayon and pencil leftovers: bits and pieces that have fallen or broken off, but are still good enough to use. For me it is a treasure trove, as I often find a nice bit of crayon to use for a new font. In this case, I created Leftover Crayon. Leftover Crayon is a fat, crumbling and seriously eroded crayon font. Completely hand made, completely legible and full of character. Use it for your bedtime stories, product packaging and invitations. Comes filled to the brim with diacritics.

Hand lettered with a pointed brush, this font strives to be evocative yet remain readable, even for medium length passages of text.

David Farewell is a decorative flare-serif typeface family with medium contrast. It has four styles: regular, bold, italic, and bold italic.

Rolling gemstones… The name "Eris" is again borrowed from Greek mythology, is related to the myth "the apples of Hesperides" which were gold and one of them got the Erida!!! More about this myth can be found on the web... And in this font (as in one section in the "Cyceon" font) I have mixed in the lower case with the capitals in many letters.I tried here to give a different illustration in lowercase letters, simply because of whims or because the monotony is tiring me!!! One can also mix here with two levels to get a third color depiction using the “ErisPro-Black” with “ErisPro-Strap” or “ErisPro-BlackIt” with “ErisPro-StrapIt” This series is composed and includes twenty-four fonts with 658 glyphs each, with true italics and supports Latin, Greek and Cyrillic.

HK Kelie is a light to medium-contrast typeface with swashy, medium bracketed serifs, and terminals in the appropriate places, as well as bracketed junctions in various letterforms. The main feature of the typeface is the disconnection between the bowls and the stems. However, the bowl is very close to the stem, creating the illusion of connection. HK Kelie is calm, attractive, and legible — but above all, it is sophisticated.

David Berlow drew Romeo Medium Condensed during winter of 1990, basing the design on the Estrecha Fina weight of Electra, a spectacular art deco sanserif with an unusually fine condensed series. Carlos Winkow designed it circa 1940 for the Nacional typefoundry of Madrid, the leading typefoundry in Spain. Jill Pichotta drew the ultra-light Skinny Condensed, a digital tour de force released with Medium Condensed; FB 1990–91

Westiva is a serif font family with an elegant and classy look. Each Westiva glyph font is designed with natural and beautiful curves. Westiva Typography can help you complete various projects such as luxury brand logos, journals, business cards, titles, products, social media posts, web and much more. If you're involved in a project that requires beautiful and professional writing, the Westiva font is perfect to help you get it done. Westiva fonts feature opentype, kerning, ligatures and alternates packed in 4 fonts: Light, Regular, Medium and Bold. Westiva fonts include uppercase letters, lowercase letters, numeral, punctuation and multilingual support.

A revival of one of the popular wooden type fonts of the 19th century, suitable for text or display, medium and bold weights.

Introducing DAGUIN, inspired by the medieval look and feel in fashion visual, fusion up with the contemporary modern serif to reach the wider range of visual trend possibilities. From past to the future. Perfectly fit for your logo, magazine, look book, social media branding and content, beauty blog, fashion branding, website, clothing, merchandise, mood board concept, etc.

Comment is a unique yet still basic sans serif created to provide a consistent, attractive appearance in print, especially in small-to-medium sizes.

Aunque Medium is a modern take on historical fraktur typefaces. Aunque is an OpenType font with OpenType features such as standard and discretionary ligatures.

Zapf International font is the work of German designer Hermann Zapf, formal enough for widespread use yet tempered with calligraphic warmth. Vigor in the italics is achieved more from design than from slant. One of the distinguishing characteristics of Zapf International is its graduation of weights. Light and medium are relatively close and equally eloquent for text. Demi is a full two steps heavier than medium and heavy several steps beyond demi.

NorB Felt Marker is a variation of my NorB Marker font, It's handwritten text font witch you can use with any word processing program for text and display use, print and web projects, apps and ePub, comic books, graphic identities, branding, editorial, advertising, scrapbooking, cards and invitations and any casual lettering purpose… or even just for fun! It comes with 8 weights: Regular Italic Medium Medium Italic Bold Bold Italic Heavy Heavy Italic

CF Cozyscript is an even weighted connecting script. Created in the spirit of the Old Grade School cursive chart seen above the blackboard in the front of the classroom. Giving students a constant visual reference of the smooth flow of Caps and Lower case script. Neither formal nor casual but a combination of both styles. Cozyscript is currently available in 3 styles: Light, Medium & Rounded. The Light & Medium styles are best suited for Invitations, Notes, Advertising, Personal Letters, and Sensitive Subjects such as Movie Titles, Biographies, Wedding paraphernalia, etc. The Light & Medium Glyphs finish in squared-off ends, whereas the Rounded version is slightly bolder than the Medium version with rounded ends resembling a tubular look. The Rounded version lends itself to effective use in Sports, Music, and Advertising, Graphics, Signage, Branding, Neon effects, Logos, Titles, and Packaging. With over 300 glyphs applicable in over 100 languages, Cozyscript is available for use! Cozyscript is CozyFonts Foundry's 17th Font Family released and 2nd script font by Tom (Cozy) Nikosey, California Designer.

Genial is an elegant, contemporary script font in nine styles, specifically designed for maximum versatility. All of the styles, ranging from condensed thin to expanded fat, are clear and legible. The font conveys a feeling of relaxed elegance. The Family: Medium weights - Regular: of medium weight and regular width - Expanded: of medium weight and wide - Condensed: of medium weight and condensed width (narrow characters) - perfect for limited space Black weights (for best readability) - Regular: for bolder statements - Expanded: expanded width for bolder statements Light weights - Regular: regular width, delicate line - Expanded: wide characters and a delicate line - Condensed: condensed width (narrow characters) and a delicate line Fat weight - Expanded: for maximum impact (wide and extra-bold) Use a combination of styles for product branding, book covers, invitations, greeting cards. The Genial combination will enable you to use different styles of the same font for headings, sub-headings and body text. Genial contains over 250 characters - (upper and lower case characters, punctuation, numerals, symbols and accented characters are present). It has all the accented characters used in the major European languages.

I wanted to create a "handwriting" font which could be used professionally. I have often needed such a font with a variety of weights and styles for a particular project and have had to resort to mixing fonts, creating a rather messy, amateur job. Camy is named for a little village in South West France where I did much of the initial work on this font. Camy is ideal for contemporary display work, comes in ten styles, and has a contemporary appeal with its casual, easy to read letters. Camy was designed as a total professional package for designers looking for a handwritten font suitable for all kinds of contemporary display work: the idea being that once you have the Camy Professional Pack you don't have to waste time searching for other handwritten fonts. The Family: LIGHT -- NARROW - light weight, condensed width, delicate line -- MEDIUM - light weight, delicate line -- WIDE - light weight, expanded width, delicate line NORMAL WEIGHT -- NARROW - of medium weight and condensed width - perfect for limited space -- MEDIUM - of medium weight -- WIDE - of medium weight and expanded width BLACK - for best readability -- NARROW - condensed width for bolder statements in small areas without losing legibility -- MEDIUM - for bolder statements -- WIDE - expanded width for bolder statements FAT -- WIDE - for maximum impact Use a combination of styles for product branding, book covers, invitations, greeting cards. The Camy combination works well for both headings and body text. Camy contains over 250 characters - (upper and lower case characters, punctuation, numerals, symbols and accented characters are present). It has all the accented characters used in the major European languages.

Filou is a genuine bastard inspired by three different typefaces. It consists of three weights: "Regular", "Medium" and "Extra" which can be easily mixed together.

This is That: a family of four weights with roman and true italics, and also with chiselled medium weight, and Irregular variant for, well, variety.

Airy and delicate, Cerulya CF is a striking display typeface brimming with movement and grace. A unique semi-serif design with rounded teardrop terminals, Cerulya CF shines brightest at large sizes – perfect for logos, posters, headlines, and more. Includes five weights, roman and italic sets, and a selection of optional ligatures, swashes, and alternates. Cerulya CF pairs well with a contrasting, simple geometric sans-serif like Greycliff CF; for maximum effect, try a large difference in typeface size between the two. All typefaces from Connary Fagen include free updates, including new features, and free technical support.

Baghadeer, from the hand of Stephen Rapp, is an upright connecting script brimming with personality. With its exuberant capitals, dashing crossover strokes, and rhythmic pulse; it retains the active spirit most associated with slanted scripts, but with the grounded presence of an upright. Baghadeer contains 780 glyphs featuring a plethora of swashes, ligatures, and alternate letters to individualize the look of your project. There is also a set of small caps and ornamental flourishes to add some finishing touches. It contains feature programming to make typesetting seamless and has all the language coverage you'd expect in a pro font.

These Charming letterforms, filled to the brim with the pop sensibility of late sixties je-ne-sais-quoi and the high camp detachment of the early seventies, scream out 'I am THIN and GORGEOUS!' Daring, Sexy, Witty and Subversive, Absolutely Fabulous swings from the pages of Marvel's UNION JACK to provide you with all the handheld wobble you'll need for thrilling titles, taut climaxes and logos that tingle with sartorial sophistication. If you're not thinking of miniskirts, black leather and concealed transmitters in bowler hats when you install this font, you're just not on the right wavelength, baby.

Pipo is a minimalist rounded tubular and stencil font in 5 weights (Thin, Light, Regular, Medium & Bold) — many symbols and cleverly ligatured! language: all latin glyphs

bb-book A — breaking rules typeface Expressive book serif (triangular and curved) kicking up weight, width and contrast — in 4 styles: light, regular, medium and bold.

Valentine is another brand-new profonts script typeface family with versions in light, light italic, medium and medium italic, supplied in the new OpenType Pro font format. Valentine contains about 1.100 glyphs for every weight, covering the complete Latin character set (West, East, Baltic, Turkish, Romanian), and a huge number of handmade ligatures, character combinations and alternates to make it a perfect OpenType Pro connecting script. Valentine is a very distinguished, elegant and versatile script font.