Based on a disco-era typeface named—perhaps not surprisingly—Disco, this offering has strong geometric elements which blend together nicely to form tight, commanding healines. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Rosianne is a bold and unique handwritten font with a distorted and classic feel. It will effortlessly turn any creative idea into a stand out.

Funkywarp is a simple distorted font, a warped sans-serif typeface. The package contains both OTF and TTF versions - install either OTF or TTF, not both.

Superxoid is super-distorted, super-damaged and super-noisy...summa summarum, Superxoid is super-grungy! You will need to use OpenType supporting applications to use the autoligatures.

Proudly present Smokey Brown - Funky Type, created by ikiiko. Smokey Brown is inspired by the 70's funk & soul vibes. Is a distinctive and vibrant style of typography that emerged during the 1970s, primarily in the context of soul, funk, and disco. One feature that makes this font style distinctive is the use of bold letters with thin lines to form letters. Typography itself is fun and enjoyable. The letters can be played with by being stretched, bent, or distorted in various ways, giving the font a sense of movement and energy. This type is very suitable while used in retro-themed designs or for projects that want to evoke a sense of nostalgia and retro vibes. Like a poster design, magazine layout, movie title, brand logo, quotes, or simply as a stylish text overlay to any background image. What's Included? Uppercase & Lowercase Numbers & Punctuation Multilingual Support Works on PC & Mac

Transistor is a decorative and electronic serif typeface. One of the historical connection was the Didot, development in French. Transistor typeface was designed from the concept and experimentation with electronic circuits. The main typographic proportion are connected with the modern typeface, like Didot where the letterforms are inspired from the point nib pen design approach but also with electronic type style letterforms.

Whexjable is full of fun and quirky letters - I have included loads of ligatures to complete the original distorted look! You will need to use OpenType supporting applications to use the autoligatures.

An exquisite Didot font in 18 series Ambroise is a contemporary interpretation of various typefaces belonging to Didot’s late style, conceived circa 1830, including the original forms of g, y, &; and to a lesser extent, k. These unique glyphs are found in Gras Vibert, cut by Michel Vibert. Vibert was the appointed punchcutter of the Didot family during this period. It is the Heavy, whom sources were surest that Jean François Porchez has been used as the basis for the design of the typeface family. In the second half of the 19th century, it was usual to find fat Didots in several widths in the catalogs of French type foundries. These same typefaces continued to be offered until the demise of the big French foundries in the 1960s. Ambroise attempts to reproduce more of what we see printed on paper in the 19th century; a more accurate representation of Didot punches. So, the unbracketed serifs are not truly square straight-line forms but use tiny transitional curves instead. The result on the page appears softer and less straight, particularly in larger sizes. The illustrious Didot family of type founders and printers Every variation of the typeface carries a name in homage to a member of the illustrious Didot family of type founders and printers. The condensed variant is called Ambroise Firmin. The extra-condensed is called Ambroise François. Ambroise Pro brought back to life: fifteen years in the making! Club des directeurs artistiques, 48e palmarès Bukva:raz 2001

Discover the perfect blend of classic and modern design with our versatile monospaced font. With its timeless appeal and sans serif style, this font effortlessly captures both the vintage charm and contemporary aesthetics.

Handlettering discovered on a 1937 brochure for the Dutch Mails Shipping Company provided guidance in developing this rather unusual but commanding typeface, marked by strong geometric shapes and a very large x-height.

Discovered in The Zanerian Manual of Alphabets and Engrossing was this quaint charmer, called simply "Italic Roundhand". The manual touts this face as plain, practical and rapid; it's lovely, luscious and nostalgic, as well.

Sandikza started out as an idea for a metal titles and some games. Or anything that was printed distorted. In other word something harsh. It makes a death or dirt feeling anywhere it is used.

There's nothing really disastrous (impending or not) going on in my life right now, but I have always liked the expression. I thought about it when I watched a news item about the recent storm we had in Europe. The news showed footage of a person narrowly escaping a huge falling tree. Impending Disaster font is certainly no disaster. I created it using my fantastic Chinese ink and a broken tapas skewer (I seemed to have run out of my regular satay skewers). The result is a slightly rough, comic book kinda font. It comes with two sets of alternates for the lower case letters (which cycle as you type), one set of stylistic alternates for the 'O' glyph (and all accented O's), an alternate ampersand, asterisk, question mark and exclamation mark and a set of alternate numerals. Impending Disaster comes with extensive language support, including Vietnamese, Greek and Sami - so don't come running and say you didn't have any options! ;-)