Highly legible writing with a painted, stamped effect.

This handwritten font was designed with Ashley Sanderson at Flying High In First Grade.

An uppercase font, perfect for titles and headlines, in both a sketchy and a solid version.

Inspired by the signage of one of the greatest theme park rides in the world (you know, the one with the song that you can't really get out of your head), The Happiest Cruise in Anaheim is sure to bring your small world of fonts closer. Whether a world of wonder or a world of cheer, the playful, quirky and childlike joy of the curves and lines will hopefully set your work on a journey through imagination!

A collection of fonts by the type foundry Intellecta Design. Distressed and antique, use these fonts in display purposes for a stylized type design. Contains a limited amount of letter designs.

This authentic, natural handwriting is slightly bubbly and slightly left-leaning.

»XPress« is a very distinct, expressive, typical new Sans. »XPress« is my new Sans-Serif that impresses – especially in small sizes – with its outstanding readability. Seven precisely calibrated weights from »Thin« to »Heavy« and its corresponding italics make this font-family universally usable. »XPress« got its bearings from the fabulous American »Gothic« fonts of the twenties of last century. Modern, present day elements, high lowercase letters and infinitesimal elegant slight curves in start- and end strokes make the font family not only great for body copy, but also very useful in advertising. »XPress« ist eine individuelle, expressive, typische neue Sans. »XPress« ist meine neue Serifenlose die – speziell in kleinen Schriftgraden – durch aussergewöhnliche Lesbarkeit auffällt. Sieben präzise aufeinander abgestimmte Schnitte von »Thin« bis »Heavy« und dazu passende Kursive machen die Schriftfamilie vielseitig einsatzfähig. »XPress« orientiert sich bewusst an den grossen amerikanischen Groteskschriften der zwanziger Jahre des letzten Jahrhunderts. Durch moderne Formelemente, große Mittellängen und unendlich leichte, elegante An- und Abstriche ist die Schrift jedoch nicht nur als Textschrift, sondern auch im gesamten Bereich der Werbung vielseitig einsetzbar.

CONCEPT/ CHARACTERISTICS A display font that allows you to »Kleckern und Klotzen« (modified German proverb »to not take half-measures«) The fat and square character to the font, a bold and loud statement. The motto is square, practical, fat. The font styles ranging from high-contrast line difference "beanpole" over mediocrity "slim" to the fattest and blackest "okay" style. A font with humor ^^ APPLICATION AREA The modern, square lightweight »Fat Wear Shirt« would be happy as a display typeface in headline size on the following areas and would find this very real bold: Edi­to­rial Design (Maga­zine or Fan­zine) or Web­de­sign (Head­line Web­font for your web­site), party flyer, movie pos­ter, music pos­ter, clothing, fashion, t-shirts, music covers or web­ban­ner. And and and… TECHNICAL SPECIFICATIONS Head­line Font | Dis­play Font | Fat Techno Font »Wear Fat Shirt« Open­Type Font (Mac + Win) with 3 styles (okay, slim, beanpole) & 268 gly­phs. Alter­na­tive let­ters and liga­tures (with accents & €) Desk­top Font (.otf) + Web Font (.svg, .eot, .woff) KONZEPT/BESONDERHEITEN Eine Display-Schrift bei der Kleckern und Klotzen erlaubt ist! (Verändertes deutsches Sprichwort »nicht kleckern sondern klotzen«) Der fette und eckige Charakter verleihen der Schrift eine plakative und laute Aussage. Das Motto lautet quadratisch, praktisch, fett. Die Schriftschnitte reichen von kontrastreichen Linienunterschied »beanpole«, über mittelmaß »slim« bis zum fettesten und schwärzesten »okay« Style. Eine Schrift mit Humor ^^ EINSATZGEBIETE Das moderne, quadratische Leichtgewicht »Wear Fat Shirt«, würde sich als Aus­zeich­nungs­schrift in Head­line­größe über fol­gende Ein­satz­ge­biete sehr freuen und fände dies echt fett: Logos/Wortmarken aller Art, Flyer für fast jede Party, Plat­ten ­Co­ver, CD-Cover und Icon Design, Pla­kat­ De­sign, Kleidung, T-Shirts, Comics und Gra­phic­no­vels, Game– und Video­spiel Design aller Gen­res, als Head­line­schrift für print und digi­tale Maga­zine, Bücher und Web­sei­ten u.v.m. TECHNISCHE INFORMATIONEN Head­line Font | Dis­play Font | Fat Techno Font »Wear Fat Shirt« Open­Type Font (Mac + Win) mit 3 Schrift­schnit­ten (okay, slim, beanpole) & 268 Gly­phen. Inkl. dia­kri­ti­sches Zei­chen, alter­na­tive Buch­sta­ben, Liga­tu­ren & €. Desk­top Font (.otf) + Web Font (.svg, .eot, .woff)

The most familiar of brush scripts designed by Pete Dombrezian for ATF in 1951.

Probably one of the most unusual applications of a stencil took place in 1964 when Union Carbide [then-owner of the still-new line of "Glad" brand plastic wrap and storage bags] sponsored a $100,000 contest to match up a stencil of their logo in order to win a prize. The magazine ad told of how one thousand lucky participants would win $100 by simply taking a die-cut stencil of the brand name to the store and overlaying it on the logo printed on the food wrap box to see if it aligned perfectly. The hand-lettered title proclaiming "match the stencil and win" was done in a casual sans design and reflected the cheerfulness of many typestyles found in ads during the late 50s and early 60s.

Black Indie is a bold and authentic display font. The font is suitable for any branding project like logo, t-shirt printing and many more. outstanding in a wide range of contexts. Featured : Accents (Multilingual characters) PUA encoded Numerals and Punctuation (OpenType Standard) Thanks for downloading premium font from Din Studio

Remember that kid in your class who always knew the right answer, who always had their hand raised? The first kid to finish the test, the kid who LIKED the pop quiz, the kid who did the homework five seconds after the teacher wrote the assignment on the board and was guaranteed to get an an A+, even though they NEVER studied? THAT kid? Burghal Design has a font that both remembers and salutes that kid, that teacher's pet, that know-it-all: SmartyPants. SmartyPants comes in regular, bold, and because bold just isn't bold enough for SmartyPants, super bold. There's also SmartyPants Doodles, with 90 pictures of SmartyPants stuff (such as a safety pin, a doghouse, an inkwell, and even a couple of cooties), and SmartyPants Snowflakes, with a whopping 182 dingbats to choose from.

German designer Erbar drew the Candida typeface for the Ludwig & Mayer foundry shortly before his death in 1935. The typeface was released posthumously in 1936. An italic designed by Walter Höhnisch was published the following year and a reworked version was produced in 1945. Bold weights followed in 1951. Thanks to its clarity and readability in small sizes, the Candida family remained popular in the digital age.

Blackside is a bold and authentic blackletter font. The font is suitable for any branding project like logo, t-shirt printing and many more. Outstanding in a wide range of contexts. Includes: Blackside (OTF) Featured : Alternates Accents (Multilingual characters) PUA encoded Numerals and Punctuation (OpenType Standard) Thanks for downloading premium font from Din Studio

Designal is a Félix Rufín design based on the DIN theme. The goal was to create a suitable unicase, an old dream of typographers. The icons collection —more than 400— is a result of Rufín’s obsession with label design. OpenType, 8 styles.

These are the classical arabesques published in Ludwig Petzendorfer's Schriften-Atlas. Eine Sammlung der wichtigsten Schreib- und Druckschriften aus alter und neuer Zeit nebst Initialen, Monogrammen, Mappen, Landeskarten und heraldischen Motiven fur die praktischen Zwecke des Kunstgewerbes, 1889. See Frompac 1889 Arabesques for another example of these arabesques.

Berling is an old style typeface based on the classical Venetian model used by Aldus Manutius at the end of the fifteenth century. Berling was first cut by the Berling foundry in 1951 with further weights released in 1958. The Berling font family is intended primarily for setting text in books~ journals and magazines.

The font here used is the Intellecta's Frompac joined and art worked with the classical arabesques published in the Ludwig Petzendorfer's Schriften-Atlas. Eine Sammlung der wichtigsten Schreib- und Druckschriften aus alter und neuer Zeit nebst Initialen, Monogrammen, Mappen, Landeskarten und heraldischen Motiven f¸r die praktischen Zwecke des Kunstgewerbes, 1889.

The multi award winning ESTA is back, renewed and improved in OpenType format. Now named Esta Pro, is available in Regular, Italic, Bold, Bold Italic, Display and Swashes. Includes plenty of features, like SmallCaps, Alternates, Ligatures and CE characters.

A clean and simple sans-serif, Informatic was designed as a friendlier alternative to DIN.

Hand lettering from the opening credits of Alfred Hitchcock’s “Strangers on a Train” (1951) inspired Train Car JNL, which is available in both regular and oblique versions.

Couldn't you really use a wish right now? Girly. Swirly. Quirky. And utterly adorable. This Pro version of one of Kimberlys latest cutesy handwriting fonts has received lots of corrections and tweaks to the outlines - to remove autotracing artefacts, stroke width inconsistencies and create a better flow. Finally the character set was completed and expanded. Job done! Back to stargazing.. ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.