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  1. Iron Lung is a distinctive font that emerges from the creative mind of S. John Ross, capturing the essence of bold creativity and artistic innovation. This typeface is remarkably characterized by its...
  2. The SF Big Whiskey SC font, crafted with care and precision by ShyFoundry, is a fascinating typographic choice that instantly demands attention. This font is a variation of the original SF Big Whiske...
  3. Baveuse, a distinctive font crafted by the talented Ray Larabie, encapsulates a unique charm that sets it apart in the diverse world of typography. Known for his prolific work and contribution to the...
  4. JBCursive stands as an exquisite exemplification of artistry harmonized with utility, a font that transcends mere text to become a visual melody. With its roots deeply entrenched in the tradition of ...
  5. Concielian Break, by Iconian Fonts, exudes modernity and futuristic charm, making it an exceptional choice for projects that aim to stand out with a touch of novelty and innovation. Created by the pr...
  6. The "Electrofied" font, crafted by dustBUSt Fonts, stands as a compelling design piece that embodies the essence of electronic vigor and modern flair. Its creation reflects a keen eye for synthesizin...
  7. The Albertsthal Typewriter font by Lukas Krakora is a vintage-inspired typeface that beautifully embodies the quirk and charm of typewritten text from a bygone era. This typeface is designed to evoke...
  8. Escobeta One is an extraordinary and captivating display font created by the talented Spanish type designer, deFharo. This peculiar and unique typeface immediately draws attention with its distinctiv...
  9. Yiggivoo Unicode is an exquisite font created by designer Peter Wiegel, embodying practical elegance with a touch of whimsical charm. This font distinguishes itself in the crowded world of typography...
  10. KR Birdy is a delightful and engaging font created by the talented designer Kat Rakos. This unique typeface immediately captures the attention of its audience with its playful and whimsical character...
  11. Nuixyber Next, designed by ffeeaarr, is a compelling font that captivates the essence of contemporary typography while nodding to the evolution of digital aesthetics. This font distinguishes itself b...
  12. The "New Gothic Style" font, while not directly associated with a specific existing typeface, can be interpreted through the lens of contemporary design trends and the historical context of Gothic ty...
  13. Pushkin is a font that seems to embrace the art of storytelling with each letter it forms. Just hearing the name, you can almost feel the romantic brushstrokes of history and literature it's named af...
  14. The Tenby Five font is a distinctive and versatile typeface that draws inspiration from the geometric shapes and clean lines characteristic of mid-20th-century design. Its name, suggestive of a numer...
  15. LoosieScript is an enchanting script font that offers a delightful blend of classic calligraphy with contemporary flair. Its design is characterized by fluid, expressive strokes that simulate the ele...
  16. As of my last update in April 2023, there isn't a widely recognized font specifically named "Free." The term "free" in relation to fonts, however, plays a significant role in typography and design. I...
  17. The font "KG Somebody That I Used to Know" is designed by Kimberly Geswein, a renowned typeface designer known for her extensive collection of fonts that span a wide range of styles, from whimsical a...
  18. Radio 187.5 is a captivating typeface created by the renowned typographer Måns Grebäck, whose expertise in crafting visually striking fonts shines through in this design. The font embodies a unique b...
  19. LC Bagira is an elegant and versatile typeface that captures attention through its blend of classic charm and contemporary flair. Named after Bagira, the wise black panther in Rudyard Kipling's "The ...
  20. The font "Chesterfield" by Afrojet is a majestic and uniquely stylized typeface that seamlessly blends vintage charm with modern sophistication. Afrojet, known for their creative ingenuity, has craft...
  21. LetterOMatic!, crafted by the esteemed Blambot Fonts, is a distinctive typeface that encapsulates the essence of the comic book genre. Blambot Fonts, known for their comprehensive collection of typef...
  22. The font Retro Stereo Thin crafted by Thessalos Design captures the essence and nostalgia of a bygone era, while seamlessly blending with modern design aesthetics. This particular typeface is charact...
  23. Sylar Stencil is a typeface characterized by its distinct approach to the stencil design ethos, blending the functional charm of traditional stencil fonts with contemporary flair. Unlike conventional...
  24. Heavy Rotation is a font that exemplifies boldness and dynamism, making a striking statement in any context it's used. Designed to capture the essence of contemporary bold typefaces, it features thic...
  25. Kremlin Georgian I 3D, crafted by Bolt Cutter Design, is a font that intriguingly melds the historical with a contemporary 3D twist, making it a unique specimen in the realm of typography. Originatin...
  26. Vintage Melody Personal Use by Din Studio is a font that at first glance transports you to an era where handwritten letters were the primary means of communication, and each stroke of the pen was inf...
  27. The font Offshore Banking Business, designed by Vic Fieger, is a distinctive typeface that effortlessly encapsulates a sense of modernity while echoing a nod to the industrial and utilitarian styles ...
  28. As of my last update in early 2023, there might not be a widely recognized or specific font called "Naz" that has achieved significant prominence or notoriety in the fields of typography or graphic d...
  29. Fabrica is an intriguing font created by Alvin Kwan, known for its distinct approach to design that marries simplicity with functionality. This typeface is an exploration of minimalism in typography,...
  30. The Pseudo (BRK) font, conceived by the creative mind behind AEnigma, stands as a unique and memorable entry in the realm of digital typography. Its design philosophy intertwines the familiar with th...
  31. As of my last update in early 2023, the font Syntha, crafted by the Bulgarian type designer Ivan Filipov, embodies a sleek, futuristic appeal that captures the essence of modern design. Renowned for ...
  32. TT Marxiana by TypeType, $59.00
    TT Marxiana useful links: Specimen | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Marxiana: TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its Antiqua and Italic, Grotesque and Elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set of different fonts, which allows using modern methods and using modern software to create, for example, a magazine in a design typical of the late 19th century. The TT Marxiana project started in the late summer of 2018 and from the very beginning went beyond the traditional projects of TypeType because of the importance of preserving the historical identity. Since up to this point, we had never before reconstructed the font from historical paper sources and with such a level of elaboration and attention to detail, it took us two years to implement this project. You can read more about all stages of the project in our blog, and here we will briefly talk about the result. As it turned out, drawing a font following the scanned pages of a century-old magazine is a very difficult task. In fact, such a font reconstruction very much resembles archaeological excavations or solving a complex cipher, and all these efforts are needed only in order to finally understand what steps need to be taken so that the resulting font is not just an antiqua, but the specific and accurate antiqua from "Niva" magazine. In addition, due to the specifics of printing, same characters in the old magazine setting looked completely different, which greatly complicated the task. In one place, there was less ink than needed, and the letter in the reference was not well-printed and thin, in some other place there was more ink and the letter had flooded. An important task was to preserve and convey this feeling of typographic printing, but at the same time it was important to identify the common logic and character of the dot gains so that the font would form a harmonious, single, but at the same time lively picture. Since the "Niva" magazine was historically published in Russian, the magazine had no shortage of references for the reconstruction of Cyrillic characters, but there were not many Latin letters in the magazine at all. In addition, the paper source lacked a part of punctuation, diacritics, there were no currency signs nor ligatures at all—we developed all these characters based on font catalogs of the 19–20 centuries, trying to reflect characteristic details from the main character composition to the max. So, for example, the Germandbls character, which is not in the original "Niva" set, we first found in one of the font catalogs, but still significantly redesigned it. We decided that in such a voluminous project, only graphic similarities with the original source are not enough and we came up with a feature that can be used to exchange modern Russian spelling for pre-revolutionary spelling. When this feature is turned on, yat and yer appear in the necessary places (i, ѣ, b, ѳ and ѵ), the endings of the words change, and so appears a complete sensation of the historical text. This feature works in all fonts of the TT Marxiana font family. TT Marxiana Antiqua is a scotch style serif, the drawing of which carefully preserved some of the artifacts obtained by printing, namely dot gain, a slight deformation of the letters and other visual nuances. TT Marxiana Antiqua has an interesting stylistic set that imitates the old setting and in which some of the signs are made with deliberate sticking or roughness. Using this set will provide an opportunity to further simulate the setting of that great time. TT Marxiana Grotesque is a rather thick and bold old grotesk. Its drawing also maximally preserved the defects obtained during printing and characteristic of its paper reference. In addition to pre-revolutionary spelling, TT Marxiana Grotesque has a decorative set with an inversion. This is a set of uppercase characters, numbers and punctuation, which allows you to type inverse headers, i.e. print white on black. As a result of using this set, you get the text against black bars—this way of displaying was very characteristic for print advertising at the turn of the century. In addition, about 30 decorative indicator stubs were drawn for this set: arrows, hands, clubs, etc. TT Marxiana Elzevir is a title or header font and is a compilation of monastic Elzevir that were actively used in the "Niva" magazine for all its prints. Unlike the antiqua, TT Marxiana Elzevir has sharper forms, and the influence of deformations from typographic printing is not as noticeable in the forms of its signs. This is primarily due to the specifics of its drawing and the fact that it was usually used as a heading font and was printed in large sizes. The height of the lowercase and uppercase characters of Elsevier is the same as the heights of the antiqua, but the font is more contrasting and lighter, it has a lot of white and, unlike the antiqua and the grotesque, there are a lot of sharp corners. An exclusive feature of the TT Marxiana Elzevir is an alternative set of uppercase characters with swash. • TT Marxiana Antiqua consist of 625 glyphs each and and it has 23 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, ss05, case. • TT Marxiana Antiqua Italic consist of 586 glyphs each and and it has 22 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Grotesque consists of 708 glyphs and it has 22 OT features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Elzevir consists of 780 glyphs and it has 21 OT features, such as: aalt, ccmp, locl, ordn, frac, tnum, onum, lnum, pnum, calt, ss01, ss02, ss03, ss04, ss05, ss06, salt, c2sc, smcp, case, liga. FOLLOW US: Instagram | Facebook | Website TT Marxiana language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chiga, Cornish, Corsican, Cree, Danish, Dutch, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Galician, German, Gusii, Haitian Creole, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Ladin, Leonese, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Mauritian Creole, Minangkabau, Montenegrin (cyr), Mordvin-moksha, Morisyen, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Samburu, Sango, Sangu, Scots, Sena, Serbian (cyr), Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Taita, Tetum, Tok Pisin, Tsonga, Tswana, Ukrainian, Uyghur, Valencian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zulu.
  33. Sion, a distinctive typeface crafted by the talented David Pache, stands as a testament to modern design blending with functionality. This font reflects Pache's meticulous attention to detail and his...
  34. The font named Paper-Mache by SpideRaY is a fascinating and playful typeface that captures the imagination with its unique aesthetic influenced by the craft it's named after. Designed with a creative...
  35. "Liquidism part 2" by PizzaDude is a font that captures the essence of liquidity and movement in its design, making it a unique choice for projects seeking to infuse dynamism and a modern twist into ...
  36. PF Tempesta Five Extended is an intriguing font choice that draws attention for its distinct characteristics, meticulously designed by Yuusuke Kamiyamane. This font is an extension of the PF Tempesta...
  37. The font "Pea Neffer," created by Fonts For Peas, captures a unique essence of casual, yet distinctly personal handwriting. As part of the Fonts For Peas collection, which is known for converting sub...
  38. ReskaGraf, meticulously crafted by the innovative Zitfonts, embodies the convergence of artistic flair and typographic functionality. This font is uniquely positioned in the realm of typography to ca...
  39. The font "Independant" by Apostrophic Labs is an engaging typeface that stands out for its unique character and distinctive appeal. Created by the talented team at Apostrophic Labs, a foundry known f...
  40. Big Blocko, created by OMEGA Font Labs, is a striking display font characterized by its bold and blocky design. The font's aesthetics lean heavily towards a solid, rectangular block-like form, giving...
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