Colore. Colourful and Modular. A happy and colourful New Year from the FSdesign team. In order not to lose the joy of playing, we provide the "Colore" font family: a modular font kit, that encourages to play. By superimposing the different font styles you can create a colourful typographical staging. This New Year's card was realized with the help of "Colore". Too wild? auto-referential? Try Colore and form your own opinion.

Darwin Rounded, the resequel to Darwin, is ready for sea and new adventures! A new fresh design with an updated language support and different sets of figures. Darwin Rounded comprises 3 subfamilies: Darwin Rounded Pro, Darwin Rounded Essential and Darwin Rounded Alt Essential. The font includes alternative characters available as an OpenType feature as well as Oldstyle figures, numerators and denominators. Special thanks to Eli Hernández for her help with digital editing.

Spoodbrush is a new lowercase brushed textured font family designed to perfectly combine the different styles with one another and allow you to create beautiful designs with a personal touch. It also contains some ligatures and swashes and additionally a Spoodbrush Sans style. Perfect for branding, logos, product packaging, posters, invitations, greeting cards, news, blogs, and everything requesting personal charm. Fonts Included : Spoodbrush One Spoodbrush Two Spoodbrush Bold Spoodbrush Slant Spoodbrush Sans Spoodbrush Extra

Cosima is a sans serif workhorse with a touch of pointy elegance, designed by Anita Jürgeleit. Launching your new brand or creating a new user interface for your mobile devices – selecting characteristic typefaces is important, whether you’re creating app design, magazine or editorial – typography is always the essential part. www.typethis.studio Thank you for checking Cosima. If you have any questions, please send an email to hello@typethis.studio - We are looking forward to hearing from you.

Modern Love has been one of our most popular fonts during last year, so we decided to create a new version of this sweet character set.    Modern Love Slanted is a new casual slanted brush-handwritten family. It has the effortless hand-painted feeling and keeps a high density of contrast like Modern Love Regular and It also includes a set of ornaments, swashes and alternates accessible through Opentype features. Check out also ‘Modern Love’

The Renaissance affected change in every sphere of life, but perhaps one of its most enduring legacies are the letterforms it bequeathed to us. Precisely Romanesque style formed the basis of the new font Ring Rome. New addition of the Ring font family is more readable and clear. I'm sure I'll continue to improve unique Ring font style to allow them to claim a place in type history! The Ring Font Family continues expand solidly!

Hello friends... We are proud to present our new font. New natural Glaston with handwriting and script style makes this font look elegant, natural, stylish. Glaston would be perfect for invitations, logos & branding, photography, advertising, watermarks, social media posts, product packaging, product designs, labels, wedding designs, stationery, special events or anything else that requires a taste for handwriting. What this font includes: Glaston (OTF) Fully accessible without additional design software. Fonts include multilingual support. Enjoy!

Named after the trendy New York City locale, SoHo Nights BF features sensuous curves and tapering lines that combine to create a unique new look that’s a little bit art deco and a little bit art nouveau. The font also exhibits attributes that can be described as cartoon-like, and even “spooky” when seen in short blocks of large text. Use SoHo Nights BF when your projects require that certain "air of mystique".

Introduction New Font! Mifer Holland- A new font that we created special for branding needs, with unique characters and awesome alternative characters are ready to add value of your brand. It so nice to leverage designer or product owner that need solutions to make their design look more beauty and modern. And specially for Mifer Holland font, We prepared any ligature and any alternate characters to help you create unlimited variations for your creative needs.

Hello Everybody, Just launch my New Product "Angela Aiglory" The new fresh handmade script font. Very suitable for greeting cards, branding materials, business cards, quotes, posters, and more! This font are perfect for all brand :) Features : UpperCase & Lowercase Numerals & Punctuations Ligatures Multilingual characters (AÀÁÂÃÄÅCÇDÐEÈÉÊËIÌÍÎÏNÑOØÒÓÔÕÖUÙÜÚÛWYÝŸŸ ÆŒßÞàáâãäåæçèéêëìíîïðñòóôõöøùúûüýÿ) PUA ENCODEDZIP INCLUDED: Angela Aiglory OTF Don't forget to visited the other amazing products Thanks for visited and Please contact me if you have any questions. Happy Design, Haksen

The idea for the typeface Dekalb was born in 2013 after a day of photographing signage, murals and graffiti around Dekalb and Wyckoff avenues in Bushwick, Brooklyn. The initial drafts of the letterforms were first made into a single ultra-weight font that I used while working as the Creative Director for Sneaker News Magazine. After having made its first appearance in Sneaker News, I decided to expanded Dekalb to an eight style family.

Introducing of our new product the name is Horror Vibes - Handmade horror Font and Multilanguage support.Introducing of designs look modern, unique and fun. It’s perfect for labels, quotes, posters, DIY projects, branding, packaging, greeting cards, websites, photos, photography overlays, signs, window art, scrapbooking, tags and so much more!our new product that inspired by Street Tagging, graffiti style with a fun theme very good for graffity poster, flyer, childrenbook, cartoon, comic etc

Like Refused said in their song ”The Shape of new Punk to come”, Oblik could be “The Shape of new Fonts to come”, we present you our uprising star - Oblik - that could shine in your monitors. Modern family, stylish and secure, with its own personality (it’s photogenic, too), available for all kind of use, even you're an doctor or policeman or butcher or truck driver or maybe rock star, this font will rock your world.

After doing this for so many years, one would think my fascination with the old history of writing would have mellowed out by now. The truth is that alongside being a calligraphy history buff, I'm a pop technology freak. Maybe even keener on the tech thing, since I just can't seem to get enough new gadgets. And after working with type technologies for so many years, I'm starting to think that writing and design technologies as we now know them, being about 2.5 post-computer generations, keep becoming more and more detached from what the very old humanity arts/tasks they essentially want to facilitate. In a world where command-z is a frequently used key combination, it’s difficult to justify expecting a Morris-made book or a Zaner-drawn sentence, but accidental artistic “mutations” become welcome, marketable features. When fluid pens were introduced, their liquid saturation influenced type design to a great extent almost overnight an influence professional designers tend to play down. Now round stroke endings are a common sight, and the saturation is so clean and measured, unlike any liquid-paper relationship possible in reality. Some designers even illustrate their work by overlaying perfect circles at stroke ends, in order to illustrate how “geometric” their work was. Because if it’s measured with precise geometry, it’s got to be meaningful design. And once in a while, by a total freak accident, the now-cherished mutations prove to have existed long before the technology that caused them. Rolling Pen was cued by just such a thing: A rounded, circular, roll-flowing calligraphy from the late nineteenth century seemingly one of those experimental takes on what inspired Business Penmanship, another font of mine. Looking at it now it certainly seems to be friendlier, more legible, and maybe even more practical and easier to execute than the standard business penmanship of those days, but I guess friendliness and simplicity were at odds with the stiff manner business liked to present itself back then, so that kind of thing remained buried in the professional penman’s oddities drawer. It would be quite a few years before all this curviness and rounding were thought of as symbolic of graceful movement, which brought such a flow closer to the idea of fine art. Even though in this case the accidental mutation just happens to not be a mutation after all, the whole technology-transforms-application argument still applies here. I'm almost sure “business” will be the last thing on people’s minds when they use this font today. One extreme example of that level of disconnect between origin and current application is shown here, with the so-called business penmanship strutting around in gloss and neon. Rolling Pen is another cup of mine that runneth over with alternates, swashes, ligatures, and other techy perks. To explore its full potential, please use it in a program that supports OpenType features for advanced typography. Enjoy the new Rolling Pen designed by Ale Paul with Neon’s visual poetry by Tomás García.