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  1. PT Banana Split - Unknown license
  2. Hugh is Life Personal Use - Personal use only
  3. Optien - Personal use only
  4. LaPointe's Road¼ - Personal use only
  5. Xiomara - Personal use only
  6. Leokadia Deco - 100% free
  7. Riesling - Unknown license
  8. Shit Happens - Personal use only
  9. Lobster 1.0 - 100% free
  10. Caminata One - Personal use only
  11. B de bonita shadow - Personal use only
  12. CAC Shishoni Brush - Unknown license
  13. Hand of God - 100% free
  14. billieKid - Unknown license
  15. Tevegraphy - Personal use only
  16. Vtc-NueTattooScript - Personal use only
  17. Anabel - Personal use only
  18. Janda Someone Like You - Personal use only
  19. akaDora - 100% free
  20. AnglicanText - Personal use only
  21. Rostock Kaligraph - 100% free
  22. Handwriting1800 - 100% free
  23. Choujun - Unknown license
  24. TwoBeers - Unknown license
  25. Popsies - Unknown license
  26. NotMaryKate - 100% free
  27. Eutemia II - 100% free
  28. Lakmus - Unknown license
  29. 1610_Cancellaresca_lim - Unknown license
  30. monogram kk - Personal use only
  31. FancyPants - Unknown license
  32. Sugar Pie by Sudtipos, $79.00
    When Candy Script was officially released and in the hands of a few designers, I was in the middle of a three-week trip in North America. After returning to Buenos Aires, I found a few reactions to the font in my inbox. Alongside the congratulatory notes, flattering samples of the face in use, and the inevitable three or four “How do I use it?” emails, one interesting note asked me to consider an italic counterpart. 

I had experimented with a few different angles during the initial brainstorming of the concept but never really thought of Candy Script as an upright italic character set. A few trials confirmed to me that an italic Candy Script would be a bad idea. However, some of these trials showed conceptual promise of their own, so I decided to pursue them and see where they would go. Initially, it seemed a few changes to the Candy Script forms would work well at angles ranging from 18 to 24 degrees, but as the typeface evolved, I realized all the forms had to be modified considerably for a typeface of this style to work as both a digital font and a true emulation of real hand-lettering. Those were the pre-birth contractions of the idea for this font. I called it Sugar Pie because it has a sweet taste similar to Candy Script, mostly due to its round-to-sharp terminal concept. This in turn echoes the concept of the clean brush scripts found in the different film type processes of late 1960s and early 1970s.
 
While Candy Script’s main visual appeal counts on the loops, swashes, and stroke extensions working within a concept of casual form variation, Sugar Pie is artistically a straightforward packaging typeface. Its many ligatures and alternates are just as visually effective as Candy Script’s but in a subtler and less pronounced fashion. The alternates and ligatures in Sugar Pie offer many nice variations on the main character set. Use them to achieve the right degree of softness you desire for your design. Take a look of the How to use PDF file in our gallery section for inspiration.
  33. Potter Alaska by Aldedesign, $18.00
    Potter Alaska is Nice Bold Script Font - A stylish and quirky new bold script. Potter Alaska font was created to look as close to a readable bold script as possible by including a couple ligatures.
  34. Angeletta by Monotype, $50.99
    Despite being drawn digitally, Angeletta is a typeface in the hand-lettering tradition. It draws on designer Rob Leuschke's three decades of experience with pen and ink, including his time creating scripts for Hallmark Cards. Spontaneous and energetic, Angeletta is satisfyingly inky – with strokes almost spilling into one another. Its quirky personality and titling version makes it a good choice for packaging and social expression, while its distinctive character could work well in branding, perhaps paired with a more sedate sans serif. The Angeletta typeface is a calligraphic script designed by Robert E. Leuschke exclusively for Monotype. It is available in OpenType OTF and TTF fonts formats. Angeletta has 900 glyphs with OpenType typographic features like contextual and stylistic alternatives, swashes, ligatures and fractions.
  35. Mangrove by Set Sail Studios, $18.00
    Bring your letters to life with the Mangrove Font Duo! A delightfully playful pairing of Sans and Script fonts. These perfectly balanced typefaces have been carefully designed to work not only as standalone fonts, but also to pair together effortlessly—delivering undeniably eye-catching typography bursting with character. Throw a script letter in the middle of the sans font, try the swooping sans ligatures or it’s uplifting small-caps, the possibilities are numerous. It’ll work in lowercase or uppercase, and with a choice of 3 weights per font, that’s six fonts in total for you to experiment with! Language Support • English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Croatian, Turkish, Romanian, Czech, Latvian, Lithuanian, Slovak, Slovenian.
  36. Familytalk by Ditatype, $29.00
    Familytalk is a script font that exudes confidence and elegance in every character. With its thick and sturdy strokes, this font commands attention. The swinging endings on certain letters provide a delightful sense of rhythm and flow to the text. These unique design elements create a sense of movement within the text, making it visually captivating and engaging. Despite its thick weight, Familytalk maintains excellent legibility. Its ability to strike a balance between boldness and grace makes it a versatile choice for projects that demand a stylish script font. Familytalk fits in headlines, logos, posters, flyers, branding materials, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview.
  37. Big Brush by Canada Type, $20.00
    Big Brush is the result of me seeing Brush Script everywhere around me. Toronto signage is full of Brush Script. My last two trips to the West Coast showed me mostly Brush Script. Brush Script must be the most widely overused North American script font of all time. Don't we all know at least one restaurant or bar with its sign made in Brush Script? And aren't you just sick of the weird F, Q and T of Brush Script? Well, out with the old and in with the new. Big Brush was made as a replacement for Brush Script, and then some. While Brush Script has only the single familiar letters we all know, Big Brush comes in two fonts, so you can keep the design fresh the neat and keep them guessing at the same time. The next time you want to design something that calls for strong, fast brush calligraphy, do the world's bored eyes a favor and use Big Brush instead.
  38. Broken Crush by Arterfak Project, $21.00
    Broken Crush is a rough brush font, made created with an express brush line, keeping the details and give an eye-catchy combination between the uppercase and small caps, also complete with alternates and swashes! Broken Crush is pretty good for display with sporty, vibrant, and youth taste! Good choice to use this font for Logo, Merchandise, Brand imagery, Apparel, Packaging, Simple quotes, and many more!
  39. Kooka by Creativemedialab, $18.00
    Introducing Kooka, a Stylish and fun groovy family. Kooka inspired by groovy retro style, this unique and Cool vintage display family is perfect to combine with any sans serif font. If you're looking for a unique and modern vintage fonts, Kooka is the right choice! Thanks to its unique characters. Kooka also includes a Variable style as well as multilingual support, numbers, and currency symbols.
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