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  1. The Turbayne Running Hand is a font that evokes the elegance and fluidity of classic handwriting. It is designed to mimic the natural variations and movements of a skilled penman, bringing a personal...
  2. Imagine a font that effortlessly marries playfulness with precision, one that speaks to both the whimsical and the meticulous. That's Moondog Fifteen by Apostrophic Labs. Created by a collective know...
  3. The AGRAR Unicase font is a distinctive and versatile typeface that captures attention through its unique approach to letter case. As suggested by its name, "unicase" refers to the blending of tradit...
  4. Imperfect Font, created by the talented designer PizzaDude, embodies a distinct charm that blends casual allure with a touch of whimsy. This font is characterized by its handcrafted aesthetic, which ...
  5. The KR Hunnybee font, created by Kat Rakos, exudes a playful and charming aura that captures the essence of spontaneity and creativity. This font falls into the category of decorative or novelty type...
  6. "Rubaiyat Engraved" is an exquisite typeface designed by the talented illustrator and type designer Harold Lohner, who is renowned for his ability to craft fonts that are both evocative and richly de...
  7. Asenine Super Thin, crafted by Apostrophic Labs, is a distinct and refine typeface that epitomizes minimalism and lightness in font design. With its inception at the threshold of the 21st century, th...
  8. Meet John Henry is an enchanting typeface designed by the talented John Martz. This font embodies a blend of classic charm and contemporary flair, making it a versatile choice for a variety of design...
  9. Manfred Klein, a prolific and versatile German type designer known for his wide range of font creations, crafted the Senats-Antiqua typeface, which embodies a blend of historical elegance and contemp...
  10. NATOKit font is a unique and meticulously designed typeface created by Tom Mouat, a figure known for his work that often intersects with military themes and applications. The font is part of a broade...
  11. KR Katlings is an intriguing and whimsical font created by Kat Rakos. It embodies a playful and eccentric character, making it stand out in the world of typography. The unique design of KR Katlings s...
  12. The Sweden font, crafted by Vladimir Nikolic, is an exemplar of modern design ingenuity blended with an essence of Scandinavian minimalism. This typeface stands out for its clean lines and geometric ...
  13. Janda Manatee Solid, designed by Kimberly Geswein, stands as a distinct and whimsical font that captures the imagination at first glance. This typeface, characterized by its playful yet readable styl...
  14. The font Soda, crafted by the creative minds at Ministry of Candy, exudes a playful and bubbly atmosphere that is reminiscent of effervescent drinks and casual, fun-filled gatherings. Its design lean...
  15. Arialic Hollow is a distinctive typeface designed by GemFonts | Graham Meade, a creation that stands out for its unique approach to the visualization of letters and words. This font is part of the br...
  16. Jellyka, End_less Voyage is a font created by Jellyka Nerevan, a designer known for her work in creating distinctive and unique handwriting-style typographies. This particular font mirrors the essenc...
  17. Ivan Filipov, a renowned designer, has made a significant contribution to the typographic landscape with the creation of Arkitech Round. This particular font is a variant of the Arkitech family, char...
  18. The WC Mano Negra Bta font, conceived and brought to life by the creative minds at WC Fonts, embodies a raw and unrefined aesthetic that sets it apart from the more traditional typefaces. This font i...
  19. Lombardic by Altsys Metamorphosis isn't just a font; it's a dive into the rich tapestry of medieval manuscript art brought into the digital age. Altsys Metamorphosis, known for their work in pioneeri...
  20. BackSplatter, created by the inventive Rev. Josh Wilhelm, is a distinctive font that embodies a raw, and somewhat rebellious, energy. Its design appears as if it were the product of ink or paint bein...
  21. The "Action Is, Shaded JL" font, crafted by Jeffrey N. Levine, stands as a unique and expressive typeface designed to make a statement. This font is characterized by its distinct shading effect, whic...
  22. Covington Condensed, crafted by the talented team at Apostrophic Labs, is a distinctive font that possesses an elegant and refined aesthetic. It’s a variation of the larger Covington family, which is...
  23. Easter Parade is a distinctive typeface designed by Harold Lohner that captures the whimsical essence and joy of the Easter season. This font stands out with its playful curvature and decorative elem...
  24. Fh_Nicole is a distinctive font created by Fictionalhead, a name associated with thoughtful and stylish designs in the font world. This typeface is characterized by its clean, modern aesthetics, comb...
  25. TT Marxiana by TypeType, $59.00
    TT Marxiana useful links: Specimen | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Marxiana: TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its Antiqua and Italic, Grotesque and Elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set of different fonts, which allows using modern methods and using modern software to create, for example, a magazine in a design typical of the late 19th century. The TT Marxiana project started in the late summer of 2018 and from the very beginning went beyond the traditional projects of TypeType because of the importance of preserving the historical identity. Since up to this point, we had never before reconstructed the font from historical paper sources and with such a level of elaboration and attention to detail, it took us two years to implement this project. You can read more about all stages of the project in our blog, and here we will briefly talk about the result. As it turned out, drawing a font following the scanned pages of a century-old magazine is a very difficult task. In fact, such a font reconstruction very much resembles archaeological excavations or solving a complex cipher, and all these efforts are needed only in order to finally understand what steps need to be taken so that the resulting font is not just an antiqua, but the specific and accurate antiqua from "Niva" magazine. In addition, due to the specifics of printing, same characters in the old magazine setting looked completely different, which greatly complicated the task. In one place, there was less ink than needed, and the letter in the reference was not well-printed and thin, in some other place there was more ink and the letter had flooded. An important task was to preserve and convey this feeling of typographic printing, but at the same time it was important to identify the common logic and character of the dot gains so that the font would form a harmonious, single, but at the same time lively picture. Since the "Niva" magazine was historically published in Russian, the magazine had no shortage of references for the reconstruction of Cyrillic characters, but there were not many Latin letters in the magazine at all. In addition, the paper source lacked a part of punctuation, diacritics, there were no currency signs nor ligatures at all—we developed all these characters based on font catalogs of the 19–20 centuries, trying to reflect characteristic details from the main character composition to the max. So, for example, the Germandbls character, which is not in the original "Niva" set, we first found in one of the font catalogs, but still significantly redesigned it. We decided that in such a voluminous project, only graphic similarities with the original source are not enough and we came up with a feature that can be used to exchange modern Russian spelling for pre-revolutionary spelling. When this feature is turned on, yat and yer appear in the necessary places (i, ѣ, b, ѳ and ѵ), the endings of the words change, and so appears a complete sensation of the historical text. This feature works in all fonts of the TT Marxiana font family. TT Marxiana Antiqua is a scotch style serif, the drawing of which carefully preserved some of the artifacts obtained by printing, namely dot gain, a slight deformation of the letters and other visual nuances. TT Marxiana Antiqua has an interesting stylistic set that imitates the old setting and in which some of the signs are made with deliberate sticking or roughness. Using this set will provide an opportunity to further simulate the setting of that great time. TT Marxiana Grotesque is a rather thick and bold old grotesk. Its drawing also maximally preserved the defects obtained during printing and characteristic of its paper reference. In addition to pre-revolutionary spelling, TT Marxiana Grotesque has a decorative set with an inversion. This is a set of uppercase characters, numbers and punctuation, which allows you to type inverse headers, i.e. print white on black. As a result of using this set, you get the text against black bars—this way of displaying was very characteristic for print advertising at the turn of the century. In addition, about 30 decorative indicator stubs were drawn for this set: arrows, hands, clubs, etc. TT Marxiana Elzevir is a title or header font and is a compilation of monastic Elzevir that were actively used in the "Niva" magazine for all its prints. Unlike the antiqua, TT Marxiana Elzevir has sharper forms, and the influence of deformations from typographic printing is not as noticeable in the forms of its signs. This is primarily due to the specifics of its drawing and the fact that it was usually used as a heading font and was printed in large sizes. The height of the lowercase and uppercase characters of Elsevier is the same as the heights of the antiqua, but the font is more contrasting and lighter, it has a lot of white and, unlike the antiqua and the grotesque, there are a lot of sharp corners. An exclusive feature of the TT Marxiana Elzevir is an alternative set of uppercase characters with swash. • TT Marxiana Antiqua consist of 625 glyphs each and and it has 23 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, ss05, case. • TT Marxiana Antiqua Italic consist of 586 glyphs each and and it has 22 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Grotesque consists of 708 glyphs and it has 22 OT features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Elzevir consists of 780 glyphs and it has 21 OT features, such as: aalt, ccmp, locl, ordn, frac, tnum, onum, lnum, pnum, calt, ss01, ss02, ss03, ss04, ss05, ss06, salt, c2sc, smcp, case, liga. FOLLOW US: Instagram | Facebook | Website TT Marxiana language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chiga, Cornish, Corsican, Cree, Danish, Dutch, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Galician, German, Gusii, Haitian Creole, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Ladin, Leonese, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Mauritian Creole, Minangkabau, Montenegrin (cyr), Mordvin-moksha, Morisyen, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Samburu, Sango, Sangu, Scots, Sena, Serbian (cyr), Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Taita, Tetum, Tok Pisin, Tsonga, Tswana, Ukrainian, Uyghur, Valencian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zulu.
  26. "Child's Play" isn't just a font; it's a joyride back to the days of yore, when the toughest decision of the day was choosing between crayons or markers. This font mimics the erratic yet sincere hand...
  27. The PaddingtonSC font is a distinctive typeface that instantly communicates an aura of charm and sophistication. It falls within the script category, characterized by its elegant, flowing letters tha...
  28. DarkPix, a font designed by the talented Juan Casco, exudes a distinct appeal that captures the essence of mystery and modern sophistication. At first glance, the font presents a bold personality, ch...
  29. Baveuse, a distinctive font crafted by the talented Ray Larabie, encapsulates a unique charm that sets it apart in the diverse world of typography. Known for his prolific work and contribution to the...
  30. The font "Sweet Doughnuts" by Flop Design represents a delightful blend of whimsy and creativity, perfectly designed to capture the essence of its namesake treat. This font is characterized by its pl...
  31. BoinkoMatic, designed by the creative team at Fontocide, is a font that exudes a playful and whimsical charm, infused with a spirited sense of fun and creativity. This typeface is distinguished by it...
  32. Blok, a font designed by Tup Wanders, stands out in the typographic landscape with its distinctive and bold character. It belongs to a category of typefaces that draws inspiration from geometric form...
  33. Waschkueche, a typeface designed by Peter Wiegel, embodies a distinct and lively character that sets it apart from conventional fonts. Its name, which translates to 'laundry room' in German, intrigui...
  34. The Abscissa font is a true standout in the world of typefaces, offering a distinct and engaging aesthetic that blends modernity with a touch of classical elegance. Characterized by its sharp, clean ...
  35. Alright, so let's dive into the world of the font "Hard Block" designed by the incredibly talented Måns Grebäck. It's like this font has been pumped up with sheer boldness and is ready to take on the...
  36. The Puritan Swash font, crafted by the renowned and prolific late Dieter Steffmann, is a typographic tribute to the charm of the traditional serifs and flourished swashes of earlier centuries, reimag...
  37. Goulong Bold is a charismatic and visually captivating typeface that does more than merely fill space; it brings its unique energy and personality into any design project. As suggested by its name, G...
  38. As of my last update in April 2023, Bandit by Buddha Graphix is a distinctively bold and rebellious font that embodies the spirit of nonconformity and adventure. It's a typeface that seems to shout r...
  39. Pacotille is an intriguing font designed by Pleine Page-Luc Mahler, which stands out for its unique blend of design elements and artistic nuances. This font encapsulates the essence of creativity and...
  40. The font named PUDSEY BEAR, designed by SpideRaY, is a charming and visually engaging typeface that captures the playful and benevolent spirit of its namesake, Pudsey Bear. Known widely as the mascot...
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