SwirlityScript takes an old (16th or 17th century) calligraphic script style and combines it with the caps from SwirlityText.

This font was inspired by lettering found on the cover of an old Almanac style cookbook from the 19th century.

A classic example of a narrow 19th century 'egyptian' style font. Excellent for old-fashioned posters where space is limited.

It was the original work of fifteenth century designer Nicolas Jenson that formed the basis for this roman serif style developed by Ernst Detterer in 1923. Similar in spirit to other early twentieth century revivals such as Centaur, Cloister Old Style, and Italian Old Style, Nicolas Jenson is distinguished by its pristine and delicate nature. A gifted young apprentice to Detterer, Robert Hunter Middleton, greatly expanded the family. And by 1929, bold, italic, and open were part of the Ludlow Foundry’s beautiful Nicolas Jenson Series. It was reintroduced under a new name, Eusebius, in 1941. This digital version includes a new medium and extrabold weight with intermediate small caps and swash alternates throughout the family. There is also a regular expert version with a variety of currency symbols plus a regular petite caps (regular x-height small caps) and old style figures version. Nicolas Jenson is now available in the OpenType Std format. Small caps, old style figures, and swash alternates have all been combined into one style for ease of use. You will also find an additional regular petite caps version included with the regular style. Some new characters have been added as stylistic alternates and historical forms. These advanced features work in current versions of Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

Bookman, a little lighter than the original, is the ATF version of Phemister’s Antique Old Style, introduced as a textface at the turn of the century.

Novela is a chisel flat pen style written with overtones of Uncial, from century old scribes. Very suitable for greeting cards, headlines, packaging and many other applications.

Morta is a handwritten unicase typeface with a slight calligraphic influence. Its design, like a centuries-old cold dark stones, has carved edges and polished corners, and represented by two styles: more legible “Brute” for general use, and more contrast “Grace” for large text size. Scripts: Latin, Greek, Cyrillic Languages: 480+ Hinting: Manual PostScript

Designed at ParaType (ParaGraph) in 1992 by Vladimir Yefimov. Based on letterforms of Firmin Didot, a French typographer from the 18th century, ITC Didi, of 1970, by Herb Lubalin and Tom Carnase, and Russian typefaces of the 18th-19th centuries. A little extragerrated decorative stylization of letterforms in the spirit of Modern Serif, with elements of an irony. For use in headlines, in advertising and display typography. Improved and added with Extra Bold, old style figures, ligatures and other symbols in 2010 by the same author.