Grotesk Polski FA developed in 1998-2006, was inspired by the Polish eminent pre-WWII text typeface - Antykwa Półtawskiego. Adam Półtawski designing his antiqua had took into consideration the special qualities of Polish language. He designed unique letters: k, w, y, z and R, K, Y. Another unique element of his typeface was polygonal dot. Grotesk Polski keeps all that shapes and goes further. It is a contemporary sans serif in four cuts: Regular, Italic, Bold and Stencil. The proportions of the typeface were rebalanced to give it a neo-grotesque form with a Polish twist.

Tin Stencil JNL was modeled from examples of an antique metal stencil letter and number set.

Gower Gulch JNL was inspired by some antique gold shirt pins spotted on an internet auction.

Alan Meeks designed Chesterfield in 1977. Chesterfield is a retro typeface, harkening back to decorative design from the turn of the century. There are many subtle art nouveau traits and curves in Chesterfield, and a hint to Frederic Goudy's work as well. Chesterfield is a display typeface, and should not be used in sizes below 12 point. This typeface would be a great fit for newsletter headlines, or signs for country stores. There are two styles of Chesterfield available: Chesterfield, and Chesterfield Antique. Chesterfield Antique is a more antiquated version of the typeface, and its letters appear slightly corroded.