Avondale Outline is a distinctive font that exudes a unique blend of modernity and nostalgia, crafted by the creative minds at Apostrophic Labs. This font is part of the larger Avondale family, which...
Kremlin Georgian I 3D, crafted by Bolt Cutter Design, is a font that intriguingly melds the historical with a contemporary 3D twist, making it a unique specimen in the realm of typography. Originatin...
Rogue Hero Expanded Italic, a captivating typeface crafted by Iconian Fonts, is a striking example of creativity and versatility in the world of typography. The font immerses users and viewers into a...
Xtreme Chrome, crafted by the talented Vic Fieger, is a distinctive font that captures the essence of chrome aesthetics effortlessly, blending nostalgia with modern design trends. This font harks bac...
As of my last update in April 2023, there isn't a widely recognized font named "Spaceman" within major font libraries or among widely used typefaces. However, let's imagine what a font aptly named "S...
Cardiff, a font created by Altsys Metamorphosis, is an intriguing typeface characterized by its unique design elements and typographic qualities. This font distinguishes itself through a blend of tra...
As of my last knowledge update in April 2023, there is no widely recognized or standard font specifically known as "Mika" within the graphic design or typography communities. However, the name itself...
Big Fat Ugly Cow is a font that stands out in the crowd with its bold and whimsical charm, instantly injecting personality and a sense of humor into any design. Imagine letters that seem to have been...
The Zig Zag ML font, crafted by the designer known as koeiekat, is an intriguing typeface that captures attention with its distinctive style. The word "Zig Zag" in its name already hints at the angul...
As of my last update, there's no widespread recognition or detailed information about a specific font named "Oktober." However, in imagining a font with such a name, we might envision a typeface that...
GrekoDeco is a captivating typeface that draws its inspiration from the Art Deco movement, blending the geometric shapes and precise lines characteristic of the early 20th-century design philosophy w...

The building of the Northern Bank of St. Petersburg's Baku branch was built in 1903-1905. It was the first Art Nouveau-style building in Baku, Azerbaijan. Later the bank was transformed into the Russian-Asian Bank. After the oil boom in Baku in the 19th century, branches of many banks and new banks were opened in the city. The branch of the Northern Bank of St. Petersburg was among the first banks that was opened in Baku. N.Bayev was the architect of the building for the branch of the Northern Bank of St. Petersburg located at Gorchakovskaya 3 in 1903-1905. The building currently houses the Central Branch of the International Bank of Azerbaijan. My purpose in writing this is not to copy and paste the information from Wikipedia. What attracted me to the building was the word "Банкъ" (Bank) written in Cyrillic letters, which was also used in Azerbaijan during the Soviet era. The exact date of the writing is not known. Every time I pass by this building, I always thought of creating a font of this writing someday. I had taken a photo of the building and saved it on my phone. I did a lot of research on the font and asked a lot of people. However, some did not provide information at all and some said they did not have any information. I was interested in the history of this font but I do not know if this font really existed or it was created by the architect out of nowhere. If there was such a history of this font, I wanted to recreate this font and make it available. If not, I had to create it from scratch in the same way, using only existing letters on the building. Finally, I made up my mind and decided to develop the font with all letters I have got. It was difficult to create a font based on the word, Банкъ. Because in the appearance of the letters, the midline of the letters on A, H, K was very distinct, both in the form of inclination and in more precise degrees. The serif part of the letters, the height of the upper and lower sides, differed from each other. I don't know whether it was done this way when the building was constructed or it happened over time. I prepared and kept the initial version of the font. I took a break for a while. I started digging on the story of the font again. Meanwhile, I was researching and got inspired by similar fonts. Unfortunately, my research on the font's history did not yield any results. I decided to continue finishing up the font. After developing the demo, I created the font by keeping certain parts of these differences in the letters. In addition, I had to consider the development of letters in the Cyrillic, as well as the Latin alphabet, over the past period. Thus, I began to look at the appearance of slab-serif or serif fonts of that time. In general, as I gain more experience in developing fonts, I try to focus on the precision of the design for each font. In recent years, I specifically paid attention to this matter. YouTube channel and articles by Alexandra K.'s of ParaType, as well as, information and samples from TypeType and Fontfabric studios on the Cyrillic alphabet were quite useful. I gathered data regarding the Latin alphabet from various credible sources. I do not know if I could accomplish what I aimed at but I know one thing that I could develop the font. Maybe someday I'll have to revise this font. For now, I share it with you. I created the font in 10 styles. 7 weight from Thin to Extra Black, an Outline, Shadow, and Art Nouveau. The Art Nouveau style was inspired by the texture in the background used for the text on the building. The texture I applied to capital letters adds beauty to the font. If you like the font feel free to use it or simply let me know if your current alphabet doesn't support this font.

TA Bankslab graphic presentation at Behance The building of the Northern Bank of St. Petersburg's Baku branch was built in 1903-1905. It was the first Art Nouveau-style building in Baku, Azerbaijan. Later the bank was transformed into the Russian-Asian Bank. After the oil boom in Baku in the 19th century, branches of many banks and new banks were opened in the city. The branch of the Northern Bank of St. Petersburg was among the first banks that was opened in Baku. N.Bayev was the architect of the building for the branch of the Northern Bank of St. Petersburg located at Gorchakovskaya 3 in 1903-1905. The building currently houses the Central Branch of the International Bank of Azerbaijan. My purpose in writing this is not to copy and paste the information from Wikipedia. What attracted me to the building was the word "Банкъ" (Bank) written in Cyrillic letters, which was also used in Azerbaijan during the Soviet era. The exact date of the writing is not known. Every time I pass by this building, I always thought of creating a font of this writing someday. I had taken a photo of the building and saved it on my phone. I did a lot of research on the font and asked a lot of people. However, some did not provide information at all and some said they did not have any information. I was interested in the history of this font but I do not know if this font really existed or it was created by the architect out of nowhere. If there was such a history of this font, I wanted to recreate this font and make it available. If not, I had to create it from scratch in the same way, using only existing letters on the building. Finally, I made up my mind and decided to develop the font with all letters I have got. It was difficult to create a font based on the word, Банкъ. Because in the appearance of the letters, the midline of the letters on A, H, K was very distinct, both in the form of inclination and in more precise degrees. The serif part of the letters, the height of the upper and lower sides, differed from each other. I don't know whether it was done this way when the building was constructed or it happened over time. I prepared and kept the initial version of the font. I took a break for a while. I started digging on the story of the font again. Meanwhile, I was researching and got inspired by similar fonts. Unfortunately, my research on the font's history did not yield any results. I decided to continue finishing up the font. After developing the demo, I created the font by keeping certain parts of these differences in the letters. In addition, I had to consider the development of letters in the Cyrillic, as well as the Latin alphabet, over the past period. Thus, I began to look at the appearance of slab-serif or serif fonts of that time. In general, as I gain more experience in developing fonts, I try to focus on the precision of the design for each font. In recent years, I specifically paid attention to this matter. YouTube channel and articles by Alexandra K.'s of ParaType, as well as, information and samples from TypeType and Fontfabric studios on the Cyrillic alphabet were quite useful. I gathered data regarding the Latin alphabet from various credible sources. I do not know if I could accomplish what I aimed at but I know one thing that I could develop the font. Maybe someday I'll have to revise this font. For now, I share it with you. I created the font in 10 styles. 7 weight from Thin to Extra Black, an Outline, Shadow, and Art Nouveau. The Art Nouveau style was inspired by the texture in the background used for the text on the building. The texture I applied to capital letters adds beauty to the font. If you like the font feel free to use it or simply let me know if your current alphabet doesn't support this font.
The KR Chinese Zodiac font by Kat Rakos is a captivating and expressive display font that captures the essence of the Chinese Zodiac's symbolism through its intricate designs. Each character within t...
Yanone Kaffeesatz is a distinctive and versatile typeface that carries a unique blend of modernity and nostalgia. It was first created by Yanone, a German type designer, in 2004. The inspiration behi...
As of my last update in April 2023, "TwoBeers" is not a widely recognized or standard font within graphic design or typography communities. However, with the proliferation of digital fonts and the ea...
Cue the sultry saxophone soundtrack and dim the lights, because the world of typography just flirted with the extraordinary—please welcome to the stage, SexyRexy. If fonts were people, SexyRexy would...
Tonky by Graham H Freeman is a distinct and characterful typeface that captures the essence of playfulness and creativity. Its design emanates a unique style that stands out for its quirky and whimsi...
The Janda Snickerdoodle Serif, designed by Kimberly Geswein, is a font that captures the whimsy and fun of hand-drawn letterforms while maintaining a serenity that comes from its serif elements. This...
Alright, let's dive into the world of Iconian Fonts and talk about one of their creations, the Postmaster font. Imagine for a moment venturing into a realm where the past and the future collide, brin...
The font "Birth of a Hero" created by Last Soundtrack is a distinctive typeface that sets itself apart with its rugged, grungy appearance. Perfectly capturing the essence of a bygone era of heroism a...
As of my last update in April 2023, without direct information on a specific typeface designated as "13_Fletcher," I can fabricate a creative description based around the intriguing elements the name...
As of my last update in April 2023, the DECOST font, if not widely recognized in mainstream font libraries, could either be a lesser-known typeface or a custom creation not widely distributed. Withou...
Ah, Bou College, the font that decided it was time to put its varsity jacket on and strut through the halls of typographical academia with a sporty swagger. Picture this: the letters, muscular and fi...
Blocked Off by Kimberly Geswein is a delightful meld of whimsy and structure, capturing attention with its unique charm and playful aura. The font embodies a sense of creativity that's instantly reco...
The gAbAcHiTA FFP font by deFharo is a typography that immediately captivates the eye with its unique and innovative design. This font falls within the category of fonts that not only serve the pract...
Jambetica is a distinctive font that captures the creative spirit of its creator, embodied by the playful yet purposeful name "Jambo!" Reflecting a blend of modernity and personality, Jambetica isn't...
The Gunship Italic font, created by Iconian Fonts, a noted type foundry known for its diverse and expansive portfolio of type designs, is a marvel in the realm of typographic artistry. Embodied with ...
The "ROSETTA STONE" font, crafted by the designer known as SpideRaY, embodies a unique blend of historical allure and modern design sensibilities. This font is named after the ancient Rosetta Stone, ...
Germania, a typeface designed by the talented Dieter Steffmann, is a testament to the rich historical and cultural essence of Germany's typographic tradition. Steffmann, known for his dedication to r...
Cream Cake, a captivating typeface designed by Ef Studio, stands out as a unique and versatile font that effortlessly captures the essence of modern creativity and elegance. The font is characterized...
The Slant font by Altsys Metamorphosis is a unique typeface that embodies a dynamic and forward-moving aesthetic, embodying the essence of motion through its distinctive slanted characters. Altsys, a...
Imagine waking up on a beautiful, sunny morning, feeling refreshed and eager to conquer the world. That sensation, my friend, is what encountering the font "Greatday" by Letteratom is like. It's not ...
The "KG Be Still & Know" font is a captivating creation by Kimberly Geswein, a typeface designer known for her distinctive and emotive font designs. This particular font is a clear reflection of Kimb...
Sturkopf Grotesk, designed by Uwe Borchert, is an intriguing addition to the vast world of typefaces. Its design distinguishes itself by threading the fine line between stoic traditionalism and bold ...
Chisel Mark, as designed by SavanasDesign, is a distinctive font that seems to embody the raw, dynamic essence of handcrafted artwork. Its character is derived from the visual of marks made by a chis...
Yoko Smile, crafted by the talented typeface designer Rémi Godefroid, is a font that exudes happiness, creativity, and flexibility. At its core, Yoko Smile represents more than just a series of lette...
The "ROBO" font, designed by George Edward Purdy, is a significant contribution to the typographic world, blending the boundaries between technology and art. At its core, "ROBO" encapsulates the esse...
Web Serveroff, a meticulously crafted typeface designed by Sergiy Tkachenko, stands as a testament to the designer's keen eye for detail and understanding of typography's power. This font finds its r...
The Kremlin Emperor font designed by Bolt Cutter Design is an evocative and regal typeface that seamlessly bridges the gap between historical richness and contemporary flair. This font is not just a ...