Some time ago, I started to think about the idea of combining my passionate hobby cooking with my profession as a graphic designer. While browsing through cooking books, cooking magazines and graphic publications I noticed that there were no symbols and drawings easily recognizable for interested cooks (hobby or professional). So I decided to create symbols for all the classical cooking paraphernalia still found in grand mother’s kitchen cabinet. René Menue Symbol contains 99 kitchen symbols of classical design and quality. To complement the symbols typographically, there is René Menue, a fitting linear Sans Serif typeface with plenty of extra characters such as ligatures, figures etc. René Menue is a modern, slightly condensed and economic design with round shapes, very modern but classical at the same time. These features make it perfectly usable in many different publications, not necessarily restricted to cooking… A successful cooking and enjoy your meal!

Areaman OT is a fun chunky ALL CAPS display font. I wanted it to look blocky and loud, So it can scream from Posters and Headlines. It has over 300 glyphs, several variations on the standard alphabet and all those extra pesky foreign features. It also has various letter pairing with extra ligatures and flourishes available through OpenType or your Glyphs palette. This upgraded version is now coded with OpenType features to create a randomised bespoke look and feel to your copy.

Warrior is a chunky typeface design inspired by a Russian Egyptian-style block alphabet (original designer unknown). Now available in seven weights (Hairline, Extra Light, Light, Medium, Regular, Bold, Black) in addition to three decorative styles: Shaded (3-dimensional), Inline, and Open. With its blocky letters and stable slab serifs, Warrior will add a bold, masculine look to your design. All members of the Warrior family support most European languages including modern Greek, and, of course, languages that use the Cyrillic alphabet.

Christmas Rockstar is a handwritten font with a dry brush texture with rough details. This font has been designed to suit a variety of projects such as business branding, Instagram quotes, Christmas greeting, Poster, blog headers, fashion apparel, sports communities, film, photography, hobbies, and much more. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

Since you like to look, Angel Koziupa and Alejandro Paul bring you Voyeur, an entirely different direction from their usual collaborations. This typeface attracts two opposite design theories by mixing bold and blocky modernism with delicate ornamentals. The unlikely mix is not haphazard, however. It is calculated with an alchemist's (or voyeur's) attention to detail. This font includes many, many different ornamental treatments, each adjusted specifically for its letter form counterpart. Open your glyph palette to find plenty more variation and alternative combinations. For everyone's eyes only.

Chump Change is a fun chunky serif ALL CAPS display font. I wanted it to look blocky and loud, So it can scream from Posters and Headlines. It has over 300 glyphs, several variations on the standard alphabet and all those extra pesky foreign features. OpenType coded, it has various letter pairings that interlock automatically to create a more randomized, bespoke feel to your copy. It also has some extra characters available directly through your glyphs palette. Play around with it, I hope you like it.

Whitehaven is the spirit of the Art Deco movement made into a very solid and blocky Sans Serif font. The name owes its inspiration to Whitehaven Mansions, a block of flats where that greatest of 1930s detectives, Hercule Poirot lived. Use this to make bold statements, to give posters and designs a taste of thee 30s, and wherever you want to be clear and definitive. Whitehaven is offered in two widths and a range of embossed and engraved styles for flexibility in design work.

A popular hobby in the 1950s and 1960s was creating your own wallets, belts and other items from leather do-it-yourself kits. Stamped or carved initials, names or phrases were often added to the leather with special tools and templates - many featuring a Western-styled alphabet with a hand-lettered look. Leathercrafter JNL recreates that same look in a digital font format, complete with the unusual and contrasting letter shapes.

Baldione is a highly stylised variation upon a classic Didone typeface, incorporating a globular decorative 'ball' or 'blob' in each character's design. The result has a feel of the 1970s about it somehow and works well in poster and advertising designs with a hint of the outré' about them. Balidone includes an extensive range of ligatures and stylistic alternates. Article abstract: Baldione is a highly stylised variation upon a classic Didone typeface, incorporating a globular decorative 'ball' or 'blob' in each character's design. The result has a feel of the 1970s about it somehow and works well in poster and advertising designs with a hint of the outré' about them.

By any stretch of the imagination, Yorso Square JNL is an imperfect font...by design! Taking a page from the elementary school projects of years past, this sans serif face is square and blocky... looking as if it was manually constructed in haste with a ruler and pencil - just as a student might do for a book report cover, science fair project or class poster. If you need a type face that shows the innocence of youth, or possibly a bit of urban audacity - Yorso Square JNL is your choice of lettering!

Fright Hours is a rough handwritten font with horror & freaky vibes! This font contains the regular and the bloody versions that you can combine to get the best result. This font is very suitable for poster movies especially thriller & horror movies. With unique lowercase, this font will make your poster or your craft more creepy and stunning! You also can use this font for any design because of the versatility in this font. Also, this font support multi language. This is your next halloween font for your future event!

Working on a Star Wars project? This font is in the main Star Wars written language of Aurebesh, and contains all the additional letters found in the language as glyphs. Designed to be a blocky workmanlike font that has the roughness commonly found in Star Wars related visuals. All numbers are also included as well as central punctuation symbols. The name is a very obscure reference to the old Star Wars expanded universe, when a force-sensitive droid self destructed in order for Uncle Owen to purchase R2-D2.

Pittsbrook Family, a pack of classic typefaces that inspired by the letters used in old advertisement and packagings. Its rigid shape gives you strong, sharp and blocky feelings, no curves were harmed in the making of these typefaces. Comes in three styles; Sans, Serif and Outline, all of them are consistently mouse-crafted characters, we spent a lot of attention to every details. Suits best for any classic/vintage design project, such as E-Sport logo, liquor/food label, packaging, headline, space-filler, logotype, typographic quote writings, etc.

Introducing RETRO-86 - A modern take on old-school computer graphic fonts. RETRO-86 was inspired by the low-resolution computer graphics of the 1970s, 80s, and 90s seen in classic games and on computer screens and interfaces. RETRO-86 features a beautifully limited, blocky design and is perfect for projects relating to the tech industry, the gaming world, and nostalgic work from the late 20th century. RETRO-86 is also a hyper versatile typeface. It comes in 2 complementary styles (regular, and shadow) and features 8 weight options each!

Introducing our new font Killarney. A bold and heavy display font that inspired by the vintage/classic letterforms used in old-advertisements. Mouse-crafted with high attention to details; clean lines, sharp edges and tempting curves. Its square and blocky letterforms make Killarney a great for headlines and space killer. Packed with 500+ glyphs, Killarney composed of slanted version, standard upper/lower case characters, numerals, punctuations, some multilingual letters, alternate characters, stylistic sets, ligatures, etc. This font is a must have item for your designing arsenal. Go get yours now while it's hot. :D

Have you ever seen lettering that you can connect with but have no clue where you've seen it before? It strikes a chord with certain feelings but you don't know why. Slim Pickens was inspired by the lobby card and poster titling from the 1949 Doris Day film "My Dream is Yours", and keys into the look and feel of vintage handwritten film poster titling. Something about that era in film made it easy to tie visuals with getting swept up in all sorts of emotions, good and bad. A narrow font, full of life and wonderfully hand-drawn, Slim Pickens is an accent font you'll want to have in your font collection for those tight fits, so buy it today and fill in the gaps of your designs with a little nostalgia!

Bangersfield is a four-member font family from Robby Woodard. With line treatments clearly inspired by cased meat products, these fonts function as a healtier alternative to Comic Sans. The casual hand lettering works well for light-hearted design and comic lettering. These fonts are stuffed with opentype features, extra ornaments, and a full Central European character set—over 400 characters per serving. Satisfy your hunger for a fresh take on a stale genre!

Kröwn is a ruthless display font family. It is presented in three styles that can be used stacked to create beveling and dimensional effects. Kröwn’s most distinctive feature is the absence of counter shapes, or at least its minimum impact. All counter shapes width is the same as the separation between characters, this creates a blocky, strong and hardcore rhythm. Use it with precaution to build strong titling, powerful logotypes or short letterings. With Kröwn, the less is more, the bigger the better. Its visual style draws inspiration from sword and sorcery fantasy genre and historical periods as the middle age.

Letro’s sturdy, slab serif form and sleek alternates make it perfect for any sort of display, whether it’s professional or personal, casual or serious, big, small, on a computer screen or on paper. Letro does everything: elegant while slightly blocky, stylised while legible, solid but full of finesse, this font isn’t the jack of all trades, it comes close to being the master. Letro comes in two weights, light and regular, with support for a multitude of languages. When you need a font with serifs to get the job done, Letro is your go to type.

Jump back to the future with both faces of the Used Servers family. This blocky titling font comes ready with ligatures and diacritics for all of your English, French, and German retro-future needs. Art Deco density combines with subtly-weighted horizontals for a slight 3D effect. As a retro omni-technical font with roots in OCR and n-segment displays, Used Servers is equally at home as: Titling in an 80s cassette-punk text adventure Environmental advertising in a cyberpunk megalopolis Art Deco filigree worked into a sacred orb Glyphs holding secrets from before time

POLIGRA is an experimental typefamily and a homage to traditional printing of the pre-war era in Poland. Most of the typefaces based on traditional printing are either clean, geometric typefaces or completely distressed lettering. The POLIGRA project explored everything in between. The letters, cleaned up, redesigned where necessary, and defined in their entirety, have a friendly and warm character, as if taken out of the press. The selection of typefaces was based on theater and sports posters. All of them have blocky and geometric character, each of them is an all-caps typeface. The POLIGRA family includes 13 typefaces.