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  1. Blazing - Unknown license
  2. Lastman - Unknown license
  3. Gears - Unknown license
  4. Shoplifter - Unknown license
  5. Alpha Sentry - Unknown license
  6. Gumtuckey - Unknown license
  7. Walkway UltraBold - Unknown license
  8. UNITED BRK - Unknown license
  9. Touchdown - Unknown license
  10. Fat Legs - Unknown license
  11. U.S.A. Condensed - Personal use only
  12. Rogue Hero Expanded Italic - Unknown license
  13. Chow Fun - Unknown license
  14. Juan Miro - Unknown license
  15. Only Fools and Horses - Unknown license
  16. Tork - Unknown license
  17. Headache - Unknown license
  18. Geared Up - Unknown license
  19. Twin Marker - Unknown license
  20. Electrik Hollow - Unknown license
  21. GALLAECIA - Unknown license
  22. HOUSEPIPES - Unknown license
  23. Binary X BRK - Unknown license
  24. 26WOMAN - Unknown license
  25. Danube - Unknown license
  26. Bolid - Unknown license
  27. STAR+STAR (sRB) - Unknown license
  28. Lubaline by Lián Types, $39.00
    Who haven't heard the phrase that ‘any past time was better’?. Although I sometimes find this phrase a little too pessimistic (because I try to think that the best is yet to come), it may be true regarding my passion, typography. I'm too young (29) unfortunately, and this means I did not have the pleasure of being contemporary with maybe the man who has influenced my work the most (1). The man that showed that letters are more than just letters to be read. Herb Lubalin (1918-1981), also called sometimes as ‘the rule basher’ (2), smashed the taboos and sacred rules of type design and gave it personality. He rejected the functionalist philosophy of europeans in favor of an eclectic and exuberant style. To him, letters were not merely vessels of form, they were objects of meaning. (3). Nowadays, when looking at his portfolio, who dares to deny that the term ‘typography’ and ‘beauty’ may go hand-in-hand without any problem? Ed Benguiat, one of Herb’s partners, still likes making jokes with the phrase “screw legibility, type should be beautiful” and what I understand of this is not to forget the rules, but to know and break them carefully. In an era of pure eclecticism, we, the lovers of flourishes and swashes, can't do nothing but admire all the legacy that Lubalin, this wonderful type-guru, left. My font Lubaline read as “the line of Lubalin” is my humble tribute to him. Those who know his work, may see the influences easily like in his ‘Beards’ (1976) and ‘The Sound of Music’ (1965) posters; the art-deco forms in many of his amazing logos and practically in all his creations where letters seem to be alive just like you and me. I really hope that the future finds me still learning more and more about type-design and letterforms, and like him, always willing to make innovations in my field: Because letters are not just letters to be read. NOTES (1) These are some of my fonts in which some of Lubalin’s influences can be seen (in order of creation): Reina, Aire, Erotica, String, Beatle, Heroe, Selfie, Model, Seventies, and many others that are still in progress. (2) (3) Steven Heller. Herb Lubalin: Rule Basher. U&lc (1998) http://www.printmag.com/imprint/my-favorite-lubalin/
  29. Morphine Jack - Unknown license
  30. Bad Coma - Personal use only
  31. tekken 6 2 - Unknown license
  32. Mogata - 100% free
  33. Rolloglide - Personal use only
  34. Rockabye - Personal use only
  35. Debitant - 100% free
  36. Blade Runner Movie Font - Unknown license
  37. Disparador - Personal use only
  38. SONY's Logo - Unknown license
  39. Got heroin? - Personal use only
  40. derail - Personal use only
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