1,591 search results (0.008 seconds)
  1. Ah, Urban Brigade, the font that struts down the street of typography like it owns the place. Imagine, if you will, a graffiti artist and a highly disciplined calligrapher had a love child; Urban Bri...
  2. Franken's-SteinA, designed by Nick Curtis, could very well be described as the mad scientist's version of a typeface, borrowing its thematic inspiration from the eerie, patchwork world of Frankenstei...
  3. The "Soviet" font by Iconian Fonts is a captivating and visually impactful typeface that harks back to the graphic design style prevalent in the Soviet Union during the 20th century. Designed to evok...
  4. The Circus Ornate font, created by Dieter Steffmann, is a typographic delight that harkens back to the golden age of circus posters and Victorian decorative arts. This font stands out with its detail...
  5. Mexcellent 3D is a font that truly brings the spirit of the late '60s and early '70s into the digital age. Crafted by the renowned font designer Ray Larabie, this typeface is part of the broader Mexc...
  6. The font "Earthbound" by Richard Alexander Hall draws its inspiration and nomenclature from an eclectic and beloved realm, hinting at connections to creativity, nostalgia, and the distinctive aesthet...
  7. The "Aint Nothing Fancy" typeface by David Kerkhoff is a delightful embodiment of simplicity and authenticity, perfectly capturing the essence of its name. This font stands out for its unpretentious,...
  8. As of my last update, the font named "Badgery" doesn't appear to be a widely recognized or specific typeface in the vast collection of commercial and free fonts available in the graphic design world....
  9. The font named Black Metal G encapsulates the raw energy and unbridled aggression found in the black metal music genre. Designed to echo the visual aesthetics commonly associated with this style of m...
  10. Well, imagine if a jar of honey and a bouquet of flowers had a baby on a sunny spring afternoon. That baby would be the font "Feelin Sweet" by Ardian Nuvianto. It's like every letter was dipped in a ...
  11. Ah, FellFel, the font! If fonts were characters at a grand dinner party, FellFel would be that intriguing guest who captures attention the moment they step through the door. You might not find FellFe...
  12. Featured Item, brought to life by the creative minds at Font Diner, carries an unmistakable charm that harkens back to the golden era of mid-20th century American advertising. Picture a lively diner ...
  13. "Display Dots" by dustBUSt Fonts emerges from the vibrant intersection of digital culture and typographic artistry. It embodies the playful yet functional essence of dot matrix displays, a nostalgia-...
  14. FuturaPress: if fonts had a personality, FuturaPress would be the cool, vintage bike-riding hipster who prefers vinyl records over digital music. Designed as an homage to the classic clean lines of i...
  15. Imagine if your handwriting decided to hit the gym, attend a few self-improvement workshops, and then came back with a new swagger—that's Billion Dreams for you, crafted by the wizard of letters, Mån...
  16. Well, let me paint you a word-picture of the font “Bauer,” crafted by the talented Samuel Park. Imagine, if you will, stepping into a time machine, dialing the year back to a vintage era where typewr...
  17. Cyrillic Old Face, a font steeped in historical charm and artistic elegance, is a remarkable representation of the rich typographical heritage that stems from the Cyrillic script. This particular typ...
  18. The font Retro Stereo Thin crafted by Thessalos Design captures the essence and nostalgia of a bygone era, while seamlessly blending with modern design aesthetics. This particular typeface is charact...
  19. "I Still Know" stands out as a font that carries with it an aura of mystery and a distinct personality that seems to whisper secrets from the depths of its characters. Imagine each letter crafted wit...
  20. Alright, let's dive into the unique world of the font named Dead Letter Office by Channel Zero! Capturing the essence of mystery and nostalgia, Dead Letter Office is not your everyday font. It seems ...
  21. Roycroft Initials, crafted by the talented Dieter Steffmann, is a font that harks back to the charm and distinctiveness of the Arts and Crafts movement. This font category, known for its artistic bea...
  22. The VTCSundayKomixTall typeface, a creation of Vigilante Typeface Corporation, exudes a distinct charm that harks back to the lively and animated feel of classic Sunday comic strips. This font is des...
  23. The Schwabacher font, revitalized by Dieter Steffmann, is a captivating blend of history and artistry, standing as a tribute to the rich heritage of German typography. Originating from the 15th and 1...
  24. Ballade, a captivating typeface designed by Dieter Steffmann, is a font that transports its audience back in time through its stylistic elements and ornamental flair. Steffmann, known for his prolifi...
  25. Xtreme Chrome, crafted by the talented Vic Fieger, is a distinctive font that captures the essence of chrome aesthetics effortlessly, blending nostalgia with modern design trends. This font harks bac...
  26. Ah, Tucker Handwritten! Imagine a script so carefree and whimsical, it's like each letter rolled out of bed, stretched, and decided to dance its way onto the page. If fonts were people, Tucker Handwr...
  27. Alrighty, let's dive into the whimsical world of the "TooneyNoodle" font, a playful creation by Nick Curtis, a designer known for his unique touch on typefaces that often evoke a strong sense of nost...
  28. GelPenUpright, created by Shara's Fonts, encapsulates a sense of casual elegance and playful sophistication. This font stands out due to its unique blend of the informal and the polished, making it h...
  29. The font "aaaiight!" exudes an unmistakable aura of relaxed creativity and playful expression. This captivating typeface belongs to the graffiti-inspired category, seamlessly blending the urban grit ...
  30. The Air Conditioner font by Font Diner evokes a cool, retro vibe that seems to whisk you back to the golden era of the 1950s and 1960s, a time when diners, drive-ins, and Americana culture were at th...
  31. The Underwood1913 font by Gilles Le Corre is a striking typeface that vividly captures the essence and nostalgic charm of early 20th-century typewriting. Inspired by the Underwood No. 5 typewriter, w...
  32. LittleLordFontleroy, crafted by the talented Nick Curtis, is a distinctive font that harkens back to the epochs of early 20th-century aesthetics, encapsulating an old-world charm that is both nostalg...
  33. Dive into the quirky world of PEIXE FRITO, a font that might as well have swum straight out of the imaginative mind of Billy Argel, ready to add a playful splash to your designs! If fonts were a seaf...
  34. Imagining a font named "Funk" transports us into a realm where typography ceases to be merely about readability and dives headfirst into the expressive, the evocative, and the playfully rhythmic. Fun...
  35. The Renaiss-Italic font by Manfred Klein is a graceful and elegant typeface that appears as if it has been plucked directly from the pages of history, yet it retains a refreshing modern twist that ma...
  36. The "MATILDAS GRADE SCHOOL HAND_DEMO_script" font, designed by Fontsandfashion, encapsulates the charm and whimsy of youthful handwriting. This font meticulously reflects the idiosyncratic nature of ...
  37. The Mage 1999 font, designed by Dieter Schumacher, is a captivating typeface that transports its audience back to the edge of the 20th and the dawn of the 21st century, encapsulating the essence of a...
  38. StamPete is a charismatic and lively font that seems to leap off the page with an infectious energy. It is a display font that draws inspiration from the distinctive marks made by rubber stamps, embo...
  39. FS Brabo Paneuropean by Fontsmith, $90.00
    Worldly Even though it’s a new arrival, FS Brabo has seen the world. Designed by a Brazilian working in London and studying in Belgium under a Dutchman, it’s certainly well-travelled. And it was inspired by the extraordinary archive of early book typefaces at the world-renowned Plantin-Moretus Museum in Antwerp, while Fernando Mello was attending Frank Blokland’s Expert class Type Design course at the Plantin Institute of Typography. It was there that Fernando became engrossed in the collection of early metal type, matrices, punches and type samples by figures such as Garamond and Granjon. So much so that he took on the mighty task of developing ‘a beautiful, functional, serifed text font’ of his own. Heroic FS Brabo’s journey from sketch to font family took an epic three years, starting in Antwerp, continuing at Fontsmith in London, and reaching its conclusion back in Fernando’s home city of São Paulo. No wonder Fernando was reminded of another titanic face-off: that of Antwerp’s Roman hero of legend, Silvius Brabo, and the evil ogre, Antigoon. Brabo came to the town’s rescue after the tyrannical giant had been charging ships’ captains extortionate taxes and chopping off the hands of those who refused to pay up. Having finally downed Antigoon after a long and terrible duel, Brabo cut off the giant’s own hand and threw it into the river Scheldt, unwittingly giving the town its name: the Dutch for ‘hand-throw’ is hand werpen. What better way for Fernando to name his literary typeface than after the hero of Antwerp’s oldest tale? The garalde factor FS Brabo is not a revival, but a very much a contemporary, personal interpretation of a garalde – a class of typeface originating in the 16th century that includes Bembo, Garamond and Plantin, with characteristically rounded serifs and moderate contrast between strokes. Brabo’s ‘ct’ and ‘st’ ligatures, upper-case italic swashes and contextual ending ligatures – ‘as’, ‘is’, ‘us’ – all preserve the beauty and character of traditional typefaces, but its serifs are chunkier than a garalde. Their sharp cuts and squared edges give them a crispness at text sizes, helping to bring a beautifully bookish personality to hardworking modern applications. A workhorse with pedigree It may give the appearance of a simple, four-weight typeface, but FS Brabo has hidden depths beneath its simplicity and beauty. OpenType features such as cap italic swashes, contextual ending swashes – programmed only to appear at the end of words – and stylistic alternatives make this a complete and well-equipped typeface. Comprehensive testing was carried out at text and display sizes, too, to prevent counters from filling in. All of which makes FS Brabo a very modern take on a traditional workhorse serif typeface: colourful and versatile enough to adorn not just editorial projects but also signage, advertising and logotypes.
  40. Stadtmitte by Letritas, $25.00
    Stadtmitte is a grotesque font with a distinctly industrial flair. It is inspired on a reinterpretation of the Berlin’s vernacular signs and characters created under the DIN 1451 norm. By the early 1900s, german painters and sign makers started to spread this unmistakable way of font drawing used back then on freight trains. Such letter design was both very easy to read and build, hence it started to quickly spread until it became a standard in 1936 for highway signage. Stadtmitte is not aimed to be yet another literal remake of those drawings but rather a revision of shapes and concepts that seeks to transport us to Germany’s industrial way of creating and displaying information, therefore being suitable for a wide scope of design uses, considering its own nature and different available weights. The typeface has 8 weights, ranging from “thin” to “black”, and two versions: "regular" and "italic". Its 16 files contain 618 characters with ligatures, alternates, small caps, old-style and tabular numbers, and case sensitive figures. It supports 219 Latin-based languages, spanning through 212 different countries. Stadtmitte supports this languages: Abenaki, Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Arvanitic (Latin), Asturian, Atayal, Aymara, Bashkir (Latin), Basque, Bemba, Bikol, Bislama, Bosnian, Breton, Cape Verdean Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Chickasaw, Cimbrian, Cofán, Corsican Creek,Crimean Tatar (Latin),Croatian, Czech, Dawan, Delaware, Dholuo, Drehu, Dutch, English, Estonian, Faroese, Fijian Filipino, Finnish, Folkspraak, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Gooniyandi, Greenlandic (Kalaallisut)Guadeloupean, Creole, Gwich’in, Haitian, Creole, Hän, Hawaiian, Hiligaynon, Hopi, Hotcąk (Latin), Hungarian, Icelandic, Ido, IgboI, locano, Indonesian, Interglossa, Interlingua, Irish, Istro-Romanian, Italian, Jamaican, Javanese (Latin), Jèrriais, Kala Lagaw Ya, Kapampangan (Latin), Kaqchikel, Karakalpak (Latin), Karelian (Latin), Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Ladin, Latin, Latino sine Flexione, Latvian, Lithuanian, Lojban, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Manx, Māori, Marquesan, Megleno-Romanian, Meriam Mir, Mirandese, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinh-Patha, Nagamese Creole, Ndebele, Neapolitan, Ngiyambaa, Niuean, Noongar, Norwegian, Novial, Occidental, Occitan, Old Icelandic, Old Norse, Oshiwambo, Ossetian (Latin), Palauan, Papiamento, Piedmontese, Polish, Portuguese, Potawatomi, Q’eqchi’, Quechua, Rarotongan, Romanian, Romansh, Rotokas, Sami (Inari Sami), Sami (Lule Sami), Sami (Northern Sami), Sami (Southern Sami), Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Seri, Seychellois Creole, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Slovio (Latin), Somali, Sorbian (Lower Sorbian), Sorbian (Upper Sorbian), Sotho (Northern), Sotho (Southern), Spanish, Sranan, Sundanese (Latin), Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Tzotzil, Uzbek (Latin), Venetian, Vepsian, Volapük, Võro, Wallisian, Walloon, Waray-Waray, Warlpiri, Wayuu, Welsh, Wik-Mungkan, Wiradjuri, Wolof, Xavante, Xhosa, Yapese, Yindjibarndi,
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