This family, in normal and bold weights, is based on Advertisers Gothic, designed by Robert Wiebking for Barnhart Brothers & Spindler in 1917. The original might be considered a transitional design between Art Nouveau and Art Deco; this version accentuates the Deco traits, adding a thick-and-thin treatment not found in the original. The large x-height and short descenders allow for compact, commanding headlines with a carefree charm, a.k.a. bell'agio. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Based on the elegant and somewhat delicate Shàngó "Classic", Shàngó Chiseled goes to the other extreme with a bold and emphatic design that continues the legacy of the beautiful classic proportions of Dr. Schneidler's original titling typeface. Warm, cheerful, open, and sensitively masculine, Shàngó Chiseled can give you the impact you need. Perfect for an embossed look, or of classic lettering in stone. A complete character set that supports most European languages. Shàngó Chiseled is a member of the extended Shàngó family (Classic, Chiseled, Sans, Gothic).

The renowned American illustrator and graphic designer Milton Glaser designed Glaser Stencil in 1970. Glaser Stencil is a perfect summation of both Modernist proportion and New York-style solidity and self-assurance. An all capitals font, the shapes of the letters are reminiscent of popular sans serif faces of the time, such as Futura and ITC Avant Garde Gothic. Like everything New York-related, Glaser Stencil should be used big, in headlines and display applications, where it can play a bold, proud, and confident role.

Stickup is an incomparable, simple, and bold display font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out!

Ador is a humanist sans serif especially designed for contemporary typography and comes up with 8 weights from ultralight to black plus true italics and 343 ligatures. A large x-height not only creates space in the letters for extra-bold styles, but also lends Ador an open and generous character in the more narrow and semi-bold versions. The nice balance between sharp ink trapped and soft, dynamic shapes helps to work in small sizes. Diagonal stress, angled finials and the 4 degree true italic styles give Ador a dynamic look. The font contains 981 glyphs including small caps, tabular, old style, fractions … and a wide range of flexibility for Latin language support for every typographical needs. Ador is a contemporary sans serif typeface, special for logotypes, brands, magazines and editorial.

'Zarathustra' family is black lettered gothic font with multi-language support. It was inspired by middle age cathedrals and its sculptures.

Yet another san serif typeface, Yassitf is a generic sans, a font meant to blend in rather than stand out. It has little contrast and is almost monoline. It includes three widths: condensed, narrow, and regular. The widths have four to six weights: ultra thin, thin, light, plain, bold, and extra bold. Further, each width and weight combination has both upright and italics styles. The thirty fonts in the family contain several open-type features, including both proportional and tabular (monospaced) numbers.

Warrior is a chunky typeface design inspired by a Russian Egyptian-style block alphabet (original designer unknown). Now available in seven weights (Hairline, Extra Light, Light, Medium, Regular, Bold, Black) in addition to three decorative styles: Shaded (3-dimensional), Inline, and Open. With its blocky letters and stable slab serifs, Warrior will add a bold, masculine look to your design. All members of the Warrior family support most European languages including modern Greek, and, of course, languages that use the Cyrillic alphabet.

Introducing TF Nukes – the boldest display style font that will capture the attention of your audience and make your message stand out! This bold, strong font is perfect for headlines, titles, and any other text that needs to make a statement. A bold and striking font style will make your message impossible to ignore, while the bonus illustrations will add an extra layer of creativity to your design. Features: Uppercase, Lowercase, Numeral, Punctuation, Multilingual & Alternates. For any questions please contact me 🙂 Thanks!

Mexican printmaker Jose Guadalupe Posada (1851-1913) created a massive variety of material—broadsheets, cards, advertisements, posters, etc.—which largely represented a defense of the common man and a manifestation of the horrible and gruesome events of the day. Posada often cut his own lettering that looked like more decorative versions of Gothic wood types. His most notable imagery comes from his Calaveras celebrating the Day of the Dead. Calaveras often represent effigies of living people depicted as skeletons going about their daily activities. These are often humorous and playful in a way that helps bridge this world with the beyond. This font family contains two small caps style fonts and one Extras font containing 60 images.

The ITC Franklin™ typeface design marks the next phase in the evolution of one of the most important American gothic typefaces. Morris Fuller Benton drew the original design in 1902 for American Type Founders (ATF); it was the first significant modernization of a nineteenth-century grotesque. Named in honor of Benjamin Franklin, the design not only became a best seller, it also served as a model for several other sans serif typefaces that followed it. Originally issued in just one weight, the ATF Franklin Gothic family was expanded over several years to include an italic, a condensed, a condensed shaded, an extra condensed and, finally, a wide. No light or intermediate weights were ever created for the metal type family. In 1980, under license from American Type Founders, ITC commissioned Victor Caruso to create four new weights in roman and italic - book, medium, demi and heavy - while preserving the characteristics of the original ATF design. This series was followed in 1991 by a suite of twelve condensed and compressed designs drawn by David Berlow. ITC Franklin Gothic was originally released as two designs: one for display type and one for text. However, in early digital interpretations, a combined text and display solution meant the same fonts were used to set type in any size, from tiny six-point text to billboard-size letters. The problem was that the typeface design was almost always compromised and this hampered its performance at any size. David Berlow, president of Font Bureau, approached ITC with a proposal to solve this problem that would be mutually beneficial. Font Bureau would rework the ITC Franklin Gothic family, enlarge and separate it into distinct text and display designs, then offer it as part of its library as well. ITC saw the obvious value in the collaboration, and work began in early 2004. The project was supposed to end with the release of new text and display designs the following year. But, like so many design projects, the ITC Franklin venture became more extensive, more complicated and more time consuming than originally intended. The 22-font ITC Franklin Gothic family has now grown to 48 designs and is called simply ITC Franklin. The new designs range from the very willowy Thin to the robust Ultra -- with Light, Medium, Bold and Black weights in between. Each weight is also available in Narrow, Condensed and Compressed variants, and each design has a complementary Italic. In addition to a suite of new biform characters (lowercase characters drawn with the height and weight of capitals), the new ITC Franklin Pro fonts also offer an extended character set that supports most Central European and many Eastern European languages. ITC Franklin Text is currently under development.

Presenting Alingtone Font Duo! A Display Font with 2 Versions, Alternates, and Extra. This font made with the perfect combination of each character. You can type by Mix & Match with an alternate version and extra swashes to get a unique combining. It looks original and can be used for all your project needs. Each glyph has its own uniqueness and when meeting with others will provide dynamic and pleasing proximity. This font can be used at any time and any project. You can see in the presentation picture above, Alingtone looks Versatile on design projects. So, Alingtone Font can't wait to give its touch to all your design projects such as quotes, poster design, retro design, vintage design, business, advertisment, personal branding, promotional materials, logotype, product packaging, etc. Besides that, Alingtone Script also has some ligature that gives a surprise when you type certain characters combining. The ligatures are ee, ll, oo, ii, nn, yy, ff, rr, tt, and ss. WHAT'S INCLUDED? 1. Alingtone Script • The First Version comes with uppercase, lowercase, ligatures, numeral, punctuation, symbols, and Standard Latin Multilingual Support (Afrikaans, Albanian, Catalan, Danish, Dutch, English, French, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanisch, Swedish, Zulu, and More). 2. Alingtone San • The Second Version comes with ALLCAPS, numeral, punctuation, symbols, and Standard Latin Multilingual Support (Afrikaans, Albanian, Catalan, Danish, Dutch, English, French, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanisch, Swedish, Zulu, and More). 3. Alingtone Script Alternate • It comes with uppercase, lowercase, numeral, punctuation, and symbols. 4. Alingtone Swash • It comes with 21 underline swashes. Just type c_1 until c_21 to feature all. Enjoy the Font and Happy Creating! Thank You Azetype Studio

Brain Squeeze is a nice, fat, messy brush font. I made it with one of my late father in law’s prized Chinese brushes and my Chinese ink. If you look through my library, you will notice that I make a lot of fonts using these tools! Brain Squeeze will squeeze your Cabeza for some extra creativity, so what are you waiting for? Use it and have fun!

Rachert is a retro bold font that will bring you back to the 70s. Fall in love with its unique character and use it to create gorgeous wedding invitations, beautiful stationery art, eye-catching social media posts, and much more! Rachert is PUA encoded which means you can access all glyphs and swashes with ease!

Roberta goes back to the old poster fonts of the 1930s. It is an excellent alternative and combination to fonts like Arnold Böcklin or Hobo. Ralph M. Unger redrew and digitized this font in 2003. His work is based on artwork taken from old font catalogs.

Please welcome, KEHLIN!, a time machine font for you to get back to those magnificent era for the sake of old retro and vintage stuff. An implementation from the old store sign and vintage advertising. Perfectly fit for your headline content, logo, branding, posters, anytime - anything, oldsport :)

Simeon's Handwritten Blackletter is the result of my desire to have my handwritten old English style writing available for my computer. It is a basic Gothic style font with my own touch to the lettering. Simeon's Handwritten Blackletter comes with full punctuation, a character set for most Western European based Latin alphabet languages. Being a decorative font, it works best at larger point sizes.

Beckinslade is a lovely elaborate blackletter face, released just in time for Christmas, but useable at any time of the year. It is in the best traditions of Victorian Gothic revival, drawing inspiration from a range of sources and marrying them into one homogenous whole. The emphasis is on aesthetics rather than historical accuracy. Great fun though for anywhere ‘ye olde’ look is desired.

Hello, I'm back with my best product. This product is a serif font family because there are four style options, namely regular, italic, bold and bold italic. This font is also equipped with several alternates and ligatures so that you have the best choices for your work. This font can be used for wedding invitations, advertisements, web designs, quotes, banners, presentations and more. This font is PUA encoded which means you can access all the glyphs and ligatures with ease!

Introducing Grandtown - retro bold script style font. Inspired from retro typography and lettering in the 70's and 80's combine with bold typography style. With this font will bring you back to 70s feel. Grandtown is perfect for vintage and retro design, badge, logos, t-shirt, poster, branding, packaging, signage, book cover and so much more! Come with Opentype feature with a lot of alternates, its help you to make great lettering. This font is also support multi language.