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  1. COM (sRB) - Unknown license
  2. Red Circle - Unknown license
  3. Smartie CAPS - Personal use only
  4. Font in a Red Suit - Unknown license
  5. Gravicon - Unknown license
  6. Depth Charge - Unknown license
  7. ARG219am - 100% free
  8. Idolwild - Unknown license
  9. COnsume - Unknown license
  10. Torgny.. - Unknown license
  11. Grange Shadow - Unknown license
  12. Thiamine - Unknown license
  13. Eaglemania - Personal use only
  14. Thundercats - Unknown license
  15. Ego trip Fat Skew - Unknown license
  16. Plastic No.20 - 100% free
  17. Eklektic-Normal - Unknown license
  18. Reaver - Personal use only
  19. Action Man Extended - Unknown license
  20. Quake & Shake - Unknown license
  21. Imperfect font - Unknown license
  22. Rogue Hero Italic - Unknown license
  23. ReskaGraf - Unknown license
  24. Grunge Serifia - Unknown license
  25. Tour de Font - 100% free
  26. Corrodated J - Unknown license
  27. RaveParty Offset - Unknown license
  28. Hall Fetica Wide - Unknown license
  29. KASnake - Unknown license
  30. oktober - Unknown license
  31. Amature Circus - Unknown license
  32. Drummon - Unknown license
  33. MDRS-FD01 - Unknown license
  34. Spongebob Dingpants - Unknown license
  35. Big Fat Ugly Cow - Unknown license
  36. MARIAMNE by Type Innovations, $39.00
    MARIAMNE is an original design by Alex Kaczun. It is an elegant, modern and traditional interpretation based on and modeled after his successful "Contax Pro" and "New Age Gothic" typeface series. As such, it has generous proportions with clean, crisp lines—ideally suited for easy reading and long lines of copy. Alex felt that the skeleton for "Contax" was perfectly suited to transform the design into a modern version of 'old-style', somewhat reminiscent of German Black Letter. Numerous modifications where made to the body proportions, stems and shapes. True 'old-style' serifs and unusual 'cross-strokes' where added for a touch of distinction. The 'cross-strokes' where added at exactly visual mid-point on the overall heights. This gives the typeface a romantic, female-like quality to the overall design. Strong, yet delicate. Visually stimulating in appearance and function. The result is a truly unique transitional and modern design. Unlike other typefaces, MARIAMNE incorporates uniform stems throughout the capitals, lower case and figures. This gives the design a uniform appearance in overall color and strength. There is a perfect visual balance between inter-letter spacing, stem weights and proportions. The accents are equally large, bold and command attention. This font includes a large 'Pro' character set, which supports most Central European and many Eastern European languages. As a result, the design is ideally suited for display copy as well as text composition. In the near future, Alex plans to expand the typeface series to include a light and heavy weight, along with true italics.
  37. Callejera - Unknown license
  38. Accia Forte by Mint Type, $39.00
    Accia Forte is a strong serif typeface with high contrast, large x-height and prominent serifs. Its loud contemporary feel will be ideal for titles as well as posters and web appearance. The font family contains 8 weights from Thin to Extra Bold, with matching true italics. It supports extensive language support including Cyrillic, as well as numerous OpenType features such as small caps, ligatures, several sets of figures, case-sensitive punctuation, ordinals. Accia Forte is a member of Accia Type System. It encompasses five typefaces ranging from sans-serif to expressive serif, giving you the possibility to create sophisticated cohesive designs. Accia Type system consists of Accia Sans, Accia Flare, Accia Piano, Accia Moderato, and Accia Forte.
  39. Bookkeeping JNL by Jeff Levine, $29.00
    The extra bold version of R. Hunter Middleton's "Karnak" (produced in 1936 for Ludlow) served as the model for Bookkeeping JNL and is a companion to Bookkeeper JNL (the light weight version of this type design). Middleton based his "Karnak" family of typefaces on the geometric slab-serif "Memphis", which was designed in 1929 by Dr. Rudolf Wolf and released originally by the Stempel Type Foundry of Germany. According to Wikipedia, "Karnak" "was named after the Karnak Temple Complex in Egypt, in reference to the fact that early slab serifs were often called 'Egyptians' as an exoticism by nineteenth-century type founders." Bookkeeping JNL is available in both regular and oblique versions.
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