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  1. Rational Integer - Unknown license
  2. CorpusCare - Unknown license
  3. Commuter - Unknown license
  4. Rotondo - Unknown license
  5. Ptarmigan - Unknown license
  6. Renaiss-Italic - 100% free
  7. EURONEW - Unknown license
  8. DancingSuperserif - 100% free
  9. Smartie CAPS - Personal use only
  10. Gravicon - Unknown license
  11. NotMaryKate - 100% free
  12. Corporate HQ - Unknown license
  13. ARG219am - 100% free
  14. Idolwild - Unknown license
  15. Covington - Unknown license
  16. GOST type A - Unknown license
  17. GUNJU - Unknown license
  18. COnsume - Unknown license
  19. Torgny.. - Unknown license
  20. Glyphstream - 100% free
  21. Barber shop - Unknown license
  22. Thiamine - Unknown license
  23. Penelope - Unknown license
  24. Action Man Extended - Unknown license
  25. BJF Hunnybee - Unknown license
  26. Grunge Serifia - Unknown license
  27. Corrodated J - Unknown license
  28. Patient Paige - Personal use only
  29. Hall Fetica Wide - Unknown license
  30. CoventryGarden - Unknown license
  31. lelim 200 - Personal use only
  32. SF Espionage Light - Unknown license
  33. Amature Circus - Unknown license
  34. FancyPants - Unknown license
  35. MDRS-FD01 - Unknown license
  36. Bigplace Caps ExtBd ExtCond - Personal use only
  37. Vulpa by Eclectotype, $36.00
    Vulpa is a charming serif family in regular, italic and bold, informed by the proportions of a personal favorite, Plantin. The quirky foxtail terminals (inspired in part by my script font, Gelato Script) can be seen across all three styles. These little details make the typeface very expressive at display sizes, but practically disappear at text sizes, making for a very versatile face. Across the three styles there are a number of useful OpenType features which make Vulpa capable of demanding typographic work, even though there are only three styles. Regular, italic and bold are all you really need anyway! The regular and bold weights both include small caps, and the italic features swash capitals for most letters. The italic also features quaint discretionary ligatures, and all styles include standard ligatures, automatic fractions, proportional and tabular, lining and oldstyle figures. If this isn't enough, the Vulpa family also includes Ornaments and Drop-Cap fonts. There is an ornament for A to B, a to b and 0 to 9. These have been carefully designed to match the feel of the text fonts, and many are influenced by ornaments and fleurons from the ATF 1912 Type Specimen book. The drop-caps have an engraved look, and two color versions can be made by overlaying upper and lower case. Despite the lack of weights compared to ‘workhorse’ faces, the charm and versatility of Vulpa make it a really useful typeface, that I hope you'll enjoy using as much as I enjoyed making.
  38. Longhorn by Belldorado, $20.00
    I saw a cool UT-Ligature on an old (maybe 70's or 80's) Texas Longhorns fan-shirt - it was in 3D and I wanted something like that with my own initials A and B to print it on a baseball hat. I started drawing it and when I was finished, I thought it might be nice to do the same for my officemates. I needed another G, T and K. After finishing that I thought it might be cool to do this for other people as well. Since the source of all the 3D glyphs is found in the regular ones which get moved by a 45 degree angle and then connected with lines , I first draw all the uppercase regular glyphs. The thing that followed was kind of an addiction: after finishing the uppercase letters, I wanted to add lowercase letters, after finishing the 3D letters, I thought it would be nice to have a fill version to layer with the 3D letters. Having a rough, woodcut version of the regular style would be cool, too. And the font is also pretty much suited to make a stencil version. When all this was done, I was interested on how the font would look like without the serifs and curves instead of the 45 degree angles, so I did the Longhorn Sans. Good to use for all sports-related designs, especially retro-style soccer/football shirts. Uppercase characters can be combined to form ligatures or logotypes.
  39. Ainslie Contrast by insigne, $35.00
    Ainslie Contrast is the newest in the Ainslie series, named for the famous mountain overlooking the Australian city of Canberra. The Ainslie series currently consists of four typefaces. The Ainslie design is very unique and originally began life as a semi-serif. Also available are a normalized sans serif and slab variants. This contemporary typeface’s high contrast catches the eye. The design flows with ease and sophistication. There are a mix of influences from Australia, which gives it a unique flavor. The original Ainslie was designed for the Canberra Australia Centennial Typeface Competition and named for the mountain that overlooks the beautiful capital city of Australia. Ainslie takes Canberra's distinct geometric design and blends it with the organic, flowing essence of aboriginal art and the smooth aerodynamic design of the boomerang. The typeface includes a multitude of alternates that can be accessed in any OpenType application. There are swashes and other details such as small caps, alternative titling caps and swash alternates. If you’re searching for a contemporary high contrast typeface with geometric simplicity and a hint of antipodean flair, Ainslie Contrast is fair dinkum.
  40. Bright shade by Namara Creative Studio, $20.00
    Bright Shade display font inspired by modern and contemporary serif combined in one. Perfect for any of your design needs, Such as Logo, Poster, Business card, Social Media design and more. Modern contemporary serif display font, Combined unique and elegant styles serif of the '80s. Bright shade come to display your message more attractive and meaningful.
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