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  1. STP Display by Sete Std, $30.00
    Its inspiration comes from the types without serifs, with features ranging from architecture to modernist design products. With generous shapes and counterforms, the type becomes showy wherever it is, masterfully fulfilling the purpose for which it was designed. Initially designed for a signaling project in the Brazilian city of Jaraguá do Sul, Santa Catarina, the STP Display was expanded to include the largest number of characters in the Latin alphabet. This helps to find solutions in cases where a large number of languages to communicate something is needed, such as to inform a specific place for a tourist or also a direction to follow for an employee in a company. The STP Display is a modular feature, developed with rounded corners and a design based on geometric elements, ideal for use in large sizes. Forms and counterforms, its main characteristics, bring prominence to any signaling project. The STP Display also has another version, the STP Stencil, and in addition to wayfinding projects, both can be used in architectural projects, advertising, packaging, posters, and others. With a complete Latin alphabet, STP Display covers over 90% of the supported languages, covering the whole American continent, East and West Europe and most of the countries of Africa, Asia and Oceania.
  2. Lido STF by Storm Type Foundry, $39.00
    Times with a Human Face: In my article of the same name which appeared in the magazine Font, volume 2000 I described the long and trying story of an order for a typeface for the Czech periodical Lidové noviny (People’s Newspaper). My task was to design a modification of the existing Times. The work, however, finally resulted in the complete re-drawing of the typeface. The assignment, which was on the whole wisely formulated, was to design a typeface which would enable “a smooth flow of information in the reader’s eye”, therefore a typeface without any artistic ambitions, from which everything which obstructs legibility would be eliminated. A year later Lidové noviny had a different manager who in the spring of 2001 decided to resume the cooperation. The typeface itself definitely profited from this; I simplified everything which could be simplified, but it still was not “it”, because the other, and obviously more important, requirement of the investor held: “the typeface must look like Times”. And that is why the above-mentioned daily will continue to be printed by a system version of Times, negligently adjusted to local conditions, which is unfortunately a far cry from the original Times New Roman of Stanley Morison. When I was designing Lido, the cooperation with the head of production of Lidové noviny was of great use to me. Many tests were carried out directly on the newspaper rotary press during which numerous weak points of the earliest versions were revealed. The printing tests have proved that the basic design of this typeface is even more legible and economical than that of Times. The final appearance of Lido STF was, however, tuned up without regard to the original assignment – the merrier-looking italics and the more daring modelling of bold lower case letters have been retained. The typeface is suitable for all periodicals wishing to abandon inconspicuously the hideous system typefaces with their even more hideous accents and to change over to the contemporary level of graphic design. It is also most convenient for everyday work in text editors and office applications. It has a fairly large x-height of lower case letters, shortened serifs and simplified endings of rounded strokes. This is typical of the typefaces designed for use in small sizes. Our typeface, however, can sustain enlargement even to the size appropriate for a poster, an information table or a billboard, as it is not trite and at the same time is moderate in expression. Its three supplementary condensed designs correspond to approximately 80% compression and have been, of course, drawn quite separately. The intention to create condensed italics was abandoned; in the case of serif typefaces they always seem to be slightly strained. I named the typeface dutifully "Lido" (after the name of the newspaper) and included it in the retail catalog of my type foundry. In order to prevent being suspected of additionally turning a rejected work into cash, Lido STF in six designs is available free of charge. I should not like it if the issuing of this typeface were understood as an “act out of spite” aimed against the venerable Times. It is rather meant as a reminder that there really are now alternatives to all fonts in all price categories.
  3. Axion STN by Type Innovations, $39.00
    Axion STN is an original design by Alex Kaczun and is a stencil interpretation of his Axion RX-14 font. It is but one of several alternate designs based on his original Axion family of fonts. The wide gap within this stencil treatment works well with and compliments the spacing in the font, creating a tension within this modern grotesque and adding a class of destinction and interest. This display font is not intended for text use. It was designed specifically for display headlines, logotype, branding and similar applications. The entire font has an original look which is strong, dynamic, machine generated and can be widely used in publications and advertising. Axion STN is a futuristic, techno-looking and expressive typeface with an appearance of machined parts with sharp and rounded edges. This attractive display comes in roman with lower case and lining figures. The large Pro font character set supports most Central European and many Eastern European languages.
  4. BaselSans ITD by Isaco Type, $30.00
    BaselSans is a discrete, legible typeface, inspired by the international typographic style, with a humanistic touch. It is suitable for many uses, from small size texts to large titles.
  5. Oliandre Demo - Personal use only
  6. Rotterdam Demo - Personal use only
  7. Argithea DEMO - Personal use only
  8. Melonday Demo - Personal use only
  9. Platthand Demo - Unknown license
  10. Caswallon Demo - Unknown license
  11. Clairveaux Demo - Unknown license
  12. Carmilla Demo - Unknown license
  13. Guede Demo - Unknown license
  14. HaydenPanettiereBats demo - Unknown license
  15. Hendrix Demo - Unknown license
  16. Azariel Demo - Unknown license
  17. Hesperides Demo - Unknown license
  18. Hadrianus Demo - Unknown license
  19. Zahariel Demo - Unknown license
  20. Padstow Demo - Unknown license
  21. Butterfield Demo - Unknown license
  22. Morgow Demo - Unknown license
  23. Interlude Demo - Unknown license
  24. Wanax Demo - Unknown license
  25. Jerash Demo - Unknown license
  26. Roughwork Demo - Unknown license
  27. Isfahan Demo - Unknown license
  28. Alecto Demo - Unknown license
  29. Dementia Demo - Unknown license
  30. Gaheris Demo - Unknown license
  31. Ithuriel Demo - Unknown license
  32. Paleos Demo - Unknown license
  33. Goddard Demo - Unknown license
  34. Ekberg Demo - Unknown license
  35. Pullman Demo - Unknown license
  36. Vespasiano Demo - Unknown license
  37. Ardenwood Demo - Unknown license
  38. Delaguerra Demo - Unknown license
  39. Coverack Demo - Unknown license
  40. Alleghieri Demo - Unknown license
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