Didonesque Script has the flair of a script typeface, yet retains the rigid structure and incline of its cousins in the Didonesque family. This makes for an interesting approach – the flamboyancy of this script is restrained which resonates a distinctly reserved and formal tone. This typeface is perfect for formal occasions, with its main intent for use in short runs of text, headlines, branding and logo applications. Open Type features are utilized to good effect – positional forms, contextual alternates, ligatures, stylistic alternates, and old style figures all add value to Didonesque Script. There are four weights, from delicate to voluptuous (Regular, Medium, Bold, and Black), which are replicated in “Display” versions – these are designed for use at larger point sizes. Key features: • 4 weights in two styles – Regular and Display • Positional Forms (when activated) ensure the correct glyphs appear in context as you type • Full European character set (Latin only) • 550+ glyphs per font.

Colour is more fun than black, but multicolour is even better. Let me introduce URLOP, a wide type family suitable for your fancy posters, headlines, covers, illustrations, websites, initials, blackmails, chronicles, signboards, poems and many others. Twelve basic styles, which make the overall construction, give a wide range of opportunities. All of them, being able to mix with each other, vary from a thin INSIDE, through a medium FILL, to a double-stem PLUS styles. And then comes a range of colour fonts, so you don’t have to waste any of your precious time for experiments, because I’ve already done it for you! URLOP is an all-caps display collection consisting of three sub-families of fonts, divided by the usage they are designed for. First of all, there is a wide range of alphabets made in the new OpenType-SVG colour fonts format. This is quite a novelty and a very promising technology at the same time. It allows designers to store colour information inside the font. Due to my experience with layered colour thinking that I explored in my first family - Epilepsja , I decided to make several preset layer combinations in this auspicious format. This sub-group is tagged RGB. Make sure that your field of usage and software support OT-SVG format. However, if you feel a need to experiment in the old-fashioned way, you may buy separate layers under the DIY tag. The last group is very similar to the DIY, but it was optimized to look better when standing without other layers. It’s called PRO*. All styles cover Latin alphabets of Europe, basic Cyrillic and Greek sets. Have fun! Before using the font, read the instructions and specimen attached to font files in the purchased package or download them from the Gallery tab on this site. This will help you avoid making unexpected mistakes when combining layers. *PRO subfamily release planned in 2019.

After doing this for so many years, one would think my fascination with the old history of writing would have mellowed out by now. The truth is that alongside being a calligraphy history buff, I'm a pop technology freak. Maybe even keener on the tech thing, since I just can't seem to get enough new gadgets. And after working with type technologies for so many years, I'm starting to think that writing and design technologies as we now know them, being about 2.5 post-computer generations, keep becoming more and more detached from what the very old humanity arts/tasks they essentially want to facilitate. In a world where command-z is a frequently used key combination, it’s difficult to justify expecting a Morris-made book or a Zaner-drawn sentence, but accidental artistic “mutations” become welcome, marketable features. When fluid pens were introduced, their liquid saturation influenced type design to a great extent almost overnight an influence professional designers tend to play down. Now round stroke endings are a common sight, and the saturation is so clean and measured, unlike any liquid-paper relationship possible in reality. Some designers even illustrate their work by overlaying perfect circles at stroke ends, in order to illustrate how “geometric” their work was. Because if it’s measured with precise geometry, it’s got to be meaningful design. And once in a while, by a total freak accident, the now-cherished mutations prove to have existed long before the technology that caused them. Rolling Pen was cued by just such a thing: A rounded, circular, roll-flowing calligraphy from the late nineteenth century seemingly one of those experimental takes on what inspired Business Penmanship, another font of mine. Looking at it now it certainly seems to be friendlier, more legible, and maybe even more practical and easier to execute than the standard business penmanship of those days, but I guess friendliness and simplicity were at odds with the stiff manner business liked to present itself back then, so that kind of thing remained buried in the professional penman’s oddities drawer. It would be quite a few years before all this curviness and rounding were thought of as symbolic of graceful movement, which brought such a flow closer to the idea of fine art. Even though in this case the accidental mutation just happens to not be a mutation after all, the whole technology-transforms-application argument still applies here. I'm almost sure “business” will be the last thing on people’s minds when they use this font today. One extreme example of that level of disconnect between origin and current application is shown here, with the so-called business penmanship strutting around in gloss and neon. Rolling Pen is another cup of mine that runneth over with alternates, swashes, ligatures, and other techy perks. To explore its full potential, please use it in a program that supports OpenType features for advanced typography. Enjoy the new Rolling Pen designed by Ale Paul with Neon’s visual poetry by Tomás García.

Colore. Colourful and Modular. A happy and colourful New Year from the FSdesign team. In order not to lose the joy of playing, we provide the "Colore" font family: a modular font kit, that encourages to play. By superimposing the different font styles you can create a colourful typographical staging. This New Year's card was realized with the help of "Colore". Too wild? auto-referential? Try Colore and form your own opinion.

Darwin Rounded, the resequel to Darwin, is ready for sea and new adventures! A new fresh design with an updated language support and different sets of figures. Darwin Rounded comprises 3 subfamilies: Darwin Rounded Pro, Darwin Rounded Essential and Darwin Rounded Alt Essential. The font includes alternative characters available as an OpenType feature as well as Oldstyle figures, numerators and denominators. Special thanks to Eli Hernández for her help with digital editing.

Spoodbrush is a new lowercase brushed textured font family designed to perfectly combine the different styles with one another and allow you to create beautiful designs with a personal touch. It also contains some ligatures and swashes and additionally a Spoodbrush Sans style. Perfect for branding, logos, product packaging, posters, invitations, greeting cards, news, blogs, and everything requesting personal charm. Fonts Included : Spoodbrush One Spoodbrush Two Spoodbrush Bold Spoodbrush Slant Spoodbrush Sans Spoodbrush Extra

Cosima is a sans serif workhorse with a touch of pointy elegance, designed by Anita Jürgeleit. Launching your new brand or creating a new user interface for your mobile devices – selecting characteristic typefaces is important, whether you’re creating app design, magazine or editorial – typography is always the essential part. www.typethis.studio Thank you for checking Cosima. If you have any questions, please send an email to hello@typethis.studio - We are looking forward to hearing from you.

Modern Love has been one of our most popular fonts during last year, so we decided to create a new version of this sweet character set.    Modern Love Slanted is a new casual slanted brush-handwritten family. It has the effortless hand-painted feeling and keeps a high density of contrast like Modern Love Regular and It also includes a set of ornaments, swashes and alternates accessible through Opentype features. Check out also ‘Modern Love’

The Renaissance affected change in every sphere of life, but perhaps one of its most enduring legacies are the letterforms it bequeathed to us. Precisely Romanesque style formed the basis of the new font Ring Rome. New addition of the Ring font family is more readable and clear. I'm sure I'll continue to improve unique Ring font style to allow them to claim a place in type history! The Ring Font Family continues expand solidly!

Hello friends... We are proud to present our new font. New natural Glaston with handwriting and script style makes this font look elegant, natural, stylish. Glaston would be perfect for invitations, logos & branding, photography, advertising, watermarks, social media posts, product packaging, product designs, labels, wedding designs, stationery, special events or anything else that requires a taste for handwriting. What this font includes: Glaston (OTF) Fully accessible without additional design software. Fonts include multilingual support. Enjoy!

Named after the trendy New York City locale, SoHo Nights BF features sensuous curves and tapering lines that combine to create a unique new look that’s a little bit art deco and a little bit art nouveau. The font also exhibits attributes that can be described as cartoon-like, and even “spooky” when seen in short blocks of large text. Use SoHo Nights BF when your projects require that certain "air of mystique".

Introduction New Font! Mifer Holland- A new font that we created special for branding needs, with unique characters and awesome alternative characters are ready to add value of your brand. It so nice to leverage designer or product owner that need solutions to make their design look more beauty and modern. And specially for Mifer Holland font, We prepared any ligature and any alternate characters to help you create unlimited variations for your creative needs.

Hello Everybody, Just launch my New Product "Angela Aiglory" The new fresh handmade script font. Very suitable for greeting cards, branding materials, business cards, quotes, posters, and more! This font are perfect for all brand :) Features : UpperCase & Lowercase Numerals & Punctuations Ligatures Multilingual characters (AÀÁÂÃÄÅCÇDÐEÈÉÊËIÌÍÎÏNÑOØÒÓÔÕÖUÙÜÚÛWYÝŸŸ ÆŒßÞàáâãäåæçèéêëìíîïðñòóôõöøùúûüýÿ) PUA ENCODEDZIP INCLUDED: Angela Aiglory OTF Don't forget to visited the other amazing products Thanks for visited and Please contact me if you have any questions. Happy Design, Haksen

The idea for the typeface Dekalb was born in 2013 after a day of photographing signage, murals and graffiti around Dekalb and Wyckoff avenues in Bushwick, Brooklyn. The initial drafts of the letterforms were first made into a single ultra-weight font that I used while working as the Creative Director for Sneaker News Magazine. After having made its first appearance in Sneaker News, I decided to expanded Dekalb to an eight style family.

Introducing of our new product the name is Horror Vibes - Handmade horror Font and Multilanguage support.Introducing of designs look modern, unique and fun. It’s perfect for labels, quotes, posters, DIY projects, branding, packaging, greeting cards, websites, photos, photography overlays, signs, window art, scrapbooking, tags and so much more!our new product that inspired by Street Tagging, graffiti style with a fun theme very good for graffity poster, flyer, childrenbook, cartoon, comic etc

Like Refused said in their song ”The Shape of new Punk to come”, Oblik could be “The Shape of new Fonts to come”, we present you our uprising star - Oblik - that could shine in your monitors. Modern family, stylish and secure, with its own personality (it’s photogenic, too), available for all kind of use, even you're an doctor or policeman or butcher or truck driver or maybe rock star, this font will rock your world.

Futuristic display font inspired by our favorite childhood film. Includes thick and thin version Thick Uppercase Character Set A-Z Thin Lowercase Character Set A-Z Numerals & Simple Punctuation OTF file format

Erpos is a dynamic soften integral tech sans= apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs with ligatures and fractions provided in opentype .otf and .woff format.

Mstov is an alacritous kooky tech display typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs with ligatures and fractions provided in opentype .otf and .woff format.

A hand drawn font thats perfect for kids cards, scrap-booking and photo annotation etc.. Full set of alternative characters included. Comes with CSS and HTML code plus all web compatible formats.

Soin Sans is a geometric sans-serif typeface inspired by the design of Futura. (All packages including OTF & TTF file format) Soin Sans Pro Version : http://www.myfonts.com/fonts/stawix/soin-sans-pro

Contains the 19 months of the Maya solar year (in outline and silhouette mode) as well as the 19 Maya numerals. NOTE: this font comes with an interpretation guide in pdf format.

INSPIRED BY THE LOVERS OF LETTERS AND ANCIENT ANIMATED DRAWINGS: We present one of our most desired typographical tools of 2019: NUTCAKE CATCH-WORDS! Designed and produced by #carlosfabiancg and #a_freitez at different times and places in Venezuela and Colombia. Each word design was like “travel to the old school of hand lettering of 1930” due to the number of options and alternatives we discarded to solidify meticulous researches and Bezier drawings, based on analysis and synthesis of empty and full calligraphy, first done with a round brush and then perfected with pencil and paper. For this reason, each NUTCAKE CATCH-WORDS design contains a high dose of cursive expressiveness, apparently handwritten, and that is why our customers can take advantage of more than 160 words compiled in a single OTF file. NOTE: if you need any new word with the NUTCAKE CATCH-WORDS style, please write us and we will gladly design it to include it in your file. Below the list of 160 catch words: and, An, All, As, After, Ante, Avec, Break, Bright, Big, Back, Both, Best, Body, Butter, Breakfast, By, Bajo, Coffe, Café, Closet, Can, Cocktail, Cookies, Custom, Cabe, Con, Contra, Could, Crisp, Candy, City, Chocolate, Chocolat, Come, Del, Don't, Deliver, Desde, Di, Durante, Enjoy, Eat, Example, El, En, Entre, Front, Fire, Free, Fashion, For, Fresh, Friday, Family, Going, Great, Go, Heres, Here, Hand, Hacia, Hasta, Have, I'm, It’s, Imagine, It, Join, Just, Jam, Kitchen, Kiss, Know, Keep, Like, Life, Lady, La, Las, Les, Los, Le, Love, Money, More, Master, My, Mediante, Now, now, New, new, next, nuevo, nueva, Off, out, ofertas, oferta, offer, offers, Please, Para, Per, Page, Quality, Queen, Question, Valley, Queso, Right, Road, Save, See, Show, Something, So, Según, Sin, So, Sobre, Sale, Shop, Style, Styles, Sweet, Special, To, the, The, Theres, There, To, This, Three, They, That, Tras, Think, Time, Take, Transfer, Until, Vacation, Value, Vote, What, Hats, With, Welcome, Which, You, Y, You're, you, Zip, Zoom, Zombie.

ATTACK OS font version: 1.0 is the first version, including 340 characters, there are 4 types of handwriting that are: Regular; Italic; Bold; Bold Italic. We work with agencies and brands on visual identities and custom type design. Do you need a new font? Or an adjustment of the existing one? We can handle it on a best technological and creative level. New font design We create a concept and drawing of a completely new font to emphasise the character of your brand or project. Modifications to our fonts We adjust one of our retail fonts to your needs. It usually means a small change in design, an extension of the language set or icons. Let’s discuss how we can work together

BUMBLE OS font version: 1.0 is the first version, including 340 characters, there are 3 types of handwriting that are: Regular (Regular); Italic (Italic); Bold (Bold). We work with agencies and brands on visual identities and custom type design. Do you need a new font? Or an adjustment of the existing one? We can handle it on a best technological and creative level. New font design We create a concept and drawing of a completely new font to emphasise the character of your brand or project. Modifications to our fonts We adjust one of our retail fonts to your needs. It usually means a small change in design, an extension of the language set or icons. Let’s discuss how we can work together

The Carlin Script family, inspired by the Carolingian minuscule alphabet (ca 800 A.D.), is one of the great new families available through Linotype's Library's Take Type 5 collection. Take a closer look at these beautiful characters; with them, one can create a different, more personal feeling than commonly comes from more available script and chancery fonts. Like a monk with his writing table, German designer Hans-Jürgen Ellenberger created this new design, which includes 10 different weights, bringing scribal excellence directly to your keyboard. The Carlin Script family includes an additional Initial set-allowing the creation of medieval-flavored drop or initial caps in snap. And the critics are raving: Carlin Script was a winner in the New York-based Type Directors Club's 2003 Type Design Contest!"

The impulse behind André Maaßen’s design of the Anno typeface was the design of a New Year’s card for the year 2000 (Anno 2000). His desire to create the perfect printed image developed into a family with four styles: Anno 1, Anno 1 Italic, Anno 2, and Anno 2 Italic. Anno 1 and its Italic are semi-classicist typefaces, with a high degree of stroke contrast, while Anno 2 and its Italic are semi-grotesks, with less stroke contrast. Both Anno 1 and Anno 2 are sans serifs typefaces, but they each offer a new interpretation of the genre. The Anno typeface may be used in a number of applications and sizes. And it is naturally suitable for New Year’s greetings and other cards, of course!

The Greatest Caps Of The Greatest Font Designer Bodoni's Most Beautiful Display Caps, Finally Available in Digital This font is the largest display caps that Bodoni ever made, painstakingly handcarved and now digitized to wow in any situation. It is one of the most beautiful fonts for whenever you need a stunning all caps display. The obvious and easy choice over tired standards like Trajan, Palazzo will be a highlight in your font collection. Bodoni Palazzo was updated in 2021 to include Small Caps and other new features. Previously only included the "old style" figures (top); Now with lining figures to better match all caps, and small caps numbers to match the small caps. CAL Bodoni Palazzo is a member of our Origin Series. Origin Fonts are designed to be true to the original designer's intentions and fonts. Our Bodoni origin fonts ARE Bodoni fonts, not imitations or interpretations. They were drawn by Bodoni, our team just expanded it for modern use.

In the year 1791, the 20th of June, the king of France Louis XVI attempted to flight from Paris to the Luxembourg. He was intercepted on the road and taked to Paris again on the 21st. A few month later, in September, the first French democratic constitution was promulgated, transferring the sovereignty from the king to the French people. This font was created inspired from the steady hand of a lawyer writing a farm renting contract a few days after the advent of the new French regime. It is a "Pro" font containing Western (including Celtic) and Northern European, Icelandic, Baltic, Eastern, Central European and Turquish diacritics. The numerous alternates and ligatures allow to made the font looking as closely as possible to a real hand. Using an OTF software, the features allow to vary the characters without anything to do but to select contextual alternates and standard ligatures and/or stylistic alternates options.

Doretypo was born accidentally, during the design of a poster for a jazz festival in Rome. I was going to realize a typesetting, but I could not find the right character and decided to draw the letters I needed, starting from the first letter of the headline, capital M. I was looking for a lettering able to evoke musical notes, where each letter could be linked to the following one, to the previous one, to the largest at the top and the smallest at the bottom. From this idea doretypo came to life gradually. In the beginning there were a few medium capital letters with very few glyphs, but given the good results I decided to decline in light and bold, integrating minuscule letters, for a whole of 374 glyphs. Today doretypo OpenType is a family of fonts with three weights, 374 glyphs, supporting about 57 languages, ligatures standard, plus a new “NY”. Moreover, each glyph can be used individually to create textures and graphic symbols.

My eldest son Sam always wanted to visit Japan and he has been saving up for a ticket for years now. We should have traveled there this year, but due to the pandemic, that was impossible. We’re now trying to go next year. Sam and I did make some kind of itinerary and I told him how we were going to get around, as I have been to Japan many times. I told him about the Shinkansen trains, the cute Tram in Nagasaki and the immense subway system in Tokyo. One of the lines in Tokyo is the so-called Yamanote Circle Line, which I have used on numerous occasions. A new font name was born and it stuck to this particular font! Subway Circle is a 100% handmade font. It is rounded, slightly slanted and comes with a sunny disposition. I am sure that, when you use it, you will find your 生きがい… ;-)

Welcome fashionistas, we have designed a type family based on fashion and current trends. Trendy, the new font of our studio follows the same design line that represents us, processes with brush lettering, variety of characters, OpenType programming and a special touch that reflects a boho chic style. The soul of Trendy is inspired in the logotype of one of the most influential type foundries around the world. Because of its great contribution in graphic design we have decided to pay tribute by expressing our gratitude for being an icon in the design world, the most recognized type designers of the last years have been part of that type foundry and for being source of inspiration for new designers. Trendy represents a fashion house, a place that breathes fashion, there are inside 5 determining variables for designing time: Regular, Bold, Black, Display & Stencil. Discover this new way to see the glamour world all include in a type family. To know more about our new project, Trendy, visit our web site www.estudiocalderon.co and our portafolio in Behance.

Volta is a robust typeface from the 1950s. A revisit to styles that were en vogue at the turn of the century, Bauer type foundry designers Walter Baum and Konrad Bauer designed this type family in1955. The form of Volta's letters are similar to those in New Transitional Serif typefaces, like Cheltenham and Century. Developed after the Didone (i.e., Bodoni) style types, New Transitional Serifs speak more to the zeitgeist of the late 19th Cntury, and were typographic adaptations to it's newer technologies. Already in the period of mass production, typographers and printers at the dawn of the 20th Century had to cope with larger print runs on cheaper materials. The robust letterforms of New Transitional Serifs were designed to compensate for this, but they were also ingenious little inventions in their own right. Form the beginning, the new, peculiar forms of New Transitional Serif letters were adopted for use by advertisers. Their robustness also allowed them to be used in virtually all sizes. Volta was designed especially with advertising display usage in mind. The x-height of Volta's letters is higher than average for serif faces. It is recommended that Volta be used exclusively for shorter tracks of text, above 12 point. Headlines look dashing set in Volta. Four different font styles are available for the Volta typeface: Regular, Medium, Medium Italic, and Bold."

Akagi Pro is a complete rebuild and expansion of my popular Akagi typeface. Contemporary, clean, simple and friendly continue to serve as the adjectives for an expansion that includes 250+ additional characters per weight, many new ligature options, expanded stylistic alternates, 4 sets of figures, new symbols, case-sensitive punctuation, superscripts, subscripts, ordinals, expanded language support and two new styles that provide even more flexibility within the lighter weights of the family. When I designed Akagi in 2007, I wanted this new sans serif to "smile" at you — with this new expansion, I hope you smile back. Akagi Pro is economical while keeping a distinctive, expressive personality on the page that distinguishes it from among many of the mechanical/rigid/emotionless sans out there without becoming cliché. Perfect for the page and the screen, the flexible weights available allow for pinpoint selection at whatever size. Each style of Akagi Pro has a robust character set made even more functional with expansive OpenType features. A typesetter's dream — case-sensitive punctuation, tabular and proportional variants of lining and oldstyle numerals, true italics, small caps, expansive language support, an alternate 'g' and 'y', highlight a wealth of features of the typeface. This versatility infused within Akagi Pro will allow it to assume both roles of the utilitarian workhorse and light-hearted go-to typeface — and make the user happy.