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  1. Capture It, a font conceived and designed by Koczman Bálint, stands as a unique testament to the blending of robust design principles with a distinct aesthetic appeal. At its core, Capture It embodie...
  2. ANVIL is a font that truly lives up to its name, embodying strength, resilience, and solidity in every character. Designed with an intention to make a bold statement, ANVIL draws inspiration from the...
  3. FatStack BB is a distinctive font created by Blambot Fonts, a foundry renowned for its extensive collection of comic book lettering fonts and related typography. This font, characterized by its bold,...
  4. The Mage 1999 font, designed by Dieter Schumacher, is a captivating typeface that transports its audience back to the edge of the 20th and the dawn of the 21st century, encapsulating the essence of a...
  5. The FT Ornamental font by Fenotype is a true celebration of intricate design and decorative flair. It stands as a testament to the exquisite craftsmanship of typography, where every character and gly...
  6. SlabRoundSerif-Light by Manfred Klein is a delightful and versatile font that bridges the gap between traditional serifs and the more modern, playful approach of rounded typefaces. This font is part ...
  7. ShadowedGermanica, a unique typeface crafted by Paul Lloyd Fonts, is a captivating addition to the realm of typography that draws heavy inspiration from Gothic and Germanic design principles. This fo...
  8. Drummon, crafted by Apostrophic Labs, embodies a remarkable marriage of innovative typographical design with a distinct flair that captures the imagination. This font is a testament to the creative e...
  9. The font named ALCATRAZ, created by the designer known as SpideRaY, is a distinctive typeface inspired by the infamy and intrigue surrounding its namesake, the Alcatraz Federal Penitentiary. This his...
  10. Quark Outline is a distinctive font created by dustBUSt Fonts, characterized by its innovative and creative design that stands out in the realm of typography. This font embodies a unique blend of mod...
  11. Mager, a term often encountered in the realm of typography, refers not to a specific typeface but to a particular weight within a font family. The word "Mager" is of German origin, meaning 'lean' or ...
  12. Duddy by Letritas, $30.00
    Duddy is a “friendly” sans-serif typography designed by Eleonora Lana and the Letritas team. The shape of Duddy was created based on sketches that looked after carrying the concept of kindness as far as possible, keeping always in mind the readability and functionality of the font. In the stage of brainstorming, the team started listing things that were friendly to the touch or sight, such as a candy gum, or marshmallow, to become acquainted with the intended goal. Although slowly, as the letters were being created, the objects associated with the forms were not satisfactory, since when forming words a special personality of its own appeared. By reconceptualizing everything, the personality of the letter the team wanted to work with had to be redefined. Thus it went from "caramel" to "teddy bear", from "teddy bear" to "puppy" and from "puppy" to "dolphin". And Duddy is the perfect name for a dolphin. Duddy was a sound idea: friendly, intelligent, social. Once the concept was nailed, the design of graceful and “soft” shapes started. Almost chewable, almost huggable, as if composing words was a game. Duddy has a slanted version with "real italics". These italics are slightly more condensed than the regular version, in order to give it a different text texture. The typeface has 9 weights, ranging from “thin” to “heavy”, and two versions: "regular" and "italic". Its 18 files contain 729 characters with ligatures, alternates, small caps, oldstyle and tabular numbers, fractions, case sensitive, and unicase figures. It supports 219 Latin-based languages, spanning through 212 different countries. Duddy supports this languages: Abenaki, Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Arvanitic (Latin), Asturian, Atayal, Aymara, Bashkir (Latin), Basque, Bemba, Bikol, Bislama, Bosnian, Breton, Cape Verdean Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Chickasaw, Cimbrian, Cofán, Corsican Creek,Crimean Tatar (Latin),Croatian, Czech, Dawan, Delaware, Dholuo, Drehu, Dutch, English, Estonian, Faroese, Fijian Filipino, Finnish, Folkspraak, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Gooniyandi, Greenlandic (Kalaallisut)Guadeloupean, Creole, Gwich’in, Haitian, Creole, Hän, Hawaiian, Hiligaynon, Hopi, Hotc?k (Latin), Hungarian, Icelandic, Ido, IgboI, locano, Indonesian, Interglossa, Interlingua, Irish, Istro-Romanian, Italian, Jamaican, Javanese (Latin), Jèrriais, Kala Lagaw Ya, Kapampangan (Latin), Kaqchikel, Karakalpak (Latin), Karelian (Latin), Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Ladin, Latin, Latino sine Flexione, Latvian, Lithuanian, Lojban, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Manx, M?ori, Marquesan, Megleno-Romanian, Meriam Mir, Mirandese, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinh-Patha, Nagamese Creole, Ndebele, Neapolitan, Ngiyambaa, Niuean, Noongar, Norwegian, Novial, Occidental, Occitan, Old Icelandic, Old Norse, Oshiwambo, Ossetian (Latin), Palauan, Papiamento, Piedmontese, Polish, Portuguese, Potawatomi, Q’eqchi’, Quechua, Rarotongan, Romanian, Romansh, Rotokas, Sami (Inari Sami), Sami (Lule Sami), Sami (Northern Sami), Sami (Southern Sami), Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Seri, Seychellois Creole, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Slovio (Latin), Somali, Sorbian (Lower Sorbian), Sorbian (Upper Sorbian), Sotho (Northern), Sotho (Southern), Spanish, Sranan, Sundanese (Latin), Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Tzotzil, Uzbek (Latin), Venetian, Vepsian, Volapük, Võro, Wallisian, Walloon, Waray-Waray, Warlpiri, Wayuu, Welsh, Wik-Mungkan, Wiradjuri, Wolof, Xavante, Xhosa, Yapese, Yindjibarndi, Zapotec, Zulu, Zuni.
  13. Lusitania is a font that evokes a sense of timelessness and classic beauty, perfect for those who aspire to craft designs with an air of elegance and a touch of historical allure. Designed by Harold ...
  14. Bottix, from the renowned font foundry Blambot Fonts, is designed to be a vibrant and versatile typeface that stands out in the crowd. Crafted with comics and graphic narratives in mind, it carries t...
  15. Denne's Aliens, crafted by the talented Denise Bentulan, stands out as an artistic font that presents a playful and imaginative twist on conventional typography. Its name alone evokes a sense of curi...
  16. Mayflower Antique is a font that stands out due to its distinct charm and timeless elegance, meticulously designed by Dieter Steffmann. This font invites you into the realm of nostalgia, where every ...
  17. The EmbossedGermanica font, designed by the creative talent at Paul Lloyd Fonts, is a font that truly stands out for its distinctive and evocative design. As inferred from its name, this typeface dra...
  18. Livia is a font that exudes a blend of modern elegance and classic charm, making it a versatile choice for various design projects. At first glance, Livia captivates with its harmonious balance betwe...
  19. Elektrogothik is a typeface that encapsulates the spirit of two seemingly disparate worlds: the dark allure of gothic culture and the energized pulse of electronic music. This font is designed to bri...
  20. The DiPed Thick font is a distinctive typeface that immediately commands attention due to its bold and robust character. It is designed with a unique blend of thickness and clarity, making it an idea...
  21. Resagnicto, created by the talented designer known as Gluk, stands out as an intriguing font that embodies a distinctive blend of artistic flair and functional design. This typeface, with its unique ...
  22. The Octin Prison Free font is a distinctive typeface that exudes a robust and gritty character, meticulously designed by Ray Larabie, a renowned typeface designer with a prolific output of various fo...
  23. Banco is an eye-catching display font that instantly grabs attention with its bold and expressive style. Created by the French graphic designer Roger Excoffon for the Fonderie Olive foundry and first...
  24. The "Yardley Personal Use" font, designed by the talented Billy Argel, is a testament to artistic creativity and the appeal of handwritten typography. This font captures the essence of personal touch...
  25. Equilibrium is a font that masterfully balances beauty and functionality, embodying the essence of stability and harmony in its design. Imagine each letter crafted with a meticulous eye for detail, w...
  26. Xirod, crafted by the talented type designer Ray Larabie, is an emblematic typeface that effortlessly embodies a fusion of industrial strength and futuristic overtones. Its bold, edgy appearance draw...
  27. The Jedi font by Neale Davidson is a captivating and stylized typeface that draws heavy inspiration from the iconic and beloved Star Wars universe. This font embodies the futuristic and otherworldly ...
  28. Dyer is a font that exudes a blend of traditional charm and contemporary flair, making it a versatile choice in the world of typography. Its design strikes a harmonious balance between the elegance o...
  29. Schmalfette Fraktur by Dieter Steffmann is an intriguing font that captures the essence of historical German printing and manuscript traditions. Dieter Steffmann, known for his passion for reviving v...
  30. Sujeta is a contemporary typeface that captivates with its unique balance of elegance and boldness, making it a standout choice for a range of design projects. At its core, Sujeta is characterized by...
  31. As of my last update in April 2023, the font "Menace" by Ace Fonts is not a widely recognized or standard font in the vast landscape of typography. However, let me give you a general description of w...
  32. Beef'd, created by the talented Lewis Bauer, is a font that commands attention and exudes strength. This distinctive typeface blends the robustness of block letters with a unique flair that sets it a...
  33. As of my last update, Boulder is not a widely recognized typeface in the realms of graphic design or typography, which suggests it might be a niche or a lesser-known font, or possibly even a newly cr...
  34. Brawl font, as its name suggests, brings to the forefront a typeface that is bold, dynamic, and carries an energetic feel, suitable for projects that demand attention. Imagine a font that encapsulate...
  35. The font named "Bad" might initially evoke thoughts of a typeface designed to break the conventional rules of typography or one that espouses a rebellious or unconventional aesthetic. Indeed, fonts w...
  36. Oh, the Kanna-W4 font by Flop Design is like the chameleon of the design world, smoothly blending into its surroundings while still managing to stand out, much like a ninja in a tuxedo at a high scho...
  37. Liliana by Letritas, $30.00
    Liliana is a geometrical typeface, born throughout comprehensive formal studies while testing new ways of displaying certain words and sentences. The essential structure of Liliana is very conservative: It can look similar to other geometrical typographies, however, it has unique features that make this project very special. Liliana is a typeface that will work perfectly while setting short texts, words, and phrases as well. It shall perform greatly even when the paragraph is too short. Thanks to the versatility of its alternate characters, Liliana is perfect to achieve eye-catching texts. The spirit of this typography is focused on its “s” character, which originates from manuscript writings and provides a very special identity. If the text does not contain the letter "s", the intended personality can still be achieved by using alternate characters such as "f", "l", “r” and “L”, which are aligned with the same concept. On top of that, may all this still not be enough, you can furthermore use its ligatures and swashes. It is actually hard not to set a spectacular text with Liliana! Liliana is a typeface optimal for being used in marketing assets, packaging design, magazines, branding, film captions, headlines, editorial, quotes, logos, corporate identity, and motion graphics. The italic version has a 10-degree slant. This feature is intended to convey a gorgeous feeling of tension, power, and agility. It’s very interesting to realize how the dynamism in the italic characters works when compared with the regular ones. The typeface has 9 weights, ranging from “thin” to “heavy”, and two versions: "regular" and "italic". Its 18 files contain 642 characters with ligatures, alternates, and swashes. It supports 219 Latin-based languages, spanning through 212 different countries. Liliana supports this languages: Abenaki, Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Arvanitic (Latin), Asturian, Atayal, Aymara, Bashkir (Latin), Basque, Bemba, Bikol, Bislama, Bosnian, Breton, Cape Verdean Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Chickasaw, Cimbrian, Cofán, Corsican Creek,Crimean Tatar (Latin),Croatian, Czech, Dawan, Delaware, Dholuo, Drehu, Dutch, English, Estonian, Faroese, Fijian Filipino, Finnish, Folkspraak, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Gooniyandi, Greenlandic (Kalaallisut)Guadeloupean, Creole, Gwich’in, Haitian, Creole, Hän, Hawaiian, Hiligaynon, Hopi, Hotcąk (Latin), Hungarian, Icelandic, Ido, IgboI, locano, Indonesian, Interglossa, Interlingua, Irish, Istro-Romanian, Italian, Jamaican, Javanese (Latin), Jèrriais, Kala Lagaw Ya, Kapampangan (Latin), Kaqchikel, Karakalpak (Latin), Karelian (Latin), Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Ladin, Latin, Latino sine Flexione, Latvian, Lithuanian, Lojban, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Manx, Māori, Marquesan, Megleno-Romanian, Meriam Mir, Mirandese, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinh-Patha, Nagamese Creole, Ndebele, Neapolitan, Ngiyambaa, Niuean, Noongar, Norwegian, Novial, Occidental, Occitan, Old Icelandic, Old Norse, Oshiwambo, Ossetian (Latin), Palauan, Papiamento, Piedmontese, Polish, Portuguese, Potawatomi, Q’eqchi’, Quechua, Rarotongan, Romanian, Romansh, Rotokas, Sami (Inari Sami), Sami (Lule Sami), Sami (Northern Sami), Sami (Southern Sami), Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Seri, Seychellois Creole, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Slovio (Latin), Somali, Sorbian (Lower Sorbian), Sorbian (Upper Sorbian), Sotho (Northern), Sotho (Southern), Spanish, Sranan, Sundanese (Latin), Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Tzotzil, Uzbek (Latin), Venetian, Vepsian, Volapük, Võro, Wallisian, Walloon, Waray-Waray, Warlpiri, Wayuu, Welsh, Wik-Mungkan, Wiradjuri, Wolof, Xavante, Xhosa, Yapese, Yindjibarndi, Zapotec, Zulu, Zuni.
  38. Heading Now by Zetafonts, $39.00
    Heading Now is the new incarnation of Heading Pro, developing the original typeface family designed by Francesco Canovaro for Zetafonts into a superfamily with 160 variant combinations. Built around 10 different widths, ranging from ultra-compressed to ultra-wide, and eight weights from thin to heavy, Heading Now provides a full spectrum of sans serif type solutions to your design problems. Born as a space-optimizing typeface for headers and titles, Heading Now can be used in its compressed widths to manage space on the printed page and on the screen. In these widths Heading Now excels in titles and subheadings, timetables, infographics and in situations of exuberant and excessive copywriting. On the other side of the width spectrum, you can find extended width variants, ready to be used for titling where style and energy matter more than pixel or paper economy. Heading family is not only made of extreme widths: you can use the medium width range to design body text. Matching italics provide versatility in text use, as well as a dynamic display alternate to the bolder weights. Heading Now keeps the original design of Heading, but extends the width and weight range while keeping its (post) modernist attention to readability and details. Each Heading Now font includes over 1100 characters with coverage for 200+ languages using Latin, Cyrillic and Greek alphabets. A full array of open-type features is included in each weight featuring also stylistic alternates, small caps, old-style and tabular numerals and positional figures. • Suggested uses: born as a space-optimizing typeface for headers and titles, Heading Now can be used in its compressed widths to manage space on the printed page and on the screen. Perfect for contemporary branding, web design, packaging and countless other projects; • 162 styles: 8 weights + 8 italics x 10 different widths + 2 variable fonts; • 1100 glyphs in each weight; • Useful OpenType features: Access All Alternates, Small Capitals From Capitals, Case-Sensitive Forms, Glyph Composition / Decomposition, Denominators, Fractions, Kerning, Standard Ligatures, Lining Figures, Localized Forms, Mark Positioning, Mark to Mark Positioning, Numerators, Oldstyle Figures, Ordinals, Proportional Figures, Stylistic Alternates, Scientific Inferiors, Small Capitals, Stylistic Set 1, Stylistic Set 2, Stylistic Set 3, Stylistic Set 4, Subscript, Superscript, Tabular Figures, Slashed Zero; • 220 languages supported (extended Latin, Cyrillic, Greek alphabets): English, Spanish, Portuguese, French, Russian, German, Javanese (Latin), Vietnamese, Turkish, Italian, Polish, Afaan Oromo, Azeri, Tagalog, Sundanese (Latin), Filipino, Moldovan, Romanian, Indonesian, Dutch, Cebuano, Igbo, Malay, Uzbek (Latin), Kurdish (Latin), Swahili, Greek, Hungarian, Czech, Haitian Creole, Hiligaynon, Afrikaans, Somali, Zulu, Serbian, Swedish, Bulgarian, Shona, Quechua, Albanian, Catalan, Chichewa, Ilocano, Kikongo, Kinyarwanda, Neapolitan, Xhosa, Tshiluba, Slovak, Danish, Gikuyu, Finnish, Norwegian, Sicilian, Sotho (Southern), Kirundi, Tswana, Sotho (Northern), Belarusian (Latin), Turkmen (Latin), Bemba, Lombard, Lithuanian, Tsonga, Wolof, Jamaican, Dholuo, Galician, Ganda, Low Saxon, Waray-Waray, Makhuwa, Bikol, Kapampangan (Latin), Aymara, Zarma, Ndebele, Slovenian, Tumbuka, Venetian, Genoese, Piedmontese, Swazi, Zazaki, Latvian, Nahuatl, Silesian, Bashkir (Latin), Sardinian, Estonian, Afar, Cape Verdean Creole, Maasai, Occitan, Tetum, Oshiwambo, Basque, Welsh, Chavacano, Dawan, Montenegrin, Walloon, Asturian, Kaqchikel, Ossetian (Latin), Zapotec, Frisian, Guadeloupean Creole, Q’eqchi’, Karakalpak (Latin), Crimean Tatar (Latin), Sango, Luxembourgish, Samoan, Irish, Maltese, Tzotzil, Fijian, Friulian, Icelandic, Sranan, Wayuu, Papiamento, Aromanian, Corsican, Breton, Amis, Gagauz (Latin), Māori, Tok Pisin, Tongan, Alsatian, Atayal, Kiribati, Seychellois Creole, Võro, Tahitian, Scottish Gaelic, Chamorro, Greenlandic (Kalaallisut), Kashubian, Faroese, Rarotongan, Sorbian (Upper Sorbian), Karelian (Latin), Romansh, Chickasaw, Arvanitic (Latin), Nagamese Creole, Saramaccan, Ladin, Kaingang, Palauan, Sami (Northern Sami), Sorbian (Lower Sorbian), Drehu, Wallisian, Aragonese, Mirandese, Tuvaluan, Xavante, Zuni, Montagnais, Hawaiian, Marquesan, Niuean, Yapese, Vepsian, Bislama, Hopi, Megleno-Romanian, Creek, Aranese, Rotokas, Tokelauan, Mohawk, Onĕipŏt, Warlpiri, Cimbrian, Sami (Lule Sami), Jèrriais, Arrernte, Murrinh-Patha, Kala Lagaw Ya, Cofán, Gwich’in, Seri, Sami (Southern Sami), Istro-Romanian, Wik-Mungkan, Anuta, Cornish, Sami (Inari Sami), Yindjibarndi, Noongar, Hotcąk (Latin), Meriam Mir, Manx, Shawnee, Gooniyandi, Ido, Wiradjuri, Hän, Ngiyambaa, Delaware, Potawatomi, Abenaki, Esperanto, Folkspraak, Interglossa, Interlingua, Latin, Latino sine Flexione, Lojban, Novial, Occidental, Old Icelandic, Old Norse, Slovio (Latin), Volapük;
  39. The font "Lido STF" is an intriguing and versatile typeface that merits a close examination for its design, usability, and overall aesthetic appeal. Its design springs from a blend of old-style serif...
  40. Zuben, created by the talented designer Fran Board, stands out as a distinctive typeface that merges the essence of geometric precision with a touch of humanistic warmth, making it both appealing and...
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