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  1. f2 Tecnocratica - Personal use only
  2. OldSansBlack - 100% free
  3. Faltura - Personal use only
  4. Giro - 100% free
  5. Expressway Free - 100% free
  6. ETIAW v3 - 100% free
  7. Steelfish - Unknown license
  8. Zyphyte - Personal use only
  9. Cable - Personal use only
  10. Pabellona (A) Símplex - Personal use only
  11. Rounded, two. - Personal use only
  12. Nobile - 100% free
  13. Platonick-Normal - Unknown license
  14. Básica - Personal use only
  15. evereverse - Personal use only
  16. Faltura Alien - Personal use only
  17. Metro - Personal use only
  18. Voyager grotesque - Personal use only
  19. MacType - Unknown license
  20. MicroExtendFLF - Unknown license
  21. ArmWrestler - 100% free
  22. Legendum - 100% free
  23. Telegrama - 100% free
  24. RaveParty Narrow - Unknown license
  25. Pakenham - Unknown license
  26. Omicron Zeta - Unknown license
  27. RNS BARUTA BLACK - 100% free
  28. Gothic Leavenworth by Wooden Type Fonts, $20.00
    Gothic Leavenworth, a display type, very bold, sans serif.
  29. Galleria by Device, $39.00
    A geometric sans with chiselled terminals and alternate forms.
  30. Key West by BA Graphics, $45.00
    A sans serif casual gothic. Works for many applications.
  31. Logotype by Gerald Gallo, $20.00
    Logotype is a sans serif contemporary all caps font.
  32. Gyant by Typotheticals, $8.00
    Developed from an earlier sans serif font called Mechanihan.
  33. Brisko Display by Tour De Force, $30.00
    Brisko Display is alternate version of Brisko Sans Black.
  34. Nagato by Ezequiel Filoni, $10.00
    Nagato, simple, clean and elegant sans serif, pseudo-stencil.
  35. FS Jack by Fontsmith, $80.00
    a, g, k and y It was a forensic examination by Jason Smith of his existing designs that laid the groundwork for FS Jack. Jason made a list of unique characteristics that would give the sans serif font its typographic thumbprint, which included an unusually large x-height and slightly off-the-wall letters like the lower-case “a”, “g”, “k” and “y”. “I wanted to make something that was slightly uncomfortable,” says Jason, “and in doing so simplify the quirkiness down to a few letters.” Fernando Mello did “the rest of the cooking”, filling the design out and making the additional weights. Tipos Latinos Upon its release in 2010, FS Jack was submitted by Fernando, who is Brazilian, for the esteemed type design biennial, Tipos Latinos, where it was selected as a winner in the Families category. It went on to be selected for type exhibitions throughout Latin America and around the world. “FS Jack is a workhorse,” says Fernando, “but also very ownable and distinctive, and available in a good range of weights, crafted by Jason and I.” Corporate “FS Jack took a couple of years to get noticed and is still fairly underused,” says Jason, “which is good in a way, for our Brandfont clients that have adopted it.” FS Jack was chosen as the signature font for The Shard in London, from its signage down to business cards. Fontsmith also worked with Lloyds Bank to customise FS Jack into a bespoke font for the bank’s updated brand identity – part of Fontsmith’s Brandfont service, which you can read about here. Fat Jack Included in the FS Jack family – just – is FS Jack Poster, the super-heavy weight of the range. “That was a last minute addition,” says Fernando, “after Jason and I started talking about how much we liked Gill KO, a typeface that is almost comically fat.”
  36. Mantika Book Paneuropean by Linotype, $67.99
    Mantika Book expands the Mantika super family: a contemporary serif font with a soft, yet robust character and a classic lookMantika Book, an Antiqua, is the third member of the Mantika super family, which consists of the Mantika Sans and Mantika Informal. Designer Jürgen Weltin has gone back to the roots of his font, which he had originally derived from a Renaissance Antiqua. These origins are recognizable in the first member of the Mantika family, Mantika Sans, in the form of carefully suggested line use and a contrast in the weights that recalls the Antiqua. This solid sans serif, optimized for use in text, also has a particularly energetic and dynamically designed italic. Mantika Informal also brings to mind a cursive font at first glance; ultimately, however, it is not easily categorized. Its light, organic shapes combine the informally flowing style of cursive handwriting with the open and airy form and contrast of a humanist sans serif. The shapes in the serif Mantika Book are also based on the Renaissance Antiqua, just like the other members of the Mantika super family. However, the contrast in the weights is somewhat stronger than is conventional for this genre, and the serifs are characteristically asymmetrical, with slanted ends. Lightly grooved stems with an implied curvature in the lower-case letters as well as dots whose shape flirts with a fountain pen lend the Mantika Book a dynamic and particularly friendly character. Details like the open "g" or the contoured foot of the "k" emphasize this dynamism. The letters of Mantika Book have the same large x-height as the other members of the super family, but are equipped with somewhat longer ascenders and descenders.
  37. Nawin Arabic by Letterjuice, $43.00
    Nawin is an informal Arabic typeface inspired by handwriting. The idea behind this design is to create a type family attractive and ownable for children but at the same time a design that keeps excellent letter recognition for reading. Handwriting has been a great source of inspiration in this particular typeface. By emulating the movements of the pen, we have obtained letter shapes that express spontaneity. A bright group of letters create a lively and beautiful paragraph of text. To get closer to handwriting and the variety of letter shapes that we draw while writing, this typeface offers a large number of alternative characters, which differ slightly from the default ones. Because we have programed the «Contextual Alternate» feature in the fonts, these alternate characters appear automatically as you set a text on your computer. The proportions and letter shapes are flexible, escaping from tradition to increase expressivity and personality in the design. For instance, variability on vertical proportions between letters Alef and initial Lam, create movement in text and avoid the cold mechanical feel of repetition. Nawin is quirky and elegant at the same time. Letter recognition is relevant when reading continuous text. For this reason, we have added another contextual alternate feature with alternate characters that help to avoid confusion when letters with similar or the same shape repeat inside one word. For instance, this is the case of medial «beh and Yeh» repeated three times continuously in the same word. The alternate characters change in shape and length, facilitating distinction to the reader. Since this typeface is inspired by handwriting and the free movement of the hand while writing, we considered ligatures a good asset for this design. The typeface has a wide range of ligatures that enhance movement and fluidity in text making look text alive.
  38. Eingrantch Mono by Harmnessless Type, $30.00
    Eingrantch Monospaced is a monospaced sans serif based typeface, inspired by an old Continental typewriter in sans serif version. Available in 7 weights from thin to black. Well suited for modern logotypes, branding, editorial design as well as web and screen design.
  39. Nünooska by Okaycat, $29.00
    Nünooska is a sans serif type designed by Luke Turvey in 2014. The minimalist charm of Nünooska offers a soft unique style while remaining legible and clean. This rounded geometric sans serif is designed to look excellent for display or printed publication.
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