A classic “American” sans serif with a kink Desphalia belongs to the kind of sans serif fonts that were created in the 19th century. You could also name it “American Gothic”, a sans serif in the style of fonts like Franklin Gothic, News Gothic and similar. Above all, the high x-height characterizes this typeface style, as do the identical heights of uppercase and ascenders. However, I allowed myself a few peculiarities ;-) On the one hand, there is the gently sloping horizontal middle line on letters such as H, E, F, A and e. The M also got gently slanted sides. Some of the lower-case letters have an up- or down-stroke: a d m n p u. This "kink" on the shaft also serves to better distinguish the small l from the capital I — as can be seen clearly with the term »Illinois«. In keeping with the tradition of American typefaces, Desphalia does not have a true italic. Rather, the letters of the “Italic” have the same character forms as the normal upright variant, but in oblique — and so it is not called “Italic” but “Oblique”. Style Set 01: Another American peculiarity is the capital I with dashes above and below. It is included in the Desphalia as an alternate character form. An alternative small l with the “kink” in the ascender is also included — as is a y with the “kink” in the descender. Style Set 02: The corresponding “straight” forms a d l m n p u without the break are included as alternatives in a separate style set. Small caps are uppercase letters that are optically the same size as lowercase letters. They offer a very classy way of emphasis. Desphalia is available in the widths Condensed, Normal and Expanded, the weights include Thin, Light, Book, Bold, Black. Using the variable font, all intermediate levels can be freely selected. The figures are optionally available as tabular figures, proportional lining figures or old style figures.

Naston Regular is the font of choice for those who seek an elegant and versatile typeface. With its timeless design, Naston Regular adds sophistication to a wide array of applications, be it formal invitations, business presentations, or creative projects. Its meticulously crafted letterforms prioritize readability while maintaining a unique and distinctive style, leaving a lasting impression on your audience. This font's broad language support and impeccable craftsmanship ensure a seamless reading experience, making it an excellent choice for anyone who values professionalism and aesthetics in their design projects. Choose Naston Regular to elevate your content and effectively convey your message with clarity and elegance.

Fabrikat Kompakt (formally known as Fabrikat) is a type family designed by Christoph Koeberlin with creative input of Hannes von Döhren. The Sans Serif family is published by HVD Fonts and consists of seven weights plus matching italics. Its geometric design is based on German 20th century engineers’ typefaces and has a plain and precise appearance. The shapes are optically corrected, yet retain an uncut charm. They work best in display as well as text sizes. The type family is equipped for complex, professional typography with OpenType Features like alternate letters, arrows, fractions and an extended character set to support Central and Eastern European as well as Western European Languages.

M Kai is a design inspired by the popular Kaiti developed in contemporary China. MKai adopts many features of Kaishu, one of the many Chinese writing scripts and calligraphic style. Yet writing style and constructions have been well-unified to meet quality as typeface. Its strokes has relatively heavier stroke beginning and finishing, as well as thinner middle part. It is catered for fine print with little conglutination. Its medium weight makes it more visible at distance and pretty versatile in use. Zhonggong are tightly built with ample character spacing for good individual character recognition. It is best suited for formal body text, set upright (non-slanted), non-condensed.

Have you ever had a dream to write as a professional calligrapher? Penmanship or spencerian script? Now you have this unique opportunity to try the early American handwriting. Introducing Washington calligraphy scrpt. This font is calligraphy font with a classic style and a touch of elegance, inspired by the handwriting of Italian women and ancient manuscripts. Carefully designed to work together in harmony that makes it very suitable for any design work that requires a classic, formal or luxurious. Try Desirable Calligraphy, enjoy the richness of OpenType features and let her fun and elegant excitement make you happy and enhance your creativity! You can use this font very easily.

Buinton Rough is roughed up version of Buinton. There are three versions with increasing distress level. Buinton Rough is a script typeface with noble and vintage looks. It has serifs at the beginnings of the strokes, swash capitals and formal design. Buinton Rough has lots of alternate characters, swashes and ligatures. It has also a bunch of tails with different shapes and widths to give the vintage logotype or sports look to your design. These alternates makes Buinton Rough very versatile. You can design beautiful, elegant and diverse typographic elements with it. It’s well suited for logos, lettering artwork, t-shirt designs, editorial illustrations to name a few.

Home Run Script has the formality of 18th-century English roundhands, narrow, tightly fitted and drawn in a very bold weight and inspired by my ITC Eclat font. The x-height is large, and the caps are simply drawn with minimal swashes. Its companion font Home Run Sanscript, sold separately also, has sans serif caps that enable the user to combine script and sanserif caps with the same slope. It has the same lowercase as Home Run Script with a few alternate characters and sans serif lining and Oldstyle figures. Both Young Finesse and Home Run include Richard Isbell’s “interrabang,” appropriately used for statements that are both interrogative and exclamatory.

Introducing Milk and Balls Serif font family. This character that seems rigid and decisive is perfect for bold and formal design concepts. The unique shape of the letter makes the design made different from the others. Milk and Balls font is very suitable for header text, body text, and the contents of paragraphs because there are 11 family fonts from Thin to Heavy, in addition there is also an italic version. So Milk and Balls are very complete and suitable to be a collection of fonts that can be used at any time. Don't worry about Multilingual, because Milk and Ball’s are supported by multilingual.

Graphiel Script is a modern bold script font that exudes confidence and sophistication. With its sleek and stylish letterforms, this font adds a touch of elegance to any design project. The bold strokes and fluid curves of Graphiel Script create a sense of dynamism and energy, making it perfect for attention-grabbing headlines, logos, branding materials, and more. Whether used for formal invitations or trendy social media graphics, this font captivates with its contemporary aesthetic and versatility. Graphiel Script strikes the perfect balance between modernity and classic script charm, allowing you to make a bold statement with your typography while maintaining a sense of refinement.

Amanda Manopo is a calligraphy script font that comes with very beautiful changing characters, a kind of classic decorative copper script with a modern touch, designed with high detail to bring stylish elegance. Amanda Manopo Script is attractive as a typeface that is smooth, clean, feminine, sensual, glamorous, simple and very easy to read, because there are many fancy letter connections. I also offer a number of viable style alternatives for many letters. The classic style is perfect to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting / wedding cards, packaging, labels or any type of advertising purpose.

Pitriya is a captivating display serif typeface that effortlessly blends classic elegance with a modern twist. Its unique character lies in the harmonious balance between thick and thin strokes, creating a distinct sense of refinement and sophistication. Each letter is meticulously crafted with precision and ornate details, making Pitriya a perfect choice for high-end branding, editorial design, and formal invitations. The serifs are gracefully extended, adding a touch of grandeur to the text, while the ample x-height ensures readability even at smaller sizes. Pitriya is a timeless typeface that commands attention and imparts an air of timeless beauty to any project it graces.

During a ‘type walk’ at the 2007 AtypI conference in Brighton, typographer Phil Baines pointed out what he considered to be a particularly egregious example of over-decorative art nouveau lettering on a war memorial. This made me determined to use it as the basis for a font. Released in Opentype, it now features ligatures, swashes and alternates. It’s not certain if the curved top bars on the E and F are a feature of the original design or due to climbers using them as footholds, but I incorporated them anyway. It has recently been used for invitations and supporting print material for formal charity dinners at the House of Lords.

Tierra Script is a connected script typeface with a simple structure and organic contour. Its naivety and fluency makes it easy to read and close to everyone. The system has two main styles, one more formal than the other, then could be used in a wide diversity of designs applying the appropriate look. Also has other features, like swashes, alternative characters and contextual replacements. All that features are supported by a careful Open Type programmation, then is just needed to play a little with the font to obtain lovely words and phrases. Some features are present in all the fonts but the "Plus" version contains all of them.