Modesto Initials had existed as a single font for several years. I recently added a fill font to put color in the Inlines. The Inline font still works by itself. The Fill font works alone too, as an ultra Modesto on steroids. They work best together. Modesto is a loose-knit family based on a signpainters lettering style popular in the late-19th and early-20th centuries. It evolved from the lettering I used for the Ringling Bros. and Barnum & Bailey Circus Logo. The Modesto family was not planned. It just happened, a few fonts at a time over about fifteen years. In 2014 seven new Italic fonts and two Chromatic families were added. There is a downloadable MODESTO USER MANUAL PDF in the Gallery section for this family.

The ornamented and magnificent type design used with the color plates of Owen Jones' “The Grammar of Ornament” has served as a model for this nineteenth century typeface. Astoria Antique possesses an intricate and spidery-like quality. Its v-shaped wedge endings make it look like something straight out of an old curiosity shop. In addition, lowercase letters have been added for design convenience. Astoria Antique will make a great choice whenever a period or Victorian look is desired. Astoria Antique is also available in the OpenType Std format. Some new characters have been added to this OpenType version. Advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress 7. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

Joost Schmidt?s (1893?1948) name is undoubtedly connected with monolinear condensed letters of geometric appearance ? his unfinished draft of a stencil alphabet, constructed on grid paper in 1930, is much lesser known. These modular shapes simply consist of half circles, quarter circles and square strokes with half-round terminals. From just six original letterforms (a, b, c, d, e, g), Flavia Zimbardi completed Schmidt?s draft and extended it to a full character set for contemporary use, adding upper case letters and different figure sets including old-style. Joschmi overcomes legibility issues usually associated with this stencil style, with special attention to the design of white space. Zimbardi lends the face even more character by carefully adding round terminals in subtle spots of the alphabet, accessible through stylistic sets.

Visum means Visa in Dutch. The name was inspired by Dutch soccer club Vitesse's rather sad decision to leave Israeli player Dan Mori behind, after he was refused a UAE visa because of his nationality. Visum font is a tall and proud all caps typeface. It comes with alternates for the lower case letters, some ligatures and an impressive language support. Of course, upper and lower case glyphs can be freely interchanged.

Taglio’s name is derived from intaglio, which means “incised carving” or “an impression from an engraving”. Indeed, Taglio looks like an incised engraving with a contemporary calligraphic interpretation. The down strokes start with a single horizontal line that curves into a dual vertical line and ends with the same single line at the base. The dual elongated strokes create a bold overall impression but is literally twice as sophisticated than if the two lines were solid. That was exactly the goal in creating this font. We managed to create a font that is distinctive, elegant, and crisp that is also intentionally stencilled for more flexibility. For instance, it is ideal for laser cutting signage. One of the unique features in using the capital glyphs is that they stack perfectly without losing legibility, primarily because of the slanted ends of the dual vertical lines - see the example “Miami Fashion Week” display ad. Taglio’s unusual style was carefully crafted to come to life at display sizes. It is therefore ideal for use in branding fashion, restaurants, buildings, packaging, museums, signage, etc. An ideal pairing font is our WERK family which can be seen on some of the display ads below. Taglio has a sparkling and sophisticated personality that will absolutely delight!

Cholvine is a clean, stylish and adaptable sans serif font. It is PUA encoded which means you can access all of the amazing glyphs and ligatures with ease! Add it to each of your posters, designs and pretty much anything that requires a cool touch.

Celover is an elegant and modern sans serif font. It can easily be matched with your various projects, so add it to your creative ideas and watch how it makes it stand out. Features: Multilingual Ligatures Alternates PUA encoded Files Included: Celover Regular & Italic TTF

Raccosetta is an elegant sans typeface with touch of modern and simplicity. With this typeface, you can use it for magazine cover, headline, wedding invitations, logo, powerpoint templates design, and many more. What's included? Uppercase Characters Lowercase Characters Multilingual support. Hope you enjoy the products.

The Dec., 1936 - Jan., 1937 edition of Radio Mirror offered up a condensed, hand lettered sans serif type design that - although an Art Deco style- is also somewhat futuristic in design. This is now available as Condensed Moderne JNL in both regular and oblique versions.

Dustown is an organic font with natural vibes! Contain two fonts, Sans and Serif with Rough and Stamp Style. You can use this font for every project. Suitable for branding logo, hand lettering, or apparel design. This font duo also support multilingual, number and symbol.

Quero is a decorative sans serif font that has thin,elegance and versatility. This unique font is perfect for creating beautiful logotypes, stunning magazine designs and more. This font can be your solution in completing projects that are equipped with various alternate and ligature collections.

Introducing Mofela. Glamour, Lovely, Luxury sans display font. Inspired by a luxury theme with magical feels that makes the font has a unique personality, you can use it for branding, social media, posters, packaging, & more. Mofela font OpenType feature, ligatures, alternates, and Multilingual support.

A text sans serif type family of 8 styles was designed by Natalia Vasilyeva and released by ParaType in 2007. It has narrow proportions, open shapes and can be used in a wide variety of applications — for text setting, for headlines and for display matters.

Extrend, a clean and modern sans serif typeface, ideal for text that requires more space. suitable for corporate use as well as corporate branding and identity design, magazines, books, comics. With five styles, Extrend can be used to make your creative projects more interesting.

Real one specific! This font duo comes with a script typeface as well as a sans serif typeface. The two typefaces complement each other really well with beautiful, eye-catching handwritten nuances. This font is very light and can also make your job stand out.