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  1. Adagio - Unknown license
  2. Grantham - Unknown license
  3. GranthamCondensed - Unknown license
  4. Mintely by Din Studio, $29.00
    Mintely is a sophisticated and versatile serif font family designed to elevate your typography to new heights of elegance and legibility. With its 6 style variations and 8 weight options, this font offers an extensive array of choices to suit a wide range of design projects. This family combines classic and modern elements, resulting in a timeless design that can adapt to various design contexts. The 6 style variations in this serif provide you with a variety of typographic options, allowing you to experiment with different looks and moods. Whether you need a sleek and minimalistic appearance or a more decorative and ornate style, Mintely has you covered. Additionally, the 8 weight options in Mintely offer a wide range of possibilities in terms of contrast and emphasis. From thin and elegant weights to bold and impactful variations, this font family ensures that you can effortlessly find the perfect weight for your specific design needs. Because of its legibility you can use this font in a variation of text sizes. Enjoy the available features here. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Mintely fits in headlines, logos, posters, flyers, invitations, branding materials, print media, editorial layouts, headers, and any many more. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.
  5. Corsham by Greater Albion Typefounders, $14.00
    Corsham was inspired by traditional stonemason's engraved lettering designs. Designed to be used alone, or in combination with our Corton family, it has wonderfully lively air, with distinctive lively serifs and beautifully swashed downstrokes. Four faces are offered-regular bold and black weights as well as a condensed form. All faces include a range of Opentype features, including ligatures and old-style numerals. The Corsham faces merge 'olde-worlde' charm with fun character, yet remaining clear and legible for text use.
  6. SF Comic Script - Unknown license
  7. SF Automaton - Unknown license
  8. SF Intermosaic B - Unknown license
  9. SF Wonder Comic - Unknown license
  10. SF Arch Rival - Unknown license
  11. Action Man Extended - Personal use only
  12. PF Tempesta Five Compressed - Unknown license
  13. PF Tempesta Seven Condensed - Unknown license
  14. PF Tempesta Five Extended - Unknown license
  15. PF Tempesta Five Condensed - Unknown license
  16. PF Tempesta Seven Extended - Unknown license
  17. Tombola by RMU, $30.00
    Inspired by painted letters of Otto Heim, "Tombola" reflects in a charming way the feelings of the Roaring Twenties, especially in advertisement and in the creation of posters.
  18. Alt Vxt11 by ALT, $-
    Vxtr11 is a experimental typeface for use on logos and titles this typeface is not for text! see the presentation here http://www.behance.net/gallery/Vxtr11-Experimental-Typeface/818127
  19. Seaside by AndrijType, $17.50
    This contrast grotesque works well in text sizes and in large ones. Here are two sub-families: contrast and most contrast Display. Ideal companion for Osnova type family.
  20. Skulduggery by Hanoded, $15.00
    I was playing around with some brushes and ink, and out came Skulduggery. Use it for any project you can apply the term ‘skulduggery’ to. Or not. Whatever.
  21. Lubaline by Lián Types, $39.00
    Who haven't heard the phrase that ‘any past time was better’?. Although I sometimes find this phrase a little too pessimistic (because I try to think that the best is yet to come), it may be true regarding my passion, typography. I'm too young (29) unfortunately, and this means I did not have the pleasure of being contemporary with maybe the man who has influenced my work the most (1). The man that showed that letters are more than just letters to be read. Herb Lubalin (1918-1981), also called sometimes as ‘the rule basher’ (2), smashed the taboos and sacred rules of type design and gave it personality. He rejected the functionalist philosophy of europeans in favor of an eclectic and exuberant style. To him, letters were not merely vessels of form, they were objects of meaning. (3). Nowadays, when looking at his portfolio, who dares to deny that the term ‘typography’ and ‘beauty’ may go hand-in-hand without any problem? Ed Benguiat, one of Herb’s partners, still likes making jokes with the phrase “screw legibility, type should be beautiful” and what I understand of this is not to forget the rules, but to know and break them carefully. In an era of pure eclecticism, we, the lovers of flourishes and swashes, can't do nothing but admire all the legacy that Lubalin, this wonderful type-guru, left. My font Lubaline read as “the line of Lubalin” is my humble tribute to him. Those who know his work, may see the influences easily like in his ‘Beards’ (1976) and ‘The Sound of Music’ (1965) posters; the art-deco forms in many of his amazing logos and practically in all his creations where letters seem to be alive just like you and me. I really hope that the future finds me still learning more and more about type-design and letterforms, and like him, always willing to make innovations in my field: Because letters are not just letters to be read. NOTES (1) These are some of my fonts in which some of Lubalin’s influences can be seen (in order of creation): Reina, Aire, Erotica, String, Beatle, Heroe, Selfie, Model, Seventies, and many others that are still in progress. (2) (3) Steven Heller. Herb Lubalin: Rule Basher. U&lc (1998) http://www.printmag.com/imprint/my-favorite-lubalin/
  22. Quardi - Unknown license
  23. ErasmusInline - Unknown license
  24. Erasmus - Unknown license
  25. Labrat - Unknown license
  26. Yerbaluisa - Personal use only
  27. Bixa by Novo Typo, $26.00
    Bixa is a chromatic typeface designed for display use. Bixa comes in 13 different layers containing 11 weights for beautiful color combinations. Bixa was originally designed for the Typewood project in 2015. Read more about this project here. In 2016 we launched the chromatic web version of Bixa. More information about Bixa Color here. Bixa was awarded by the Type Directors Club New York and the European Design Awards in 2016. Bixa is designed by Novo Typo in 2015. Youtube
  28. Stove Plate JNL by Jeff Levine, $29.00
    An old printer's advertising cut for Red Star Oil Stoves yielded a typeface that was both vintage and somewhat techno at the same time. Originally drawn as a slanted logo, the individual letters had an array of chamfered, angled and flat sides combined with a bold outline. This font is available in both vertical and oblique versions.
  29. SF Chromium 24 SC - Unknown license
  30. SF Espresso Shack Condensed - Unknown license
  31. SF Port McKenzie Extended - Unknown license
  32. SF Zero Gravity Condensed - Unknown license
  33. SF Burlington Script SC - Unknown license
  34. SF Arch Rival Extended - Unknown license
  35. SF Groove Machine Extended - Unknown license
  36. SF Groove Machine Upright - Unknown license
  37. Robo OS by OS CORP, $9.00
    Robot OS CORP AI Wrote version: 2.0 is the first version, including 340 characters, there are 4 types of handwriting that are: Regular (Regular); Italic (Italic); Bold (Bold); Bold Italic (Bold Italic). The sturdy, strong, robot-like design is the idea to design this typeface
  38. Megar by Viaction Type.Co, $20.00
    Megar is a display font with a bold retro feel and available in 2 styles, regular & oblique. It is suitable to complement your work with a retro or pop art theme. Megar is sold at affordable prices and you will get lots of bonus background gradient & gradient shapes. Get this font right now! Don't miss this product from us! Also check out our other products. Viaction Type
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