Hi, introuducing a vintage display font = Fishtail. It's an old school font set with thin decorative shape. Fishtail typeface has narrow characters for small letters and wide shape for capital letters. Also lots of ligatures will help you to create an original lettering compositions (Make sure that “Standard Ligatures” feature is supported & enabled in your software).

The Ladislav font revitalises Sutnar’s legacy, while not explicitly copying any of his original fonts. It however keeps true to their technicist character and initial principles of character creation - a simple modular system of combined geometrical segments. This approach affects all round shapes of capital and lowercase letters, as well as the shapes of the majority of numbers.

The name of this font is Dubuffet, named after a famous artist. The font style is distinct and unforgettable at the same time, showing a simple temperament. The extra thick strokes bring readers a warmer visual experience. The overall shape is artistic and literary. The serif uses a sharp shape that adds a youthful, modern vibe.

Morgain is a decorative vintage font with "celtic spirit". Morgain Is an experimental font, specific shapes and forms gives it a little hand-painted effect.

Introducing Megatropolis : intellectual, architectural, urban and urbane. What started as an idea where the counters would be letters (3 scribbled glyphs on a piece of scrap paper), has grown into a mighty font family of eight stackable fonts. First came Megatropolis itself, a Deco font within a Deco font; Double Deco, you might say. In Illustrator, you can deconstruct it to make solid letters, outline letters or just the inset letters on their own, and you can stack them how you wish. Or you can get the whole Megatropolis family with Black , Outline , Inset , Smog , Shade and Shade with Inset and keep them all separate stackable, editable fonts. In addition, there’s Megatropolis Benday (available in TT only), with its fabulous stackable comic dots. Megatropolis is a typographer’s playground.

HS Elham is a modern Kufi font with a new idea with round shapes. It is a decorative font with mathematical proportions. It is based on Hasan Elham font with a new idea for connecting letters one another. It also includes new shapes for many letters. It may be considered a new modification version of Hasan Elham. It is useful for titles and graphic projects and supports Arabic, Persian and Urdu.

Leonardo da Vincen Typeface Font type font with a style that is quite unique, has interesting features that can be used in many fields This font is inspired by the shape of a branch or a natural ornament that can be shaped vintage Leonardo da Vincen is also suitable for making quotes, logos, beverage label designs, badge designs, t-shirt designs, food / coffee packaging and movie poster designs.

blastand is a display font created by combining sharp edges and curves for a unique shape. This font also adopts a handwritten shape at the end of the letter to present a bold writing yet still creates a classy and friendly impression. This font is also created in italic style and has open types such as ligature, stylistic alternate, etc. to provide options for designers to create awesome work.

This font is a modern urban script. Very impressive because of its heavy and rounded shape. Upright stems and wide width of their shape gives easy and slow impression. There is one more script designed by in the same concept. -Nothing -Banana

Threedimensional shaded typeface.

Golden Ticket is a digitization of hand-drawn poster lettering by Otto Heim from 1925. The regular style is meant to be used on its own, but the other three styles are meant to be used one on top of another in three different colors to create a 3D effect. For best results, put the base style on the bottom, with the fill style directly on top of that in a different color, and the highlight style directly on top of that in a third color.

Remember those 1970s science fiction dramas which had such charming futuristic sets and backdrops? Remember the intriguing future lettering and signage the set designers would devise-often coupled with interesting futuristic spellings? Movella is a family of three typefaces inspired by that design ethos. The three faces- regular, italic and the 3D solid form are all capitals faces which combine a feeling of retro-futuristic design with easy legibility. Take your next project into the age of the Apollo Launches, sci-fi action drama and fun!

Introducing Fortune Font set. This typeface has an old school look with classic western shapes. Fortune Variable Font has three predefined weights (Thin, Regular & Bold) and Variable font with flexible weight. All of the small letters has one or two alternates with bottom expanded shape*. Fortune Variable Font supports most of the European languages. *Make sure that "Contextual & Stylistic Alternates" features are supported & enabled in your software. Also please consider that this feature is available only for English alphabet.

Milk & Clay | handwritten sans serif font Meet Milk & Clay, the font that started it all. This font was inspired by a friend who is a ceramists. The smooth and soft bumpy edges of this font is influenced by the texture and shape of clay as you’re working with it - almost perfect letter or shapes but not quite there. The letters are unique and feel soft and handmade. Perfect for; handmade products, ceramics, branding, logos, instagram quote text.

This unique font preserves the DNA of old Biblical manuscript, maintaining clear forms and shapes for good readability.

Anultra Slab is, you guessed it... An ultra bold slab serif! Anultra Slab is a hard hitting headliner, designed to be set LARGE. Because it's a single weight typeface, no compromises were necessary to get it interpolatable with other weights, so it is as bold and tight as I intended. Features include automatic fractions, case-sensitive forms, ligatures, stylistic alternates for non-descending J and Q, and a 3D 'xtrude' style, which can be layered behind the regular to create two colour, photo-lettering style text. Very seventies. Very cool. A companion typeface, Alight Slab , is available at the other end of the weight scale, but there are no weights in between. You're no middle-weight designer, so why use middle-weight fonts?!

With this charismatic new type system, the possibilities are as large as your vision behind them. Achieve the impact you're looking for by layering the different fonts and colorations for a custom, hand-drawn look that likes to be noticed. Play around with the potential. Create effects such as realistic 3D looks by adding centerlines, dotted centerlines, and shadow variations. Inspired by the affable look of vintage handmade signage, the Aviano Sans Layers spacing accommodates these shadows and other features well with its generous width and helps you hit your message home. Try mixing it with the other members of the Aviano Hyperfamily, too. There are lots of funky options for you to explore. See what you can create with Aviano Sans Layers!

Hi, presenting a display font Silent River. It's a bold decorative font with nice classic shape. Silent River typeface supports most of the european languages and also has ukrainian cyrillic characters. Also there are an extra characters with modifyed letters shape, such as ligatures and alternates. Make sure that your app does support an OpenType features to access this extra characters.

According to the dictionary, the way a letter is formed or shaped within a writing system is an allograph... and Allograph JNL from Jeff Levine takes on unusual shapes. Using characters from Jeff's Printing Set JNL font, they were printed out white-on-black, and the paper was torn into abstract pieces and then scanned in order to create this edgy looking font.