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  1. COM (sRB) - Unknown license
  2. Riquoth - Unknown license
  3. Washable (sRB) - Unknown license
  4. D3 Archism - Unknown license
  5. Glamourgirl - Unknown license
  6. D3 Roadsterism Italic - Unknown license
  7. Unispace - Unknown license
  8. Masterforce Solid - Unknown license
  9. Dalelands - Unknown license
  10. saru (sRB) - Unknown license
  11. Tork - Unknown license
  12. D3 Euronism italic - Unknown license
  13. Emulator - Unknown license
  14. Chinyen - Unknown license
  15. D3 Globalism italic - Unknown license
  16. Hotplate (sRB) - Unknown license
  17. D3 CuteBitMapism TypeA - Unknown license
  18. week (sRB) - Unknown license
  19. D3 Superimposism Outline - Unknown license
  20. D3 LiteBitMapism Bold - Unknown license
  21. D3 Superstructurism Outline - Unknown license
  22. Hultog - Unknown license
  23. Nightwarrior - Unknown license
  24. D3 CuteBitMapism TypeB - Unknown license
  25. D3 Egoistism - Unknown license
  26. D3 Superimposism Inline - Unknown license
  27. D3 Superstructurism Inline - Unknown license
  28. D3 Roadsterism Wide - Unknown license
  29. D3 Spiralism - Unknown license
  30. Adventure - Unknown license
  31. D3 Petitbitmapism - Unknown license
  32. D3 Petitbitmapism - Unknown license
  33. D3 Digitalism - Unknown license
  34. D3 Skullism Alphabet - Unknown license
  35. D3 Roadsterism Long - Unknown license
  36. D3 LiteBitMapism Selif - Unknown license
  37. Warlords - Unknown license
  38. P22 Il Futurismo by P22 Type Foundry, $24.95
    Italian Futurism (1908-43) was one of the 20th century's first and most influential avant garde art movements. Futurist typography sought to disrupt traditional notions of harmony, space and composition on the printed page. The bold and jarring shapes of this set faithfully recall a tumultuous era in both Italian history and Italian graphic design.
  39. Sodra by Harvester Type, $20.00
    Sodra is a wide-accented antiqua with sharp serifs and hints of futuristic forms. This typeface emerged from a passage in the Manifesto del Futurismo by Filippo Tommaso Marinetti. One short word was the inspiration and the guidance for the creation of this font. An attempt to create something unique and distinctive, an attempt to add a bit of futurism to something historical. The special aesthetics and expressiveness the type conveys will make you look closely at each letter and draw attention to your design. The font has been in development for a long time and painstaking work has been done on it. Large language support, about 470 characters and almost 4,000 kerning pairs. Hinting and testing the font itself in business and in a wide variety of applications. The uses of the type are very wide. Whether it's a branding, logo, identity or merch, a headline or product design. The nature of typeface is not limited to something rough and gloomy, on the contrary, it all depends on how you look at it. I've shown you my point of view, you in turn will see yours!
  40. Linotype Maral Armenian by Linotype, $104.99
    Linotype Maral is based on an historic Armenian typeface which was originally designed by Henrik Mnatsakanyan. Hrant Papazian has revieved and digitized this four weight type family . Armenian keyboard drivers for Mac OS 9 (and under) as well as for Windows are included when any of the Linotype Maral fonts are purchased. These drivers must be installed before the fonts may be used properly. Linotype Maral will not function properly under Mac OS X, unless you are using the OpenType-format version, which does not work under OS 9! The Linotype Maral family includes four fonts: Linotype Maral Regular, Linotype Maral Oblique, Linotype Maral Bold, Linotype Maral Bold Oblique. The Armenian language is written with its own script. This script and its language are written and spoken in the Republic of Armenia and by the Armenian Diaspora. The Armenian alphabet first appeared around 406 A.D. Its creation is attributed to St. Miesrop Mashtots (died 441), but it is most likely an independent modification and extension of the Greek alphabet created by Gregorian denomination.* * (Source: The book Schrift- und Buchkunst, by Albert Kapr [Leipzig: 1982], references Quadra della storia letteraria della Armenia by Ph. Lukias Somal for this information)
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