A rough sanserif titling cut by Rudolf Koch for Klingspor in 1923. The letters give the appearance of being crudely cut in wood.

A small x-height typeface, originating with engravers near the start of the twentieth century, appearing in type in the 1923 ATF specimen.

Cabriolet V8 is a vertical version of the Cabriolet family, a geometric script fontface re-interpretation inspired by old chromed emblems of 1950s.

In 1951 Alessandro Butti cut a fontfamily for Nebiolo which he called Fluidum. Both weights, light and bold, were now revived and named Butti.

The cast credits for the 1954 film "Hell's Half Acre" (Wendell Corey, Evelyn Keyes and Elsa Lanchester) provided the basis for Mystic East JNL.

Designed by Aldo Novarese and released in 1955, the Ritmo Bold font has broad, tapered strokes that have been drawn with a square nib.

Günter Gerhard Lange designed this “fun” typeface for Berthold in 1957. Although a departure from his more serious designs, Champion shows Mr. Lange’s diversity.

A light roundhand with mildly clubbed terminals on the capitals. It was expertly transferred from an engravers’ pattern plate to the Fotosetter Intertype about 1955.

Digitally engineered by Steve Jackaman. Based on the original Willard T. Sniffin design of 1933 for ATF, this informal brush script was known as Keynote.

The hand lettered title card from the 1935 melodrama “Magnificent Obsession” inspired the digital revival Movie Classic JNL; available in both regular and oblique versions.

The hand lettered title credits for the 1950 French film “Lady Paname” inspired French Cinema JNL, which is available in both regular and oblique versions.

Font Rospo-Wood is two-element font inspired by the weekly "Tygodnik Ilustrowany” from the 1933. Font has three alternative glyphs that are automatically replaced.

Cardboard Cutouts JNL is a blocky sans serif font re-drawn from some old "kiddie" stencils from the 1950s or 1960s acquired by Jeff Levine.