4,931 search results (0.015 seconds)
  1. *Reacting to Reactor Sans!* In an imaginary world where fonts are not just mere letters but beings with personality and purpose, Reactor Sans would surely be the cool, energetic, and slightly edgy ...
  2. Guayaba Sans, a font crafted by Juan Casco, stands as an example of typographic artistry designed for personal use, embodying the creative spirit and skill of its creator. While I cannot directly obs...
  3. As of my last update in April 2023, "13_Roshi" is not recognized as a standard or widely-known font in mainstream typographic resources or font libraries. However, the naming itself suggests a unique...
  4. As of my last update in April 2023, PORT118 isn't a widely recognized or popular font within mainstream typography communities or databases. However, let's imagine and describe what PORT118 could be ...
  5. Duralith is a distinctive font created by Apostrophic Labs, a collective known for their innovative and diverse typefaces. Duralith stands out with its unique blend of stylized features and contempor...
  6. Imagine stepping back in time to the bustling streets of a Renaissance-era German marketplace, where the air is filled with the sound of craftsmen at work and the aroma of fresh parchment and ink. Th...
  7. The Spongy font, crafted by the renowned typeface designer Ray Larabie, is a testament to creativity and playful design in typography. Known for his extensive portfolio of unique and highly functiona...
  8. As of my last knowledge update in April 2023, the specific details surrounding a font named "Insert" by 2 The Left Typefaces had not been broadly documented or well-circulated in popular typographic ...
  9. As an optimistic and helpful artist, I'd love to introduce you to the intriguing world of typography through the lens of the font I2ArabiaConsole. Though I must clarify, detailed specifics about I2Ar...
  10. The 5 Fingered Goth SWTrial font by Astigmatic One Eye stands out as a unique and captivating typeface that carries an unmistakable gothic charm. Crafted by the intriguingly named Astigmatic One Eye ...
  11. As of my last update in April 2023, "Skeleton Sketched" by Lauren Harrison may not be widely recognized under mainstream typographical resources or among the most popular font databases. However, let...
  12. MachineScript by De Nada Industries is a font that embodies the seamless merger of the mechanical and the artistic, capturing the essence of precision and creativity in every stroke. This font is a t...
  13. Induction, a creation by the prolific type designer Ray Larabie, is a font that delicately balances innovation with versatility, imbuing each character with a distinct personality while ensuring it r...
  14. The Eutemia III font, crafted by the imaginative minds at Bolt Cutter Design, is a testament to the intertwining of elegance and mystique. This typeface, a third in its series, carries with it a lega...
  15. Mistress Script is a distinctive font crafted by Apostrophic Labs, a collective known for their innovative and diverse typeface designs. While I can't provide real-time or very specific details about...
  16. The font Antelope H, created by Tom Murphy 7, is an intriguing and distinctive typeface that carries a unique personality within its design. Like many of Murphy's works, Antelope H is not just a font...
  17. The font STAR+STAR (sRB) by sRB-Powers is an intriguing typeface that seems to embody a creative and dynamic spirit, even though I can't pull specific visual details out of the air without direct ref...
  18. ZirkleOne is not a specific font that's widely known or recognized within the realms of typography as of my last update. However, let's create an imaginative description of a font that would suit the...
  19. As of my last update, Kelan is not a widely recognized font within mainstream typographic resources or specific font catalogs. However, the world of typography is rich and ever-expanding, with countl...
  20. American Dream, as conceptualized by the designer Chloe, is a font that captures the essence of aspiration, nostalgia, and the enduring spirit of the American ethos. From the first glance, it's clear...
  21. The Final Fantasy font is not a singular typeface but rather encompasses a series of fonts inspired by the beloved video game series Final Fantasy, developed and published by Square Enix (formerly Sq...
  22. The "Army Rangers" font by Iconian Fonts is a captivating typeface that embodies the essence of military precision, strength, and discipline. Like the elite soldiers it is named after, this font stan...
  23. As of my last update in April 2023, "Ohio Player" is not a widely recognized or standardized typeface within the graphic design community. The specific mention of "Ohio Player" could suggest a custom...
  24. The DJ Autocar font, created by Donna J. Morse, is an intriguing and captivating typeface that stands out for its unique character and aesthetic appeal. This font is part of the larger DJ Fonts colle...
  25. Ah, Retriga! Imagine if a 70s disco and a sleek, modern smartphone had a love child, and you’re getting close to the vibe of the Retriga font. Picture the letters slipping on some platform shoes, gro...
  26. Legendum, designed by Rogier van Dalen, is a unique and vibrant font that captures the attention of its viewers through its distinctive characteristics and versatile usability. The font embodies a mo...
  27. As of my last update in April 2023, "Pointened" by Holitter Studios appears to be a fictional creation or not widely recognized in mainstream font directories and discussions. Given that I cannot dra...
  28. Tank Junior, designed by the talented Levi Halmos, stands as an exceptional font that seamlessly combines the essence of strength with a touch of playful charm. At its core, Tank Junior is distinguis...
  29. Addict is not a font that I have specific knowledge of, as my database does not contain proprietary or niche fonts that might not have widespread recognition or use by 2023. However, based on its evo...
  30. The font named SpideRaY, created by the designer or entity known as SpideRaY, embodies a distinctive blend of creativity and character that sets it apart in the realm of typography. At its core, Spid...
  31. TT Marxiana by TypeType, $59.00
    TT Marxiana useful links: Specimen | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Marxiana: TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its Antiqua and Italic, Grotesque and Elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set of different fonts, which allows using modern methods and using modern software to create, for example, a magazine in a design typical of the late 19th century. The TT Marxiana project started in the late summer of 2018 and from the very beginning went beyond the traditional projects of TypeType because of the importance of preserving the historical identity. Since up to this point, we had never before reconstructed the font from historical paper sources and with such a level of elaboration and attention to detail, it took us two years to implement this project. You can read more about all stages of the project in our blog, and here we will briefly talk about the result. As it turned out, drawing a font following the scanned pages of a century-old magazine is a very difficult task. In fact, such a font reconstruction very much resembles archaeological excavations or solving a complex cipher, and all these efforts are needed only in order to finally understand what steps need to be taken so that the resulting font is not just an antiqua, but the specific and accurate antiqua from "Niva" magazine. In addition, due to the specifics of printing, same characters in the old magazine setting looked completely different, which greatly complicated the task. In one place, there was less ink than needed, and the letter in the reference was not well-printed and thin, in some other place there was more ink and the letter had flooded. An important task was to preserve and convey this feeling of typographic printing, but at the same time it was important to identify the common logic and character of the dot gains so that the font would form a harmonious, single, but at the same time lively picture. Since the "Niva" magazine was historically published in Russian, the magazine had no shortage of references for the reconstruction of Cyrillic characters, but there were not many Latin letters in the magazine at all. In addition, the paper source lacked a part of punctuation, diacritics, there were no currency signs nor ligatures at all—we developed all these characters based on font catalogs of the 19–20 centuries, trying to reflect characteristic details from the main character composition to the max. So, for example, the Germandbls character, which is not in the original "Niva" set, we first found in one of the font catalogs, but still significantly redesigned it. We decided that in such a voluminous project, only graphic similarities with the original source are not enough and we came up with a feature that can be used to exchange modern Russian spelling for pre-revolutionary spelling. When this feature is turned on, yat and yer appear in the necessary places (i, ѣ, b, ѳ and ѵ), the endings of the words change, and so appears a complete sensation of the historical text. This feature works in all fonts of the TT Marxiana font family. TT Marxiana Antiqua is a scotch style serif, the drawing of which carefully preserved some of the artifacts obtained by printing, namely dot gain, a slight deformation of the letters and other visual nuances. TT Marxiana Antiqua has an interesting stylistic set that imitates the old setting and in which some of the signs are made with deliberate sticking or roughness. Using this set will provide an opportunity to further simulate the setting of that great time. TT Marxiana Grotesque is a rather thick and bold old grotesk. Its drawing also maximally preserved the defects obtained during printing and characteristic of its paper reference. In addition to pre-revolutionary spelling, TT Marxiana Grotesque has a decorative set with an inversion. This is a set of uppercase characters, numbers and punctuation, which allows you to type inverse headers, i.e. print white on black. As a result of using this set, you get the text against black bars—this way of displaying was very characteristic for print advertising at the turn of the century. In addition, about 30 decorative indicator stubs were drawn for this set: arrows, hands, clubs, etc. TT Marxiana Elzevir is a title or header font and is a compilation of monastic Elzevir that were actively used in the "Niva" magazine for all its prints. Unlike the antiqua, TT Marxiana Elzevir has sharper forms, and the influence of deformations from typographic printing is not as noticeable in the forms of its signs. This is primarily due to the specifics of its drawing and the fact that it was usually used as a heading font and was printed in large sizes. The height of the lowercase and uppercase characters of Elsevier is the same as the heights of the antiqua, but the font is more contrasting and lighter, it has a lot of white and, unlike the antiqua and the grotesque, there are a lot of sharp corners. An exclusive feature of the TT Marxiana Elzevir is an alternative set of uppercase characters with swash. • TT Marxiana Antiqua consist of 625 glyphs each and and it has 23 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, ss05, case. • TT Marxiana Antiqua Italic consist of 586 glyphs each and and it has 22 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Grotesque consists of 708 glyphs and it has 22 OT features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Elzevir consists of 780 glyphs and it has 21 OT features, such as: aalt, ccmp, locl, ordn, frac, tnum, onum, lnum, pnum, calt, ss01, ss02, ss03, ss04, ss05, ss06, salt, c2sc, smcp, case, liga. FOLLOW US: Instagram | Facebook | Website TT Marxiana language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chiga, Cornish, Corsican, Cree, Danish, Dutch, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Galician, German, Gusii, Haitian Creole, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Ladin, Leonese, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Mauritian Creole, Minangkabau, Montenegrin (cyr), Mordvin-moksha, Morisyen, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Samburu, Sango, Sangu, Scots, Sena, Serbian (cyr), Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Taita, Tetum, Tok Pisin, Tsonga, Tswana, Ukrainian, Uyghur, Valencian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zulu.
  32. Alright, fasten your seat belts, typography enthusiasts and font aficionados, because we're about to take a wild ride into the cosmos of creativity with "Blaster Infinite" by the enigmatic and clever...
  33. As of my last update in early 2023, PassCaps is not a widely recognized or established font within the vast landscape of typography. Given this, we'll approach it from a conceptual standpoint, imagin...
  34. As of my last update in April 2023, I don't have specific details about a font named "AZ" by Christoph Mueller in the databases I was trained on. It's possible that it could be a newly released typef...
  35. **The Enigmatic Elegance of Xiparos Lombard: A Font Review by Yours Truly, the Artistic Oracle** In the grand parade of typographies where fonts like Arial and Helvetica march with their heads held...
  36. As of my last update in April 2023, "Fresh" by La Toya Grey may not be specifically known in mainstream font directories or among widely recognized graphic design communities. However, let's create a...
  37. As of my last update in April 2023, "Divlit" is not a widely recognized or documented font in the realms of typography commonly discussed or published in well-known typographic resources, databases, ...
  38. As of my last update in early 2023, the font named "Ben Brown" may not be widely recognized within mainstream typographic resources or among popular font collections. It is possible that "Ben Brown" ...
  39. As of my last update, I don't have specific access to a font named "Cheaptype" by Fenotype, and details about such a font may not be readily available in the public domain or might be a newer release...
  40. As of my last update in April 2023, there isn't a widely recognized or specific font named "Paramount" that has established itself within the typography community or the broader design world. However...
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