Milton Glaser’s Kitchen Typeface from the mid 1970s exemplifies the bold 3-D art deco revival genre that was a trademark of the Glaser style. This typeface resulted from his involvement in the design of the The Big Kitchen in the World Trade Center’s concourse in New York City. The new P22 Glaser Kitchen takes on the technical challenge of overlapping 3-D shadows by offering two styles. P22 Glaser Kitchen Regular is spaced out so that the shadows do not overlap the white spaces of the neighboring letters. Whereas the P22 Glaser Kitchen 3D Fill and 3D Shadow can be used layered on top of one another to achieve the tight spacing intended by Glaser. P22 Glaser Kitchen was based on original drawings and phototype proofs from the Milton Glaser Studios archives. Typographic punctuation and sorts were imagined by James Grieshaber to work with Glaser’s design, as well as diacritics to accommodate most European languages. Over the years there have been many typefaces that borrowed heavily from the Glaser designs, but these are the only official fonts approved by Milton Glaser Studio and the Estate of Milton Glaser.

In the collection of vintage and historic images available online from the Library of Congress is one of the exterior of the Town Talk Diner in Minneapolis, Minnesota. Regrettably, on May 28, 2020, the Town Talk Diner was damaged by vandalism, and subsequently destroyed by a fire that engulfed the building early on the morning of May 29th due to civil unrest following the death of George Floyd. The restaurant first opened in 1946, closed in 2011 and subsequently re-opened under new ownership in 2014 with French cuisine, then from 2016 until its demise as an American bistro. While this was not known at the time of selecting the image for a typographic model, subsequent research on the diner turned up these facts. The large vintage sign above the entrance was in big, bold Art Deco letters with rows and rows of bulbs for illuminating the name at night. Coffee and Danish JNL, modeled from the image of that sign, is available in both regular and oblique versions. Perhaps, in a way, the type design will serve as a bit of historic recognition for a popular eating spot.

A condensed and bold obround sans inspired by 60s condensed inserat faces, with a more pronounced thick/thin stress as seen on the titles of the Avengers TV show.

Gothico Antiqua is the result of grunging up one of my early sans-serif type designs. It strangely works very well and looks authentic at small to medium settings.

DigiGrotesk is one of the earliest digital fonts ever created. It is intended for use in longer texts set in smaller point sizes, including dictionaries and newspaper classified ads.

This font was inspired by the lettering on a shop sign along a very classy shopping street in Bordeaux, France. There were similar styles among mid-nineteenth century types.

Koch Antiqua is based on forms of old Roman writings, chiseled in marble thousands of years ago. This contemporary version is more playful and reminiscent of the Roaring 20s.

Viralles is a handwritten script font. Looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and any other design that requires a handwritten touch.

Meet Engrace, a serif font family with elegant & stylish curves. She’s romantic, classy and modern all wrapped into one, and surely can not be missed in your font collection.

Pepino is loosely based on the classic font Hobo but Pepino is a completely new and original drawing. The font is bold, fun, casual, easy to set and read.

An inline version of the Latin bold condensed, and designed on the suggestion of Robert Harling. There is a double white line, which was originally engraved in Latin type.

Bonita is a bold handlettering style based on movie poster lettering from the early 20th century. It's similar to the typeface Broadway, but much bolder and far less formal.

CG Symphony was among the first one hundred PostScript faces released by Compugraphic in 1988. The original version of CG Symphony font is the Linotype Original font family Syntax.

Xylo Sans letterforms are based on a typeface from Miller & Richard type foundry, from circa 1911. They are presented here with a rough wood texture, in two xylographic flavors.

Fifty Famous Fairy Tales was inspired by lettering on the cover of a children’s book of the same name published by Whitman Publishers back in the 50s or 60s.

Stylish Marker is a font based on a casual and worn marker, just before it's unusable, thus giving rise to an irregular texture, typical of a widely used marker

FG Noel works great at small and large sizes. I can imagine a kids' book with this font and it will be perfect for cute quotations on greeting cards.

Bobila is a cool and casual display font. It will look stunning on any poster flyer or print. Use this font for your designs and explore its endless possibilities.

A whimsical little serif transporting you back in time. Based on vintage hand scribed italics, Fairytale Serif is ready to charm it's beholder with its quaint inky edged letters.

Here’s a scratchy skribly font you can use to make something look grungy or use it reversed and it looks like it was scratched on a wall or something.

Borough Park JNL is named for a neighborhood in the southwestern part of the borough of Brooklyn, NY and was modeled from hand lettering found on vintage sheet music.

Metal Rocker is a natural handwritten font. It looks stunning on thank you cards, quotes, greeting cards, logos, business cards, and every other design which needs a handwritten touch.

Print Shop Classics JNL is comprised of twenty-six decorative letterpress ornaments from vintage source material along with the words "Welcome" and "Introducing" on the period and comma keys.

A design on classical lines with subtle but effective calligraphic touches, by Arthur Baker for VGC. The Bold version is used for the Coke logo all over the world.

Blastero is a natural handwritten graffiti font. It looks stunning on thank you cards, quotes, greeting cards, logos, business cards, and every other design which needs a handwritten touch.

Bella, the heroine, comes to life with this one of a kind font. LD Bella, is great for journaling, adorning memories or adding the final touch to your projects.

The two XSeederChess fonts are two modernistic chess fonts. The key layout is a bit complicated; see the key guide for detailed information on how to position pieces correctly.

Revue is a display face originally designed for Letraset. The heavy sans serif letterforms of this font are ideal for use in signage, on posters and in advertising display.

Javarosa is a handwritten script font. Looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and any other design that requires a handwritten touch.

Bright with many interlocking and connecting ligatures and warm with hand-drawn irregularity, Solstice is something to celebrate. Based on the inspiring hand writing of creative friend, Kimberly Mahan.

Tenso Slab is a versatile and playful Slab Serif based on the -in 2013 released- Tenso, which is a an economic running sans serif with a lot of character.

A meticulously-designed font that captures the spirit of the undead in a modern world. One will notice ample graveyard influence crossed with the newer, emerging trends in typography.

Lucidity is a condensed, handwritten font with emphasis on texture and default wide spacing. This makes it a versatile font for display, medium amounts of text, and T-Shirts.