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  1. In the whimsical world of typography, where letters are not just letters but characters bursting with personality, the font Misirlou Day by Ray Larabie performs a vibrant hula dance, beckoning the su...
  2. SkinnyDrip is a distinctive typeface meticulously crafted by designer Kevin Richey. The font's design is a harmonious blend of whimsical creativity and meticulous attention to detail, evoking a sense...
  3. As of my last update in early 2023, Andreas Sans Cnd may not be widely recognized in the mainstream of typographic designs, yet the essence of its name provides insight into its style and characteris...
  4. Juvelo is a distinguished typeface crafted by the adept type designer Barry Schwartz. It stands out as a testament to Schwartz's commitment to producing fonts that not only serve practical purposes b...
  5. The font !CRASS ROOTS OFL by !Exclamachine is an intriguing and captivating typeface that stands out for its raw energy and unapologetic boldness. It's a creation that embodies a fusion of graffiti-i...
  6. Mariposa, as envisioned by its creator, Chloe, is a font that captures the essence of transformation and grace, much like its namesake - the butterfly (Mariposa in Spanish). This typeface is meticulo...
  7. Sure, I'd be happy to give you a glimpse into the world of the "Advanced Pixel-7" font, crafted by the creative minds over at Style-7. This font takes you on a nostalgic journey back to the days of v...
  8. Archeologicaps by Manfred Klein is a tryst with history, wrapped in the enigma of typography that takes you back to the cradle of civilization. Designed by the adept typographer Manfred Klein, this f...
  9. Jadefedga[08], created by the talented designer junkohanhero, is a font that immediately captures the attention with its distinctive blend of creativity, uniqueness, and versatility. Its design is no...
  10. The New Cicle font, created by La Tipomatika, is a distinctive and versatile typeface that stands out for its clean lines and contemporary aesthetic. Its design is rooted in geometric shapes, which g...
  11. "Peach Sundress" by Teagan White is a font that embodies a sense of delightful whimsy and gentle nostalgia, capturing the essence of sunny days, carefree afternoons, and the soft, welcoming embrace o...
  12. "Walk the Plank," a distinctive creation by Teabeer Studios, sails through the visual seas with a piratical charm that's both adventurous and whimsically menacing. This font captures the essence of p...
  13. The font named "Lemonheads" is a typeface that captures the essence of whimsy, playfulness, and youthful energy. Imagine the vibrant life of a lemon — bright, zesty, and bursting with flavor. That's ...
  14. Ah, the Abysmal Gaze font - a creation that seems to hail from the depths of an artist's most intriguing nightmares, or perhaps, their most whimsical dreams. Crafted by the hands and imaginative geni...
  15. HVD Rowdy by HVD Fonts is a strikingly unique typeface that exudes energy and vibrancy. Designed with an infectious zest, it leaps off the page, making it an unforgettable choice for projects that ai...
  16. Arbuckle is a font that dances between the worlds of playfulness and respectability, masterfully designed by Nick Curtis. Picture a font that could easily headline a whimsical party invitation one mo...
  17. Sappy Mugs by Ray Larabie is a delightful and whimsically spirited font that immediately brings a smile to your face, much like the comforting warmth of your favorite coffee mug on a cool morning. Cr...
  18. Romance Fatal Sans, a creation by the talented Juan Casco, is a font that masterfully blends elegance with modernity, striking a perfect balance between form and function. At first glance, it captiva...
  19. Marsh Gas, crafted by the talented Levi Halmos, is a font that seems to rise from the depths of fantasy and enchantment, encapsulating the essence of mystery and peculiar charm. At first glance, Mars...
  20. The "Hackers" font, as its name intriguingly suggests, is a typographical representation that evokes feelings of technological prowess, underground digital cultures, and the audacious spirit of cyber...
  21. NotMaryKate, a whimsical and playful typeface, was crafted by the talented typeface designer Nick Curtis, known for his ability to blend historical typeface essences with contemporary flair. This par...
  22. As of my last update, Hitch is not a widely recognized or standardized font within major typographical databases or among commonly listed typefaces. However, let's imagine what a font named Hitch cou...
  23. RomanticFont2, as its name suggests, is a font that breathes life into the essence of romance, elegance, and an exquisite touch of delicateness. Crafted with a keen eye for harmonizing the traditiona...
  24. The Kimberley font, designed by the esteemed typographer Ray Larabie, stands as a testament to his ability to meld precision with creativity in his typographic creations. This particular typeface is ...
  25. As of my last update in early 2023, there doesn't appear to be a widely recognized font named "Juan Miro" directly linked with the famous Spanish painter Joan Miró, a misunderstanding likely rooted i...
  26. Ah, diving into the fun world of fonts, aren't we? Alright, let me introduce you to the whimsical world of the "Poke" font, crafted by the talented Ray Larabie. This particular font is like the bubbl...
  27. Alecto Demo, as conceptualized by The Scriptorium, embodies a distinctive character that is a blend of vintage charm and contemporary flair. This font is named after Alecto, one of the Furies in anci...
  28. Chizz High, a unique creation by Apostrophic Labs, is an intriguing typeface that captivates the eye and stimulates the imagination. It belongs to a family of fonts that are not just tools for writin...
  29. TeamSpirit is a distinct and visually engaging font designed by the talented Nick Curtis, who is noted for his ability to inject a vibrant character into his typographic creations. TeamSpirit is no e...
  30. As of my last update in April 2023, there wasn't a widely recognized font specifically named "BOODAS DREIECKE". However, the inspiration drawn from the name can conjure a vivid, imaginative depiction...
  31. The Ben-Zion font by Iconian Fonts is a captivating typeface that draws inspiration from a mix of futuristic elements and classical typography principles. Iconian Fonts, known for their extensive ran...
  32. TT Marxiana by TypeType, $59.00
    TT Marxiana useful links: Specimen | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Marxiana: TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its Antiqua and Italic, Grotesque and Elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set of different fonts, which allows using modern methods and using modern software to create, for example, a magazine in a design typical of the late 19th century. The TT Marxiana project started in the late summer of 2018 and from the very beginning went beyond the traditional projects of TypeType because of the importance of preserving the historical identity. Since up to this point, we had never before reconstructed the font from historical paper sources and with such a level of elaboration and attention to detail, it took us two years to implement this project. You can read more about all stages of the project in our blog, and here we will briefly talk about the result. As it turned out, drawing a font following the scanned pages of a century-old magazine is a very difficult task. In fact, such a font reconstruction very much resembles archaeological excavations or solving a complex cipher, and all these efforts are needed only in order to finally understand what steps need to be taken so that the resulting font is not just an antiqua, but the specific and accurate antiqua from "Niva" magazine. In addition, due to the specifics of printing, same characters in the old magazine setting looked completely different, which greatly complicated the task. In one place, there was less ink than needed, and the letter in the reference was not well-printed and thin, in some other place there was more ink and the letter had flooded. An important task was to preserve and convey this feeling of typographic printing, but at the same time it was important to identify the common logic and character of the dot gains so that the font would form a harmonious, single, but at the same time lively picture. Since the "Niva" magazine was historically published in Russian, the magazine had no shortage of references for the reconstruction of Cyrillic characters, but there were not many Latin letters in the magazine at all. In addition, the paper source lacked a part of punctuation, diacritics, there were no currency signs nor ligatures at all—we developed all these characters based on font catalogs of the 19–20 centuries, trying to reflect characteristic details from the main character composition to the max. So, for example, the Germandbls character, which is not in the original "Niva" set, we first found in one of the font catalogs, but still significantly redesigned it. We decided that in such a voluminous project, only graphic similarities with the original source are not enough and we came up with a feature that can be used to exchange modern Russian spelling for pre-revolutionary spelling. When this feature is turned on, yat and yer appear in the necessary places (i, ѣ, b, ѳ and ѵ), the endings of the words change, and so appears a complete sensation of the historical text. This feature works in all fonts of the TT Marxiana font family. TT Marxiana Antiqua is a scotch style serif, the drawing of which carefully preserved some of the artifacts obtained by printing, namely dot gain, a slight deformation of the letters and other visual nuances. TT Marxiana Antiqua has an interesting stylistic set that imitates the old setting and in which some of the signs are made with deliberate sticking or roughness. Using this set will provide an opportunity to further simulate the setting of that great time. TT Marxiana Grotesque is a rather thick and bold old grotesk. Its drawing also maximally preserved the defects obtained during printing and characteristic of its paper reference. In addition to pre-revolutionary spelling, TT Marxiana Grotesque has a decorative set with an inversion. This is a set of uppercase characters, numbers and punctuation, which allows you to type inverse headers, i.e. print white on black. As a result of using this set, you get the text against black bars—this way of displaying was very characteristic for print advertising at the turn of the century. In addition, about 30 decorative indicator stubs were drawn for this set: arrows, hands, clubs, etc. TT Marxiana Elzevir is a title or header font and is a compilation of monastic Elzevir that were actively used in the "Niva" magazine for all its prints. Unlike the antiqua, TT Marxiana Elzevir has sharper forms, and the influence of deformations from typographic printing is not as noticeable in the forms of its signs. This is primarily due to the specifics of its drawing and the fact that it was usually used as a heading font and was printed in large sizes. The height of the lowercase and uppercase characters of Elsevier is the same as the heights of the antiqua, but the font is more contrasting and lighter, it has a lot of white and, unlike the antiqua and the grotesque, there are a lot of sharp corners. An exclusive feature of the TT Marxiana Elzevir is an alternative set of uppercase characters with swash. • TT Marxiana Antiqua consist of 625 glyphs each and and it has 23 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, ss05, case. • TT Marxiana Antiqua Italic consist of 586 glyphs each and and it has 22 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Grotesque consists of 708 glyphs and it has 22 OT features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Elzevir consists of 780 glyphs and it has 21 OT features, such as: aalt, ccmp, locl, ordn, frac, tnum, onum, lnum, pnum, calt, ss01, ss02, ss03, ss04, ss05, ss06, salt, c2sc, smcp, case, liga. FOLLOW US: Instagram | Facebook | Website TT Marxiana language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chiga, Cornish, Corsican, Cree, Danish, Dutch, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Galician, German, Gusii, Haitian Creole, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Ladin, Leonese, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Mauritian Creole, Minangkabau, Montenegrin (cyr), Mordvin-moksha, Morisyen, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Samburu, Sango, Sangu, Scots, Sena, Serbian (cyr), Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Taita, Tetum, Tok Pisin, Tsonga, Tswana, Ukrainian, Uyghur, Valencian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zulu.
  33. The font AnglosaxOblique, crafted by the renowned type designer Manfred Klein, is a distinctive and stylistically unique typeface that captures the essence of historical elegance with a modern twist....
  34. As of my last update in April 2023, there isn't a widely recognized or commercially available font specifically known as "Annon." However, the task of imagining or describing a font by this name prov...
  35. Sure! The 21 Kilobyte Salute font, crafted by Eric Perlin, is a distinctive and captivating typeface that captures the essence of digital nostalgia and the early era of personal computing in a modern...
  36. Brushstroke Plain by Altsys Metamorphosis is a captivating font that truly embodies the spirit and essence of artistic spontaneity. This font, with its bold and fluid characteristics, seems to dance ...
  37. Font aficionados and design enthusiasts will find it a pleasure to explore "DesignPartsOne" by the seasoned and inventive type designer, Manfred Klein. This distinctive font is less about letters and...
  38. As of my last update in early 2023, there might not be a widely recognized or specific font called "Naz" that has achieved significant prominence or notoriety in the fields of typography or graphic d...
  39. Inhuman BB is a font that stands out for its dynamic and expressive qualities, designed to capture attention with its unique character. Developed by Blambot Fonts, a foundry well-known for creating c...
  40. Rudelskopf deutsch by Peter Wiegel is an exquisitely crafted font that embarks on a journey through the rich heritage of German typography, bringing historical essence into modern design practices. D...
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