Kyotce is inspired by the Egyptian serif which has a strong and bold typeface. This family of 8 weights from Light to Bold along with italics and is perfect for advertising, packaging, logo, editorial and publishing, branding and other creative industries. Each style includes 700+ glyphs, Kyoto supports around 200 languages in the Latin and Cyrillic. This font provides advanced typographic support with features such as ligatures, alternate characters, old-style figures, fractions, numerator/denominator, superior/inferior, and various symbols.

VVDS Benigne Sans is geometric font family consisting of 8 weights ranging from Thin to Ultra Bold with matching italics. Balanced and gently Thin or fat and heavy Ultra Bold, good wide range of widths, which allow use this font not only as a Headers, also as sub-headers or block texts. Also, I love how it looks in infographics. VVDS Benigne Sans is latin-based multilingual and contains all mathematics symbols. OpenTypeFeatures Ligatures, alternates, old style numerals and fractions. Enjoy! VVDS

Monograf was originally designed as fixed-width monospaced font which has 2 weights (Regular and Bold). Monograf Text is a derived style of Monograf with proportional spacing and well-balanced kerning to make the text easier to read and look optically balanced. So in the total bundle you get 4 pieces of this font: Monograf Regular, Monograf Bold, Monograf Text Regular and Monograf Text Bold. This versatile font with clean geometry and slightly rounded corner elements works great in digital space, as well in print. It also retains its legibility at smaller sizes. Typographic features include old-style figures, directional arrows and four types of asterisks. The entire font is suitable for purposes such as tabular layout, coding, website, but also for magazines, logos, signs, products, and others. Features: Basic latin alphabet A-Z 116 Accented characters Numbers, Punctuation, Currency, Symbols, Math symbols & Diacritics Old style figures, Directional arrows and 4 asterisks

Sheet Music JNL was based on lettering found on an old piece of 1930s-era sheet music being sold at a local rummage sale.

In a vintage photograph, promotional signage outside an old theater for the 1929 early sound film “The Doctor’s Secret” had lettering in a wide, bold Art Nouveau slab serif design. This was the model for Talking Picture JNL, which is available in both regular and oblique versions.

Beppo is a bold upright casual script with a condensed character width and a full palette of ordindals, small caps, and diacritics. Beppo flavors things up with old style figures and quirky, contextual alternate connections. Legible, compact and smothered in typographic cheese - it just smells good!

Prop-a-ganda offers retro-flavored fonts inspired by lettering on retro propaganda posters, retro advertising posters, retro packages all the world over. This is perfect font for your retrospective project. PAG Minister reminds us of old cinema posters or old magazine advertisements. Its vertical line is extremely bold, some of the stroke are curled and winding. With PAG Minister, usual typed text is changed into impressive design.

Originally designed for American Type Founders, Goudy drew inspiration from the classical old style faces for Goudy Old Style. Round characters have a strong diagonal stress, ascenders are fairly long but descenders are very short. Goudy bold was introduced in 1920; this was designed by Morris Fuller Benton. This typeface has been particularly popular in America where it is extensively used in advertising, book jackets, for labels and packaging.

QUALITYPE + VARIABLE FONT FAMILY "QualiTYPE" font extends its use by providing weights from "Thin" to "Black". Natural curves, ridges, and curved bodies grow in character as the font gains weight. "Qualitype" is an exciting serif font with contemporary twists. It has a distinctive sound that preserves the simplicity and elegance of classic "serif" fonts with a fresh, stylish rework. Her personality is bold and fills the space without shouting, she looks elegant and confident. The low X-height provides a great amount of visibility at all weights and is optically corrected for better readability. In the process of working on "Qualitype" we wanted to expand the functionality of the typeface a bit more, so after a few tries two different fonts were born: "Old", "Neo" and "italics" versions. "Qualitype" is perfect for use in magazines, in the fashion industry, in the branding of premium goods and services. "Qualitype" is quite versatile and suitable for use both in headings and in text arrays. In addition, we have done manual hinting in the typeface, and now it can be used with a clear conscience in the web and applications. “Quality” typeface consists of 56 styles: 2 style, 2 Shining, 7 weights and italics. Each typeface style consists of 860+ glyphs (except for the decoratives). “Qualitype” supports over 80+ languages. A variant version of the basic styles has been prepared for the most demanding users. Using the variability slider, you can adjust and select the individual thickness regardless of the current weight distribution. An important clarification - not all programs support variable technologies yet, you can check the support status here: https://v-fonts.com/support/. OPENTYPE FEATURES aalt, dnom, onum, pnum, tnum, lnum, numr, frac, zero, sing, sups, subs, case, c2sc, smack, salt, hist, titl, holing, dig, liga, ss01, ss02, ss03, ss04, ss05, ss06, ss07, ss08, ss09, ss10, kern FEATURE SUMMARY: - 4 Axes: 2 Style: Old and Neo. 7 weights: Thin, Light, Book, Regular, Medium, Bold and Black. 2 Shining: Dark and Lamp. Matching italics (12º) for all weights and style . - Matching small caps for all weights and widths. - Lining and old style figures (proportional and tabular). - Alternate characters (a, d, g, m, n, p, q, r, u, y). - Unlimeted fractions. - 24 Dingbats. - Extended language support. - Extended currency support. You can contact me at buyuksel@hotmail.com, pre-purchase and post-purchase with questions and for technical support. You can enjoy using it.

My son Konstantin wants to become a cook. So I thought it would be a nice idea if I designed a script for his fabulous future menus as a gift for him. I think he will become a great cook. The three Konstantin cuts can be mixed. The A cut has the most straightforward letterforms, the B cut has more swashes in the capitals and swinging descenders and last but not least, the C cut gives you some fancy lowercase letters. All three cuts have different numerals. If you mix the fonts be careful not to overdo things, mostly - even with scripts - less is more. Your family designer Gert

Vintage sheet music was initially a partial inspiration for what started out as a simple retro typeface, but the basic hand-lettered design from the Art Deco era lent itself to some further experimentation. Geometric shapes were added to the original monoline letters and numerals and the end result was a marvelous display face called Cafe Society JNL. During the 1930s, "Cafe Society" was popular slang for the financially privileged during the Great Depression who dined at fine cafes while others who were able to eat out did so at diners and cafeterias. Available along with Cafe Society JNL is the original version, Cafe Society Monoline JNL.

Fracture is a broken font -- broken into many pieces -- yet it still conveys a powerful and modern message. It is a funky, in-your-face font that has strong overtones of modern rap and hip-hop culture. Its fragmented look brings to mind graffiti, contemporary youth culture, kids-on-the-move. Fracture is a must for movie posters, event posters, CD & DVD covers, clothing ads & swing tags, funky magazines, in fact, any product aimed at the young, trendy market. The font is letterspaced and kerned and has a complete character set (all upper and lower case, numerals and mathematical symbols and a complete set of accented and special characters).

Shiver me Timbers and Splice me Mainbrace! There's strange goings on in Smugglers' Cove... A gathering of thieves, brigands, piratefolk and back-stabbing blackguards the likes of which have not been seen since the days of Redbeard! Someone'll be swinging from the yardarm or walking the plank if the map identifying the location of the fonts created for Grim Todd McFarlane's SPAWN: THE DARK AGES doesn't turn up soon! With full European language support, automatic alternates, Manga characters and Crossbar I Technology™, Cutthroat is the perfect font to embody a voice with authority and a biting edge.⁠ See the family related to Cutthroat: Cutthroat Lower

This is my new, completely worked over and fine-tuned Bodoni Classic for Europe (no Greek and Cyrillic). I have added a set of elegant Swashes (B) and 2 alternating uppercase swirly Initials (C) as well as two lowercase end-letters (D). The fonts A and B have extensive kerning, which the initials (C) don't need, they are aligned to replace the standard capital letter. The lowercase end-letters (D) are aligned to replace the standard lowercase letters, so you might need to add a blank after the swirl. For good measure I throw in an extra set of swings for 1 Dollar (E). Your Bodoni maniac, Gert Wiescher

Shiver me Timbers and Splice me Mainbrace! There's strange goings on in Smugglers' Cove... A gathering of thieves, brigands, piratefolk and back-stabbing blackguards the likes of which have not been seen since the days of Redbeard! Someone'll be swinging from the yardarm or walking the plank if the map identifying the location of the fonts created for Grim Todd McFarlane's SPAWN: THE DARK AGES doesn't turn up soon! With full European language support, Manga characters and Crossbar I Technology™, Cutthroat is the perfect font to embody a voice with authority and a biting edge.⁠ See the family related to Cutthroat Lower: Cutthroat

First March is a captivating display serif font designed with elegance and a touch of modernity. This typeface combines classic serif elements with a contemporary twist, offering a unique and refined look to your creative projects. The elegant letterforms with clean lines and balanced proportions adding a sense of sophistication and grace to your typography. The serif details provide a timeless appeal, while the modern twist brings a fresh and current vibe to the font. This combination creates a harmonious balance between tradition and innovation. What sets First March apart are its swinging endings in select letters. These graceful and subtle flourishes add a touch of dynamism and playfulness to the font, creating an engaging visual experience. The swinging endings bring a sense of movement and fluidity to the letterforms, enhancing the overall elegance of the typeface. Because of its legibility you can use this font in a variation of text sizes. Enjoy the available features here. Features: Ligatures Stylistic Sets Multilingual Supports PUA Encoded Numerals and Punctuations First March fits in headlines, logos, posters, titles, invitations, branding materials, print media, editorial layouts, website headers, and many more. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Cift Serif is inspired by the work of charming lettering artists with a combination of Old Style Display Bold. Each letter is modified so that the distance, width and weight can give the beauty of the alternates given. A passionate curve gives a touch of beauty to this font.

Ailey Display is inspired by the work of charming lettering artists with a combination of Old Style Display Bold. Each letter is modified so that the distance, width and weight can give the beauty of the alternates given. A passionate curve gives a touch of beauty to this font.

Moonbandit proudly presents Bad Motor typeface, a powerful bold vintage font. Inspired by the glorious old world of route 66, Bad Motor is perfect for that retro look and feel for your projects. This typeface is maxed with anarchy, attitude and attention. OpenType features include ligatures and kerning.

HALVAN –a striking type with half-serifs The Halvan font family comes in 5 styles from Roman to Bold, Italic and a Small Caps Version. Each version includes old style figures and lining figures. It is a versatile type and can be used in a wide range of circumstances.

Poppin is a playful font-type that you can comfortably use in all kinds of styles, from modern to old school. A combination of a few names on an old movie poster is what triggered the creation of this font type. Because it had such a strong rock and roll character, I decided to dedicate a font-type to it. The Poppin font is completely hand-drawn and then digitized. It results in being an extremely user-friendly, complete and modern font that you can use in all your graphic applications. Poppin is a font from the subculture that has been updated to a hip and classy font, ideal for eye-catching designs. Poppin comes in 4 styles, regular, bold , round & bold round. Poppin makes everyone smile!

Bitstream Cooper was designed at Bitstream in 1986 by means of adding light, medium, and bold styles, with the corresponding italics, to the existing black ones. Based on Cooper Black, 1919, by Oswald Bruce Cooper, which was firstly released as a hand composition font in 1922 by Barnhart Brothers & Spindler of Chicago and later spread by ATF. Cooper Black is an extra bold face based on Cooper Old Style. Bitstream Cooper is an old style face with rounded serifs and tilted back ovals. For use both in text (normal weights) and in advertising and display typography (heavy weights). Cyrillic version was developed for ParaType in 2000 by Manvel Shmavonyan and based on TM Oswald face of TypeMarket, 1996, by Victoria Grigorenko.

In a World where no stories are small stories... In a Land where words need to be Bold, Meaningful and maybe even Italic... Comes a font worthy of telling Marvelous Tales some thought Too Tall, Too Astonishing to be told... And when those Untold Stories, those Astounding Tall Tales, are finally told... THAT WORLD WILL NEVER BE THE SAME AGAIN! From Visionary Font Director John Roshell and the Studio that brought you BlahBlahBlah, you must not miss TALL TALES! In theaters and Streaming now.