ZILETTI POP is a font used by Girolamo Ziletti in Venice in mid/late 1500. A typographic caracter characterized by a Venetian style cage with slight geometrical imperfections but with a great perceptual level. This is a multilayered variant with a wide range of possibility in variations in terms of end results. With the use of the color your artworks will have news optical effects. Ideal for Covers, Posters, Logos…

Heanffe is a one-of-a-kind handwritten font with a beautiful feel. To maintain a true, hand lettered experience, this font includes the following ligatures: Alu, at, ch, dd, ee, ff, ll, oo, pp, ss, tt, ef, es, et, eth, ily, it, ith, om, ot, on, ou, ont, th, ov, ow, sh, st, ut, zz Just use your imagination, your project will become more alive and look Elegant than ever with one of the Heanffe font. Feel free to play with all the whole alternates! Heanffe also includes full set of uppercase and lowercase letters, multilingual symbols, numerals, punctuation. The font has smooth wet ink texture, so would be perfect for all designs. You can make a greeting card or a package design, or even a brand identity, craft design, any DIY project, book title, wedding invitation, identity card, packaging, Website or any purpose to make your art / design project look pretty and trendy.

Linotype Ergo was designed by American Gary Munch, and was a winner in Linotype's Second International Digital Design Contest in 1997. Conceived as a blend of traditional and modern type concepts, it works as a legible text family as well as a lively display or headline font. The word ergo means consequently," but it also comes from the Greek word "ergon" for "work." Consequently, Munch sees this family as full of energy -- an ideal font for working hard to make a point, and able to get it across with friendly vigor. The strokes of the characters are carefully designed to accommodate the tendency of the eye to enlarge horizontals and perceive verticals as lighter. The lowercase forms have open, friendly counters and are enhanced by small quirks, such as the slightly leaning s and the wide t. The deep branching of curves from main strokes helps this humanist sans to be very readable at smaller sizes. Linotype Ergo has four normal-width weights, five condensed weights, and two compressed weights - all with companion Italics! The family also includes a clever "Sketch" font for use in headlines, bringing the total number of font styles to 23. Ergo is available with Greek and Cyrillic and as W2G fonts with Hebrew."

Hazim is a display font designed with isolated letters. It uses thin white slits positioned within extra bold black space glyphs emphasizing the main visual characteristics of the Arabetic letters in two positions: initial/medial and final/isolated. The spacing widths between glyphs match that of the slits to give a virtual cursive look and feel. The name Hazim was chosen to honor a friend of the designer, Hazim al-Khafaji. Hazim supports all Arabetic scripts covered by Unicode 6.1, and the latest Arabic Supplement and Extended-A Unicode blocks, including support for Quranic texts. It comes with one weight and a left-slanted “italic”. The script design of this font family follows the Arabetics Mutamathil Taqlidi style and utilizes varying x-heights. The Mutamathil Taqlidi type style uses one glyph per every basic Arabic Unicode character or letter, as defined by the Unicode Standards, and one additional final form glyph, for each freely-connecting letter in an Arabic text. Hazim includes the required Lam-Alif ligatures in addition to all vowel diacritic ligatures. Hazims’s soft-vowel diacritic marks (harakat) are only selectively positioned with most of them appearing on similar lower or upper positions to make sure they do not interfere with the letters. Kashida is enabled.

Bo Berndal, the master Swedish typographer, is the eponymous designer of Berndal, a contemporary text family with five different styles. This family represents a new achievement for Bo Berndal, who has spent many years working to optimize text legibility in the printed media. Several small tricks make the Berndal family an interesting milestone in legibility. Berndal's letterforms contain large x-heights. Large x-heights open up the counterforms of letters, making text appear lighter on a page, but their correspondingly shorter ascenders and descenders can hinder legibility. This does not occur in Berndal at all! Coupled with this experiment, Berndal's various font weights display a certain softness and roundness. The letterforms themselves are relatively wide, with an overall consistency in width. The calligraphic nature of the strokes has been minimized, yet a contrast stroke-thickness is still to be noticed within the alphabet. Berndal's five styles offer almost everything that one could want from a good text family. The Regular weight may be paired with Small Caps, Italic, Bold, and Bold Italic. All styles ship in the OpenType format, and include tabular and old style figures. The two italic weights are made up of true italics, not obliques. The Berndal family is a part of the Take Type 5 collection from Linotype GmbH."

Linotype Ergo was designed by American Gary Munch, and was a winner in Linotype's Second International Digital Design Contest in 1997. Conceived as a blend of traditional and modern type concepts, it works as a legible text family as well as a lively display or headline font. The word ergo means consequently," but it also comes from the Greek word "ergon" for "work." Consequently, Munch sees this family as full of energy -- an ideal font for working hard to make a point, and able to get it across with friendly vigor. The strokes of the characters are carefully designed to accommodate the tendency of the eye to enlarge horizontals and perceive verticals as lighter. The lowercase forms have open, friendly counters and are enhanced by small quirks, such as the slightly leaning s and the wide t. The deep branching of curves from main strokes helps this humanist sans to be very readable at smaller sizes. Linotype Ergo has four normal-width weights, five condensed weights, and two compressed weights - all with companion Italics! The family also includes a clever "Sketch" font for use in headlines, bringing the total number of font styles to 23. Ergo is available with Greek and Cyrillic and as W2G fonts with Hebrew."

The new Bunday™ Slab Font Family consist of three main states with different moods: the crisp and distinctive slab serif, the cute script styled italic and the matching upright italic. All states of Bunday™ Slab share the same contemporary, clear and open base forms and create a space-saving and pretty homogeneous text colour with good legibility. The font was manually hinted and contains extensive handcrafted kerning tables to ensure perfect appearance in all media. Bunday™ Slab ships with 9 standard, 9 upright italic and 8 italic styles from a considerable thin “Hair” to a pretty fat “Heavy” weight. It supports at least 99 languages and provides OpenType® features for ligatures, alternative glyphs, localised forms and more. Please take a look at the other members of the Bunday superfamily: Bunday™ Clean Bunday™ Slab Further information: Bunday Slab Specimen PDF Feature Summary: 9 weights: Hair, Light, Thin, SemiLight, Regular, SemiBold, Bold, ExtraBold and Heavy 3 Moods: Sans, Upright and Upright Italic Overall width: Narrow or Space-Saving Advanced “f” ligature set* “s” and “c” ligatures* Alternates Characters: a, ç, e, f, g, l, t, y and more* Capital German Esszett* Supports at least 99 Languages * Only available applications with advanced OpenType® support

Download PDF Specimen Created as a display typeface in 2012 by Cosimo Lorenzo Pancini, Cocogoose is one of Zetafonts most loved typefaces. A sans serif typeface of geometric proportions, with very low contrast and slightly rounded corners, it was the first typeface to be produced in the Coco series, an ongoing research on the design variation in gothic typefaces through the ages. Cocogoose extreme x-height and ultrabold weight (with regular being comparable to heavy weights of other typefaces), have since then made it very popular for effective display and logo use, also thanks to decorative versions like Cocogoose Letterpress. Since 2016, Andrea Tartarelli has been improving the typeface expanding the original glyph set to include cyrillic and greek and adding extra weights, widths, and italics to the original family range, and bringing Cocogoose to an impressive count of 52 variants. In 2019, Francesco Canovaro has teamed with Andrea Tartarelli and Cosimo Lorenzo Pancini to create a new variant subfamily: Cocogoose Classic, featuring 8 weights and matching italics. Cocogoose Classic keeps the original design for uppercase characters while developing a new design for lowercase, with a smaller x-height, round dots and expanded open-type features, including positional numerals, alternate forms, and extended ligatures and bringing the glyph count to over 1000 characters.

Valuxe — modern and minimalist sans serif. This font pairs well with a basic font like Arial and any script with an elegant style.

Alphabet primarily used for writings with magical purpose in ancient times NOTE: this font comes with a comprehensive interpretation guide in pdf format.

Mondaine is a clean script font with a touch of lettering style. Have fun with a ton of special endings and contextual ligatures!

This was created during experimentation with thin pencil lines and thus unremitting was created. This font works well with illustrations and gentle photography.

An unorthodox font with an edgy vibe. Great for use in editorial, advertising, music, film and EXTREME sports projects. With western language support.

Jacoby Modular is a geometric sans serif display typeface with six styles. Jacoby Modular is a dynamic, bold typeface with a sculptural feel.

Steinschrift Pro is a condensed sans serif font which comes with West and Central European as well as with a Cyrillic character set.

Blackwood is a sans serif headline face with a woodgrain effect. Based loosely on Grotesk, it has strong, solid forms with distinctive style.

Created with a fine brush, this font has a robust appearance with some elegant features to it. Use this typeface anyway you like!

“Vacation Monogram” is a script font combined with a monogram. This monogram is decorated with forms of tourism and traveling around the world.

Manaslu is based on handwriting with a marker. This font is suitable for cartoons, advertising or anything with need of a personal tone.

A freely written handwriting font with a lot of ligatures added for credibility. The PRO version comes with Greek and Cyrillic glyph sets.

Inspiring from space aircraft theme, Plutonian was made with simple geometric shapes and come with 3 different weights. With this typeface, you can use it for logo, title, magazine cover, headline, powerpoint templates design, signs, and many more. What's included? - Uppercase Characters - Lowercase Characters - Multilingual support.

"Lovely Valentine Monogram" is a beautiful and elegant serif monogram font. This font is decorated with monograms combined with beautiful flowers. This font is equipped with uppercase, lowercase, ligatures, numerals, punctuations, and multilingual support. Very suitable for valentine, christmas, wedding, invitations, stickers, banners, posters, logos, and others.

Introducing Cosmic Solace, a timeless serif font that seamlessly marries the grace of the Eiffel Tower's architecture with the modernity of typography. With a touch of Parisian elegance, this font captures the essence of intricate ironwork and structural finesse, infusing your designs with an air of sophistication.

Evoke the spirit of a bygone era in your designs with the enchanting Mixbox Vintage Retro Display Font. This typeface seamlessly merges vintage charm with modern versatility, making it an ideal choice for designers seeking to infuse their projects with a touch of nostalgia and sophistication.

Köhler Köhler is a Condensed Headline Type Family. Köhler comes complete with 6 OTF files. Regular, Rough, Clean & Textured with Oblique counterparts. Köhler is a super condensed typeface with a vintage aesthetic but also doubles as a great modern typeface depending on the final use. Thank you!

Kolkman is a nondescript, bold, sans-serif typeface. In addition to a standard version, there is a version with shattered letters and another with striped or grayed letters. The shattered and striped versions can be layered on the regular version to get letters with two colors.

Designed by calligrapher Rachel Yallop, Maybelle is pretty and proudly romantic, with delicate flourishes and a superbly handwritten, calligraphic sensibility. Drawn with a pointed pen and ink, this script boasts dainty loops and high contrast letterforms. Maybelle is available with some ligatures and alternate glyph shapes.

A throwback to the 70s, a graphic design with a lot of different applications. You can use this font with a normal setting or a very tight setting even over lap it, it has such great flexibility. Experiment with the possibilities and you will be pleasantly surprised.

Artheria is a script font with a classic vintage style. The classic style of this font is suitable for retro/vintage-themed designs but can also be used for designs with other styles. This font is equipped with 130+ stylistic sets, Ligatures, and multi-language support.

Richard Jones designed Princetown, an all caps font with strong, geometric letterforms, in 1981. Princetown's design was inspired by college and university sportswear, with its blocky forms and heavy outline. The Princetown font is an excellent choice for any work associated with sports or collegiate life.

Avenger is a vintage screen font with many stylish alternative substitutes that will provide you with many options when working with your project. This font can be easier when using lowercase letters, as well as more playful, try using alternatives they will make your design unique.