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  1. Aunchanted - Personal use only
  2. Gabrielle - Personal use only
  3. Lohengrin - Personal use only
  4. D3 Roadsterism Wide Italic - Unknown license
  5. D3 Egoistism outline - Unknown license
  6. DDD Cubic - Unknown license
  7. LondonMM - Unknown license
  8. MigraineSerif - Unknown license
  9. Hansen - Personal use only
  10. D3 Littlebitmapism Katakana - Unknown license
  11. Fonitek - Unknown license
  12. D3 Roadsterism Long Italic - Unknown license
  13. PointerSistersSeparated - Unknown license
  14. D3 Euronism Bold italic - Unknown license
  15. D3 Archism Italic - Unknown license
  16. D3 Digitalism Italic - Unknown license
  17. Reclame - Unknown license
  18. SoleaLight - Unknown license
  19. Romantik - Personal use only
  20. Cavalier - Personal use only
  21. D3 Egoistism extra - Unknown license
  22. Petiote - Unknown license
  23. sunnyday - Unknown license
  24. D3 LiteBitMapism Bold-Selif - Unknown license
  25. Campanile - Personal use only
  26. D3 Skullism Alphabet Bold - Unknown license
  27. Brouss - Unknown license
  28. D3 Digitalism Round - Unknown license
  29. D3 Coolbitmapism - Unknown license
  30. D3 Radicalism Katakana - Unknown license
  31. DDD Round Square - Unknown license
  32. MigraineSans - Unknown license
  33. Phonetica - Unknown license
  34. D3 Egoistism leaning - Unknown license
  35. Warp by Intellecta Design, $9.00
    inspired in the idea of traveling in the light velocity
  36. Arbotek by Type-Ø-Tones, $60.00
    Arbotek has the original skeleton that the author used for the development of his typeface Arboria, a real 'architect typography', with a basic and radical approach to pure geometric forms. The three basic styles - Thin, Light and Light Rounded - try to approach the cartographic technique annotations and their output on plotters. The voluptuous style, Ultra, keeps the same structure of the Light versions, but develops as a historic Art Decó variant of this 20s and 30s graphic style.
  37. Plumage by Wilton Foundry, $29.00
    Plumage is somewhat unusual in that it has elements of calligraphy as well as script in a semi-loose form that gives it a pleasing appearance for both large and small sizes, and interesting flare finish strokes add to its unique character. As I read a dictionary description of "plumage", I realized that in many ways there is a parallel between a bird's plumage and how it is utilized in the context of writing: Plumage varies in pattern and arrangement for different purposes; what it expresses can of course be even more interesting. Plumage is disposable after a season, as new ones become available... imagine, a self-sustaining quill! - I guess that's equivalent to a refill or disposable pen. Historically, quill pens were made from feathers of a variety of birds, each chosen for its special characteristics. The sturdiest and most reliable feathers, however, come from turkeys, swans and geese. Feathers used to make pens are the stiff-spined flight feathers on the leading edge of the bird's wing. Pens for right-handed writers come from the left wing, and pens for left-handers, from the right! Each bird yields 10-12 good quills, and sometimes only 2 or 3 - so small a yield that the geese reared in England could not furnish nearly enough for local demand, and quills were imported from the Continent in large quantities. At one point St Petersburg in Russia was sending 27 million quills a year to the UK. It is said that geese were specially bred by US President Thomas Jefferson (1743-1826) to supply his own vast need for quills - in his lifetime he wrote almost 20,000 letters. The name "Plumage" was selected to pay homage to the noble birds that supplied countless quills for centuries of literary works. Plumage is recommended for any formal or informal invitation, decorations, awards, poetry, plaques, etc. We hope you will have the pleasure of using Plumage.
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