»Die Monospaced Hubbuch« is a modern, non-proportional grotesk. »D M H« comes in three weights, each accompanied by italics.

A bold grotesque typeface in the best traditions of the Star Wars logo. It has clean geometric lines, a humnaist character, it combines a tech feeling with a friendly organic feeling. Will work excellently as a white text on a busy background.

Get in touch with Tipogra Fio and get inspired by Guaruja Neue specimens. Guaruja Neue is a neo-grotesque typeface with additional industrial traits to it, such as open corners in diagonal glyphs and short curves. The semi-cursive italics shapes, more than an orthographic matter, give sea waves for the headlines and copies that Guaruja Neue will compose, since it is named after a city on the coast of São Paulo, Brazil. Stylistic alternates, ligatures, ordinals, arrows and emojis give extra personality for texts that cross millennial and modernist concepts, going from a comprehensive Latin script, including Vietnamese support, until a basic Cyrillic set. Brazilian music tells the graphic story of Guaruja Neue specimens, songs that speak about beaches and the city of Guarujá, as well as the inspiration of 50’s and 60’s modernist design and the music movement of Bossa Nova. This family is also an evolution of Guaruja Grotesk (2021), a typeface with four fonts —Regular, Italic, Bold and Bold Italic— developed as part of a design school project, that now in Neue gains professionalism, refinement and knowledge. Guaruja Grotesk took 18 months to make, and Neue took additional 12 months of redrawing and rethinking, as design as processes. Part of the project got feedback from the typeface designer Ulrike Raush, under the Alphabettes mentorship program. Overview and features: 8 weights and 8 italics; 2 free fonts: Guaruja Neue Regular and Guaruja Neue Italic; Extended Latin and basic Cyrillic; 800+ glyphs; Numbers: proportional, tabular, superscripts, subscripts, denominators, numerators and fractions; Greek for math; Case-Sensitive forms; Arrows; Standard and discretionary ligatures; SS01: one story a and SS02: two story g; Emojis and SS03: negative alternate emojis; Ligatures for English ordinals;

One of the classic old German large x-height Grotesques revised and still in use, identifiable by the rounded form of certain diagonal strokes.

As a graphic designer, sometimes it’s impossible not to be inspired by the Swiss Style, specifically the work of Armin Hofmann, who is one of its best exponents. Grids and grotesk and neo-grotesk typefaces are a fundamental part of the tools that make this aesthetic possible. A visual language that has caused full admiration since we were students. Therefore, we decided to design Armin as an homage to Hofmann’s work. Technically, we added stylistic sets applied to the letters –G, R, a, g, h, l, m, n, r, t, u, y– to make Armin more eclectic and suitable for the creation of any visual language. Armin Soft is the softest version of Armin Grotesk with its Variable file.

Type/Usage: Technoid Display Font for spacecraft visual identification in high and low gravitation. Mixes well with all other kinds of GROTESKES.

Blackwood is a sans serif headline face with a woodgrain effect. Based loosely on Grotesk, it has strong, solid forms with distinctive style.

Belfort is a modern sans serif family font with a neo-Grotesk touch, it is a sans serif typeface that tends to be easily accepted by readers, has wide usage possibilities, and shows a simple, bold, and strong personality. The Belfort font contains 2 basic shapes: upright and round. Each has 10 different weights (Thin, Extra Light, Light, Regular, Medium, Semibold, Thick, Extrabold, Black, and Heavy). with ligatures and alternating in several letters. and is equipped with a multilingual accent.

Generisch - a german equivalent of generic - sans serif typeface has gain its own place among designers and earn such popularity due to its "simple" design. Generisch is influenced by early grotesk typefaces from early 1900's when sans was starting to get popular and used as a body type. Some old ligatures such as ch ck and ng are present in generisch (not the ct and st tho), old style numeral for better typesetting experience and more.

Neue Reman Grotesk It has 70 font styles in total family + 1 Variable. This typeface is designed to be used very practically. Each style can be changed easily. Has a variety of alternative letters that can be selected to make typography designs more attractive. The family comes in 7 weights with matching italics + Variable Font File and includes multilingual latin pro characters. 1. Extra Light - Condensed - Expanded - Slanted Italic 2. Light - Condensed - Expanded - Slanted Italic 3. Regular - Condensed - Expanded - Slanted Italic 4. Medium - Condensed - Expanded - Slanted Italic 5. Semi Bold - Condensed - Expanded - Slanted Italic 6. Bold - Condensed - Expanded - Slanted Italic 7. Heavy - Condensed - Expanded - Slanted Italic Neue Reman Grotesk contains 750 glyphs, a Latin Pro Fonts. This is the second version of Neue Reman Family. Complete with Stylistic Alternates, Stylistic Set, Caps Swashes Letter, Standard Ligatures, Discretionary Ligatures, Tabular Figures, Proportional Figures, Superscript, Subscript, Scientific Inferiors, Fractions, Ordinals, Arrows and a variety of figures and fractions. Neue Reman typeface suitable to use in multipurpose projects such as on websites, systems, printing, embedding, servers, screens, display, digital-ads, branding, logos, titles, headlines, teks, and everything else. Need something else? Get in touch with us on propertype.foundry@gmail.com Thank you

Giving a stencil treatment to a classic wood type sans serif grotesk design, Wood Stencil JNL is available in both regular and oblique versions.

Sempione is a spanking new sanserif family suitable for publishing and advertising that looks great in small and large sizes. Its two main styles, Grotesk and Modern, are inspired by the early grots and 20th-century sanserifs. They come in seven weights with the matching italics, Grotesk Cursive and Modern Slanted. The considerable variety of letterforms and styles, along with some peculiar stylistic sets, will be appreciated by designers looking for more freedom of choice.

The typeface was baptized as “Caldense" in order to honor the city of Caldas da Rainha, a small city in Portugal, the typography's birth place. It has three weights, Regular, Demi Bold and Bold and it is a stencil font, sans serif and grotesque. Each character was based on a grid and was built in modules, having round edges and straight finishes. The font is best used in titles.

CTM Sans is a typeface of the grotesk category, it is designed based on a previous Herokid typeface, but with greater freedom to creative tastes and at the same time with more rebellion and errors (quite a few, but well-intentioned) than its predecessor. This makes Bellavista a somewhat messy clone, for the grotesk style. This font does not seek to be a correct typography, but rather fun and useful for the designer. I hope you like it

Whenever I see clippings on TV of demonstrations, protesting against this or that, with people holding up signs, I am surprised about the signs being professionally printed or plotted in Helvetica or Futura condensed. I've even seen signs in Zapfino! That doesn't really cut it, it doesn't look much like a real protest. So I decided to give the protesting world a real good font for the occasion. In German a Revolte is an uprising, I thought that was a good name for the font. Hasta la victoria siempre from your revolutionary type designer Gert Wiescher.

A remaster of Neo Grotesk family - Arbeit. It employs improved letterform balance and contrast throughout. All weights feature a set of new alternates under the style 'Contrast'.

The typeface was baptized as "Caldense" in order to honor the city of Caldas da Rainha, a small city in Portugal, the typography's birth place. It has three weights, Regular, Demi Bold and Bold and it is a sans serif and grotesque. Each character was based on a grid and was built in modules, having round edges and straight finishes. The font can be used in titles and normal text while being easy to read.

Montesori is inspired by the economic forms and large x-height with a condensed style and a humanistic-grotesque typeface forms. It is a perfect option for editorial projects, branding, logos and packaging. Montesori comes in a variety of nine weights (Fine, Extra Light, Ultra Light, Light, Regular, Semi Bold, Bold, Ultra Bold and Black) with its two styles (round and italic) classified in two forms, Basic and Alternative. In addition, its case-sensitive shapes, ordinals, scientific inferiors, denominators, superscripts, subscripts, numerators, fractions... make it ideal for posters or infographics.

Dereza is a grotesque typeface designed specially for display use in children’s books and magazines. Books for little ones are usually set in grotesques, and a vigorous font would make a nice addition to the main face. Playful and lively, Dereza is great for any non-grown-up design such as games and toy boxes, cookie jars and cereal packs, clothing labels and other things meant for kids. It looks super in speech bubbles. The Dereza family includes four fonts, from light to bold, with ligatures, lowercase figures and accented characters.

Tall X-Height, Angled Terminals and Medium Contrast, Anthro is a UI font designed with personality. Concieved as a hybrid between Grotesk & Humanist, Anthro pairs legibility with character.

Device™ display typeface is inspired by industrial type used for decals and signage. This typeface pairs nicely with geometric sans serifs like Cerebri Sans and HK Grotesk.

Generisch Mono is a monospaced version of Generisch Sans. Generisch - a german equivalent of generic - sans serif typeface has gain its own place among designers and earn such popularity due to its "simple" design. Generisch is influenced by early grotesk typefaces from early 1900's when sans was starting to get popular and used as a body type. Some old ligatures such as ch ck and ng are present in generisch (not the ct and st tho), old style numeral for better typesetting experience and more.

The font package Helen Bg Family is in 5 weights and two widths, 18 styles: Thin, Thin Italic, Light, Light Italic, Regular, Italic, Bold, Bold Italic, Black, Black Italic, Light Condensed, Light Condensed Italic, Condensed, Condensed Italic, Bold Condensed, Bold Condensed Italic, Black Condensed and Black Condensed Italic. Helen Bg is made with Bulgarian Design of Cyrillic and is recommended for the publications for Bulgaria. Other version with standard Cyrillic is available from HermesSoft Limited. Typeface design: Vassil Nikolov. Release date: 1991 - 96, HermesSOFT Design notes and Technical data Helen belongs to the typefaces from the humanistic sanserif grotesk fonts. The font is for wide use – from the classical typesetting to the display typography. In the Bulgarian Code Page are included all vowels with accents that are really necessary for the typesetting in Bulgarian language, and are not included in the Cyrillic Code Page: Helen Is available in OpenType PostScript and WEB font formats.

Brda originally designed by the Polish designer Franciszek Otto for the Powiat weekly newspaper. Powiat needed a new, dynamically drawn sans serif for its headlines, and Otto's Brda fit the bill. Combining traditional Grotesk letterforms with witty subtleties, like the notched-joint seen in the capital G, Brda displays a novel design that works best when set large. The typeface is named after the Brda river, which runs through Bydgoszcz, Poland, the city where Powiat is published. The Brda family includes three weights, each with a companion italic: Regular, Bold, and Extra Bold. The Brda family's Extra Bold weight was one of the winners selected in the 2003 International Type Design Contest, sponsored by Linotype GmbH. Franciszek Otto also teaches graphic design at the Secondary Art School in Bydgoszcz, where his typefaces rank among the students' favorites.

Sharp angular terminals, squared off bowls, and a balance of curved paths with straight. Formative is a grotesk with charm. Includes a stylistic set featuring standard 'text' style terminals.