This beautiful old design was originated at the Connor Foundry, New York, about 1888. Ideal for the small "in between" lines in modern versions of Victorian job printing.

Suave silky is a handwritten font. The designer was inspired by his own handwriting in high school.This font makes me go back to my days as a student.

Sheepman font was named after my favorite Haruki Murakami character: the Sheep Man. Sheepman font is handwritten, messy, but legible and complete. It comes with alternates and ligatures.

An interesting hand lettered sans serif type style with a “brush stroke” feel was used for various article headlines in the October, 1938 issue of “Radio Stars” magazine.

Metropolis was designed by W. Schwerdtner and released in 1928. The tapered strokes give the impression of height. The Metropolis font family shares an attractive, informal headline design.

Steve Jackaman & Ashley Muir. This design was inspired by an early 20th century woodtype. Wurlitzer contains all the high-end features expected in a quality OpenType Pro font.

Doodles the Alphabet was designed to coordinate with Doodles the picture font. Doodles received honorable mention in U&lc’s First Annual Type Design Competition in the Picture Category.

Omibez contains a number of more-or-less weird and funny drawings. The font was used for the first pizzadude poster which contains 18 of these pizzadudeish drawings.

PT Nat Vignette™ was designed by Natalia Vasilyeva and licensed by ParaType in 2002. Original vignettes may be used as fleurons, composed borders, and corners as well.

A revived and updated version of Georg Trump's Amati which was first released by C. Weber Foundry, Stuttgart, in 1951. A compressed multilingual serif font for many purposes.

Syndication JNL was derived from Outline Sans JNL. By removing the outer letters, a thinner character set remained. This typeface is available in both regular and oblique versions.

Cattleprod is an offbeat slab serif font full of swagger. It was created without any reference, but just the idea of a playful somewhat stumbling stance in mind.

Schlub is just plain weird. It looks like it was drawn with the left hand of a right-handed person using a gloppy pen yet remains very legible.

I was playing around with some brushes and ink, and out came Skulduggery. Use it for any project you can apply the term ‘skulduggery’ to. Or not. Whatever.

North Blue is a new, stylish and quirky script. It was created to look as close to a readable script as possible, and includes great swash characters too.

The typeface was designed at ParaType (ParaGraph) in 1993 by Tagir Safayev. Similar to Choose One/Ten typeface, by Bryan Thatcher. For use in advertising and display composition.

A fantastic font that I came up with after 3 weeks of work. It was a nice and attractive version of the Latin alphabet. Use it with pleasure.

Cirflex was inspired by a 1930s shop sign, and makes an ideal typeface for Streamline Era and Art Deco design. Cirflex is offered in regular and bold weights.

This style was actually inspired by some old stock certificates Tom had collected. It’s a very versatile font and allows for some horizontal stretching. Fits almost any space.

Kasper was designed by Franco Luin in 1995. It is an informal script typeface and its playful, dynamic characters are perfect for greeting cards and other personal correspondence.

Even as a child, I was interested in letterforms. I admired my grade 4 teacher's handwriting and so Ronita is based on fuzzy memories of her elegant script.

Aspic was inspired by the handwriting and drawings of Robert Blechman. Although informal, squiggly and even sloppy, Blechman's work communicates a quiet dignity which this font aspires to.