10,000 search results (0.032 seconds)
  1. PackardClipperNF - 100% free
  2. Clubland - Unknown license
  3. Thyssen J - Unknown license
  4. Chicago House_trial - Personal use only
  5. ThunderCats-Ho! - Personal use only
  6. Dark11 - Unknown license
  7. PORT118 - Unknown license
  8. Cienfuegos - Personal use only
  9. KlingonBlade - Unknown license
  10. VAL - Personal use only
  11. Wolf's Bane - Unknown license
  12. Magnum - Unknown license
  13. ACID LABEL___ - Personal use only
  14. Pungen - Unknown license
  15. Lemonheads - Unknown license
  16. Club Dia - Unknown license
  17. Digital Kauno - Unknown license
  18. Khan - Unknown license
  19. B de bonita - Personal use only
  20. Jadefedga[08] - 100% free
  21. Cactus Sandwich - 100% free
  22. Planet Megapolis - Personal use only
  23. Spin Cycle OT - 100% free
  24. Alfredo Heavy Hollow - Unknown license
  25. Oaxaqueña Tall - Personal use only
  26. Ben-Zion - Personal use only
  27. Hitch - Unknown license
  28. Evil Cow - Unknown license
  29. Gamera - Unknown license
  30. Electrofied - 100% free
  31. Graffito - Unknown license
  32. Fontasia V2.0: The Revenge - Unknown license
  33. Zapped - Unknown license
  34. War Eagle - Personal use only
  35. 50's Headline DSG - Unknown license
  36. !MISQOT - 100% free
  37. Dirty Ames - Unknown license
  38. Terrace JNL by Jeff Levine, $29.00
    Terrace JNL is a bold, sturdy Art Deco titling face based on hand lettering found on the cover of some 1940s-vintage sheet music for the organ.
  39. Meteora by Andinistas, $19.95
    Meteora is a font designed for headlines by Carlos Fabian Camargo Guerrero. Its purpose is to be useful tool for solving decorative problems in graphic design which require broken letters without ascending and descending strokes. Due to its vertical and horizontal proportions these letters are compact, appealing and special to compose headlines and featured with worn look in covers, magazines, posters and advertising material. The first Meteora sketches were made by hand, photocopying and deforming letters of an old Letraset catalog, specifically from slab serif typefaces from the Nineteenth Century. Hence, uppers cases and lower cases were merged in the same height x, obtaining a narrow width, endings with some serifs and stencil cuts here and there. The amount of low contrast between thick and thin strokes brings strength and consistency with the contours apparently brokens. Thus, developed features slab serif and sans-serif proposing empty and full shapes connoting decomposition and noise; and from a rigorous process of scanning letters I set up damaged letters, but drawn with the greatest possible thoroughness and high definition in 438 glyphs per font. Finally, in regular and bold variables I included opentype features with some discretionary ligatures and a few titling alternates. In Meteora bold all glyphs are framed simulating the effect of letters cut out of paper.
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