FP Quality is a extended stencil typeface with a slightly and rounded outline and classic shapes. The font contains only Uppercase, and is available in two versions.

A family of extra compressed styles designed at ParaType in 1993 by Alexander Tarbeev. For use in advertising and display typography. Decorative versions were added in 1996.

Picaflor soft, is a continuation of "Picaflor" now in a rounded version, especially for titles, it contains different styles from Thin-Black, in addition to multiple languages

Tunning Oxide, is an alternative version of Tunning Pro, it contains different styles as alternatives, it also contains Cyrillic and Greek, It is special for stock titles

Coklat Sunda is a monoline script family including Regular and Slant versions . It's perfect for logos, name card, magazine layouts, invitations, headers, or even large-scale artwork.

The numerals and alphabet of the Semaphore Flagging Code, as well as black and white version of the flags and pennants of the International Code of Signals.

Frankly Plain JNL is an all-caps version of the ever-popular Franklin Gothic, while Frankly Ornate JNL adds a decorative embellishment to the letters and numbers.

Ringwell is pure Victoriana in two styles, plain and decorative, that can be mixed and matched. The Pro version combines the two styles using stylistic alternate features.

Designed for ATF in 1913, Morris Fuller Benton’s version of Nicholas Jenson’s roman, the best of the Venetians and a model for regularity in color and fit.

The playful, casual hand lettering on the 1941 movie poster for “Blondie Goes Latin” inspired Latin Fiesta JNL which is available in both regular and oblique versions.

Pepper was first conceived as an authentic alphabet of runes, but that was far too serious so it ended up as a greater spotted version of Salt.

Slab Serif version of the Bulldog family. Hunter family lends itself to on-screen use for web design - the letterforms being legible and robust at small sizes.

Hand lettering from the opening credits of Alfred Hitchcock’s “Strangers on a Train” (1951) inspired Train Car JNL, which is available in both regular and oblique versions.

The version of the script belonging to the languages of the fantastic Predator aliens, adapted to the old Turkish runic script. Looks great with the red color.

Brochure Sans JNL is based on Sans Serif No.7 from the 1921 Miller & Richard type specimen book, and is available in both regular and oblique versions.

The tdBastard family is a modern caps-only display typeface with OpenType features. Bastard exists in four bold weights along with a monotype and a rounded version.

Digitally engineered by Steve Jackaman. The x-heights are radically different; the x-height on the light version is small, and gets larger as the weights progress.

The antique wood type Gothic Tuscan [a spurred design with rounded terminals] was the basis for Roundwood JNL, which is available in both regular and oblique versions.

Generic Sans JNL was modeled after “Condensed Blair” from the 1907 specimen book of the Inland Type Foundry, and is available in both regular and oblique versions.

Solo Print mimics letters that had a close encounter with a slightly bad copy machine, The 5 different versions of each letter makes it even more realistic!

Alderman JNL is a wide slab serif typeface based on the classic wood type Antique Light Face Extended, and is available in both regular and oblique versions.

Manual Typewriter JNL was modeled from an example of the 1933 design originally created by Morris Fuller Benton, and is available in both regular and oblique versions.

Salt was first conceived as an authentic alphabet of runes, but that was far too serious so it ended up as a lesser spotted version of Pepper.