It is the Ionian version of the ancient Greek script. Ancient Greek numerals are included. It's not Unicode, it's a Latin based font.

West Fork JNL is based on the classic wood type Latin Extended (Hamilton, 1888) and is available in both regular and oblique versions.

Record Promotion JNL is based on a stencil version of the same classic font that inspired Album Cover JNL and Record Jacket JNL.

Argone is a handmade, organic, display family and comes in four weights. It also has a version with lower case letters – Argone LC

Many foundries had versions of Concave ‹ wide, narrow, extra condensed, some with lowercase, some without. A good general utility style for Victorian typography.

Fusion is a titling and short text typeface inspired by medieval decorative initials (versals) and bodoni letters. Each sign exists in two versions.

Cabriolet V8 is a vertical version of the Cabriolet family, a geometric script fontface re-interpretation inspired by old chromed emblems of 1950s.

Go West is a spurred version of the FontMesa Red Dog Saloon font which is a revival of an old 1800s woodtype font.

An original slab serif design inspired by the slab serif designs of the 19th century, with a modern geometric look, bold version, extended.

This font family is based on the letterforms of a fin-de-siècle sans serifs, and comes in two versions - Roman and Shadow.

Lomidrevo is a grunge stencil family derived from Valibuk. In the free demo version, you can see numbers and lowercase letters without kerning.

Metric Navy PRO is a lightweight monoline developed for short texts and loose phrases in versions: thin, light, normal, regular, bold and black.

It is the athenian version of the ancient Greek script. Ancient Greek numerals are included. It's not Unicode, it's a Latin based font.

Pine Nuts is very suitable for a variety of designs, packaging and quick statements. For a connected version please visit Pine Nuts United.

Inspired by an image of some Art Nouveau wood type spotted online, Nouveau Impression JNL is available in both regular and oblique versions.

A freely written handwriting font with a lot of ligatures added for credibility. The PRO version comes with Greek and Cyrillic glyph sets.

Klothilde is a handwriting font which came to life in one of my doodling sessions (I must admit I still doodle with pen and paper). The idea was to create a font which resembles writing with a quill on paper with exaggerated ball terminals. Sometimes there is too much ink which makes the letters fat and the strokes uneven. The paper soaks the ink resulting in blurred line crossings. The form gets blurry. On the other hand, when the quill runs out of ink the stroke gets thinner looking like the light version of Klothilde. In order to emulate the different looks, I created six fonts with a common skeleton but different appearance which can be altered seamlessly by using the Variable Fonts technology (e.g. in latest Adobe apps or CorelDRAW Graphics Suite) along the Weight and Blurred sliders. But even without, Klothilde can be used even in longer copy. Use it from 18 pt upwards, flush left with tight leading and intersecting ascenders and descenders. Due to extensive manual kerning, it gives your text an even colour. To my knowledge, Klothilde is one of the first script Variable fonts in different weights. No, Klothilde’s letters are not connecting. But I added a whole bunch of connecting ligatures which are simply activated by the ligature feature of your app. Even Microsoft Word can do that. Thus Klothilde comes to life, as it should be expected from a handwriting font. In order to add to variety there are additional glyphs for some critical initial and standalone letters. Repeating letter combinations like nn, mm or rr are avoided by replacing the second letter by an alternative form. All features are activated by the standard ligature feature. Ligatures are available for most European languages, some even in Cyrillic (some special Serbo-Croat letters included and accessible through localization or Style Set 08 features). Romanian comma-accent characters and ligatures are accessible through the OpenType locl feature. For the topping on the cake, I added an alternate ampersand (stylistic set 1) and asterisk (ss04), an alternate Cyrillic b (ss02) and t (ss03), a few fleurons, arrows and a skull (OpenType feature ornm), fractions (frac feature), circled numbers (ss06) and an interrobang (ss07) which result in exactly 900 glyphs in each of the six fonts. There should be enough to play with. Should you be missing a special character, do give me a hint.