Sortie Super is a take on one of the kings of display lettering - Caslon's high-contrast, reversed stress 'Italian' style. It looks great at big sizes and in short flurries... and shouldn't be used in confined spaces.  When compared with the original face, the weight and contrast of Sortie Super has been exaggerated. To add gravity to the letters I've increased their width overall and reduced the spacing to a hair-line fracture for added visual impact. Characters like 'S', 'E','O' and 'Z' are relatively close to their historical precedents - however the terminals on the 'C-G-S-З-Є', which have been drawn so to be more consistent. Other aspects, such as the leg of the 'R' and 'Я', the apex of the 'A' and the spur of the 'G' are revised and simplified, to help spacing and optical weight across the alphabet. Also, to reduce visual noise terminals in characters like 'C', 'J' and 'R'' are horizontally aligned. Meanwhile, the central horizontal strokes in the 'B', 'P' and 'R' etc are reduced to a hairline, so as to create a more simplified system of thick-to-thin.  The temptation when drawing this kind of esoteric display alphabet is to start to rely on modular components. Which, while copy-paste-repeat is a sure-fire way to make the face more visually consistent, it's a lazy method that risks allowing the font become soulless and mechanical. An early experiment I made was making a monospaced version, which was useful in headlines, but it lost that loving feeling. So, by maintaining a handful of flourishes – the tail of the '?', the inky drop of the '!', the bulbous gloop of arms of the 'Ж' and 'К', the swirling legs in the 'R', 'Я' and 'Л', the big-bowling weight of the 'J' and 'U' – plus a few in-built inconsistencies and a bit of its own silliness, Sortie Super retains some of the organic warmth of its ancestor. Conversely, the counters, apertures and negative space are largely rigidly geometric, which helps give the revival font a bit of a modern touch. Sortie Super is an uppercase-only display font that comes with Western, Central and East European Latin, extended Cyrillic, Pinyin, as well as a set of hairline graphic features and symbols.

Introducing "Anger Style": Unleash the Power of Emotion Are you ready to harness the raw energy of emotions and bring them to life in your designs? Look no further than "Anger Style," an electrifying and dynamic font that will leave a lasting impact on your audience. Designed by our team of expert font designers, "Anger Style" is a captivating blend of intensity, power, and expressiveness. Possible Design Uses: "Anger Style" is a font that excels in making a bold statement. Its commanding presence and fiery nature make it perfect for various design applications, including: Headlines and Titles: Grab your audience's attention and make a lasting impression with powerful headlines that demand to be noticed. Logos and Branding: Infuse your brand identity with passion and intensity, creating a memorable and distinct visual presence. Posters and Flyers: Advertise events, concerts, or special promotions with eye-catching designs that embody rebelliousness and energy. Book Covers: Create striking covers that captivate readers and convey the emotional depth of your story or message. Apparel and Merchandise: Add an edgy touch to your clothing designs, making a statement that resonates with your target audience. Unique Qualities: What sets "Anger Style" apart from other fonts is its ability to evoke a wide range of emotions, not just anger. It transcends its name, allowing you to express passion, determination, and rebellion through your designs. Its versatility lies in its bold strokes and sharp edges, which convey a sense of intensity and power. By choosing "Anger Style," you gain access to a font that embodies the very essence of raw human emotion. Font Pairing: "Anger Style" pairs exceptionally well with other fonts that complement its intensity and create harmonious combinations. Consider combining it with: "Bold Sans Serifs": The clean lines and strong presence of a bold sans serif font can enhance the impact of "Anger Style," creating a balanced and eye-catching composition. "Elegant Script Fonts": To add a touch of contrast and sophistication, pairing "Anger Style" with an elegant script font can create a visually engaging and dynamic design. Functional Aspects: "Anger Style" offers a range of functional aspects designed to enhance your creative possibilities: Styles: "Anger Style" is available in bold and regular styles, allowing you to emphasize different levels of intensity within your designs. Character Sets: The font includes an extensive character set, covering uppercase and lowercase letters, numbers, punctuation marks, and special characters. This ensures versatility and legibility across various design projects. Special Features: "Anger Style" includes stylistic alternates and ligatures, providing you with additional design options and allowing you to create a truly customized and unique look.

Introducing Maisha Script is a handwriting font that is modern and cool daat used in greeting cards, wedding invitations, business cards and also suitable for the purpose in the world of photography and more. Maisha Script comes with 339 glyphs alternate characters that can be accessed easily using programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw version X, and Microsoft Word. Fonts have supported unicode PUA. so that all the alternative characters can be easily accessed in full by designers and other users. If you don't have a program that supports OpenType features such as Adobe Illustrator and CorelDraw X Versions, you can access all the alternate glyphs using Font Book (Mac) or Character Map (Windows). If you have some questions about Maisha Script please send an inquiry email to hello.mrletters@gmail.com, Thank you for a layover.

Gathes is vintage pop script with layered style, Since a few years I try to exploration of script with layered system. and this my third script layered from my collection font. Gathes is basic from 5 styles layered type. Base layer is regular, add an shine, extrude, extrude detail, and shadow to create a dimensional look. Several styles can be mix and matched together or can be used alone and/or in layered. The Script font have a opentype feature such a stylistic set, ligature, swash ornament. For additional we add a serif version in this family, so that it can be combined with script fonts. Gathes works great in any graphics app that allow to create a layered type and good to create the logo, badge, poster, heading, magazine, advertising design purpose and more. Features: - Opentype features - Ligatures - Alternates - PUA Encoded - Multilanguange

Thestone is a font display with a noble and vintage appearance. It has serif at the beginning of stroke and formal design. Thestone has an alternative character, and a binder. all with special characteristics in the past. Thestone is perfect for creating something that feels good and vintage or a sporty look for your design. This letter makes it very flexible. You can design beautiful, elegant and diverse typographic elements. This is perfect for logos, letters, shirt designs, editorial illustrations, product name packages, labels, old coffee shops. Files included: Thestone OTF Thestone is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any of the extra characters to paste into your favourite text editor/app.

Creative greetings... Introducing Cospiog which has an elegant looking design. This font has additional ligatures to give it a varied appearance. You can use Cospiog in modern and contemporary designs, and is suitable for use in various fashion media, posters, modeling magazines, typography, promotions and other digital media. FEATURES; Uppercase. Foreign Support, Numbers and Punctuation. Ligatures. Regular & Italic. Works on PC and Mobile. Simple installation. Accessible in Adobe Illustrator, Adobe Photoshop. Adobe InDesign, even works in Microsoft Word. Fully accessible without additional design software. Cospiog is encoded with Unicode PUA, which allows full access to all additional characters without having to design any special software. Mac users can use the Font book, and Windows users can use the Character map to view and copy any additional characters to paste into your favorite text editor/app. Thank you for visiting, have a nice day ;)

Introducing Softly Bright, a dynamic font duo that effortlessly combines the contrasting styles of sans-serif and brush fonts. The sans-serif component of this font is a testament to clean lines and modern minimalism. Its characters are created with precision and defined strokes, offering a sharp and sleek appearance that exudes professionalism and readability. On the other hand, the brush font in Softly Bright adds an expressive touch to your designs. It embodies the authenticity of hand-lettered strokes, with each character bearing the organic irregularities of brushwork. This brush font retains the proportions of the sans-serif, ensuring that the two styles harmoniously coexist. Softly Bright fits in headlines, logos, posters, flyers, branding materials, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview.

Varisse spans over two centuries of type design and draws its inspiration from well-loved classics that are as fresh today as they were when they were created. The range stretches from a quintessential 18th century transitional serif to an uncompromising 20th century sans. Think Baskerville, think Gill. The idea was to create a family that shared similar forms and the same vertical metrics, allowing them to be mixed to provide impact and readability as required. With a generous x-height and a host of options, the Varisse family is ideally suited to branding, packaging, magazines and editorial. It also provides a wealth of opportunity in website presentation. The fonts are divided into five subfamilies by degree of ‘serification’. Varisse Sans Varisse Soft Sans Varisse (normal) Varisse Soft Serif Varisse Serif Each subfamily contains six weights and accompanying italics.

Mixed Tape is a brush typefamily inspired by music and based on calligraphy. It has 3 different styles so that you can choose which you need or combine them as you like. Mixed Tape Regular is a casual neutral brush script, Mixed Tape Small is a more elegant variation and Mixed Tape Capitals is an energetic, probably even brutal brush script. You can freely play with the three of them creating your typographic compositions. You can use Mixed Tape for posters, prints, menus, packaging, book covers and headlines, cards and as a starting point for logotypes. Mixed Tape has a lot of alternates and ligatures which are built into the ‘Liga’ feature that is turned on by default. It also has swashes, titles, fractions, ordinals and case sensitive forms. Let’s all enjoy good music and typography!

Ante Cf serif is an modern and elegant serif font family. This font is still included in the Ante Cf Family, created with a modern and vintage feel A very versatile font in a variety of designs you want. It is also suitable to be paired with Script / Handwritten / Minimalist Sans Serif Fonts for your project. We recommend that you have all types of Ante Cf Family Fonts (Serif / Sans Serif) to make your project even more amazing with a large selection from this Ante Cf Font Family. With Ante Cf Serif which has a large selection of alternative letters and ligatures, combined with Ante Cf Sans Serif which has a lot of weight, makes all your design projects seem complete and perfect, whether it’s for tagline, branding, editorial, magazine titles, poster design, logotypes, wedding invitations and other creative design projects.

Madegra is an elegant display serif family. It includes many alternates with swashes that can make your lettering and logotype become more interesting. The clean and neat of a serif combined with the swirl swashes makes this font even more unique, especially since this family has 9 weight styles which you can choose according your needs! This font works well in various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual ligatures alternates swashes PUA encoded 9 Weight Styles We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. Email us to letterhend@gmail.com if you need something! Happy Designing!

I started Rainmaker Script by hand sketching a huge amount of letters to find the right tone. After having enough I picked the characters that I liked and begun composing a font out of them. With this method I ended up with the Rainmaker Script - an elegant signature style connected script with natural variation in the rhythm. Rainmaker Script is great for branding, headlines and packaging. It’s equipped with (automatic) Contextual Alternates that keep the flow natural and variable. There’s also Swash, Stylistic and Titling Alternates, and even more alternates can be found for some characters from the Glyph Palette. From the Glyph Palette you’ll also find a handful of ending swooshes and ornamental strokes that can be combined with the font. All the extras in Rainmaker Script are PUA encoded so you can access them in most graphic design software.

Say hello to Mealsika Script - A contemporary script with a vintage calligraphy style with moving baseline and an elegant touch.That makes the font look fabulous! It can be used for various purposes such as headings, signatures, logos, wedding invitations, t-shirts, letterhead, signage, labels, news, posters, badges, and more. Features 350+ glyphs and 179 alternate characters including initial and terminal letters, alternates, ligatures and multiple language support. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. These are all coded with PUA Unicode. Mac users can use Font Book and Windows users can use Character Map to view and copy any of the extra characters to paste into your favourite text editor/app. Thanks and Happy Creating :)

Gantole is a modern calligraphic font, with characters dancing along the baseline and an elegant touch. With nearly 420 glyphs. Features open types with alternative styles, bindings, and multiple language support. Can be used for various purposes such as logos, wedding invitations, headings, t-shirts, letterheads, signage, labels, news, posters, badges etc. To enable the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or a later version. Gantole is encoded with PUA Unicode, which allows full access to all additional characters without having to design special software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any additional characters to paste into your favorite text editor/app. Thanks and happy designing :) Enjoy

I've been working on a usable sans serif for body copy since the mid-1990s (though I certainly did not know it at the time). This one works well. It started life back in the mists of time as a scan of an old German font by Carl Fahrenwaldt. It was developed fully as a synergized serif with strong traditional roots and released as Bergsland Pro. Now it finally makes it to where I was headed all along as a sans text font. This is a well modulated humanist, sans serif font family with many OpenType features and over 600 characters: Caps, lower case, small caps, ligatures, swashes, small cap figures, old style figures, numerators, denominators, accents characters, ordinal numbers, and so on. It is designed for text use in body copy. But it also works very well for elegantly stylized display.

Chico was by designed by Javier Mariscal and Josema Urós specifically for the final roll of credits in the animated film Chico y Rita. The goal was to design a typeface with a good readability but that conveyed a strong script character and, in some way, tuned to the style of line used throughout the film. Using a modular sans-serif as a template, Javier Mariscal reinterpreted the forms freely, while maintaining gridlike proportions. Chico can be useful for comic-book lettering, editorial work and display applications.