Blozend is a display font designed by Dani Montesinos in 2010.

Zoria is cool modern typeface, designed by samokat during May 2010.

We don't mean to gloat, but we have to say that it gives us immense, malicious pleasure and joy to supplant other popular germanesque letterforms with this, remarkably superior font. This successful addition to our DEAD cool POOL of ACHTUNG BABY alphabets will, no doubt, make you feel that your own library of teutonic fonts is now severely lacking. We're that mercenary, we're Mercs with Mouths, you might say. Wait, did we say that we DON'T mean to gloat? Actually, we do.

Bloktor Mosaik JNL from Jeff Levine was at first a straightforward brick design sent to Typodermic's Ray Larabie for preview. Ray decided to run it through a filter to see what would happen, resulting in a font that emulates the look of cut stone or tile.

A set of model sketches was designed by Arevik Shmavonyan in 2007 for ParaType. The font includes pictures of woman fashion dresses designed for real manufacturing. Fashion-plate font may be interesting to modern fashion magazines. Also these pictures may use as illustrations and for advertising matter.

Ice Creamery is a new variation of our Saloon Girl font family complete with italics and fill fonts which may be used to layer different colors into the open parts of each glyph. We don’t recommend using the fill fonts for Ice Creamery as stand alone solid fonts, Ice Creamery Chocolate was designed as a the stand alone solid font for this font family. Fill fonts go back to the 1850's where they would design matched sets of printing blocks and the layering of colors took place on the printing press, they would print a page in black then on a second printing they would print a solid letter in red or blue over the letters with open spaces to fill them in. Most of the time the second printing didn't line up exactly to the open faced font and it created a misprinted look. With the fill fonts in Ice Creamery and other FontMesa fonts you have the option to perfectly align the fill fonts with the open faced fonts or shift it a little to create a misprinted look which looks pretty cool in some projects such as t-shirt designs. I have some ice cream making history in my family, my Grandfather Fred Hagemann was the manager of the ice cream plant for thirty years at Cock Robin Ice Cream and Burgers in Naperville IL. In the images above I've included an old 1960's photo of the Cock Robin Naperville location, the ice cream plant was behind the restaurant as seen by the chimney stack which was part of the plant. If you were to travel 2000 feet directly behind the Cock Robin sign in the photo, that's where I started the FontMesa type foundry at my home in Naperville. My favorite ice cream flavor was their green pistachio ice cream with black cherries, they called it Spumoni even though it wasn't a true Spumoni recipe. Their butter pecan ice cream was also incredibly good, the pecans were super fresh, their Tin Roof Sundae ice cream was chocolate fudge, caramel and peanuts swirled into vanilla ice cream. One unique thing about Cock Robin and Prince Castle was they used a square ice cream scoop for their sundaes.

The calendar fonts are used for laying out months of the calendar.

Tekton font is based on the hand lettering of West Coast architect Frank Ching, who wrote out the text for his books. It is an Adobe Originals typeface designed by David Siegel in 1989. Tekton is ideal for architectural drawing/design software, to match the feel of the type with the designer�s plans, or to give the page an architectural or informal handwritten flavor. Tekton multiple master, released in 1993, has increased the usefulness of the design by adding weight and width axes and making the font more usable for signage and display work, as well as informal correspondence.

This family was inspired from the set of font faces used in Amsterdam by Daniel Elzevir to print the famous “Tractatus de corde...” the study on earth anatomy by Richard Lower, in 1669. The punch cutter was the famous Dutch Kristoffel Van Dijk. In our two styles (Normal & Italic), font faces, kernings and spaces are scrupulously the same as in the original. This Pro font covers Western, Eastern and Central European languages (including Celtic), Baltic and Turkish, with standard and “long s” ligatures in each of the two styles. The Roman (Normal) style contains a U stylistic alternate, and the Italique style A.

Almost every type designer feels the need, from time to time, to interrupt his or her serious work on complex text type systems for something more playful. In Luc(as)'s case this has often meant designing more typefaces. In the early 1990s, while working on Thesis, Luc(as) drew several display faces which were based on the shapes of TheSans but were either de(con)structive versions or experimental variations. Jesus Loves You All is a heretic thorny typeface vaguely based on the outlines of TheSans. Jesus Loves You was given a remarkable three-dimensional treatment in Abbott Miller's Dimensional Type project.

Modulario is a geometric sans with some disturbingly individual features. A few capitals owe a bit too much to Roman proportions. The circular O serves to distinguish it from the zero, and the luxuriously wide W and M are both pointed in the middle, although alternatives to the more contentious letters are available within the font. The lowercase shows a little more handwriting influence than is customary – we are used to seeing a writing-style curve at the base of the l, Modulario extends the influence to the i and a, and also sports a uniquely scripty s.

A nixie tube is a technology from the 50’s used to display numerals that are composed by metal filaments that light up much like a lamp bulb. Due to their beauty these little numerals (0-9) are a love case for any designer, and formally it’s where the inspiration for the Nixin typeface came from. All the other typeface characters and weights are an interpretation from the original 10 numerals, always keeping the same minimalistic spirit and formal elegance. Nixin is a geometric and regular typeface, with a vintage touch and a bit of modernism.

Macho Moustache is closely related to Macho Modular , the parent type with which it shares modular widths and most letterforms. The difference is that Macho Moustache follows the ‘Grotesque' tradition of tight apertures for a, c, e and s as well as some of the numerals. Original design work started together with Macho Modular in 2008. Now the range and communication potential of the Macho family has been developed with five weights. Since the Macho family was designed bearing in mind the idea of Themerson's semantic typography, Macho Moustache features all sets of modular brackets and underlinings.

In 1905 Berthold released an engraved blackletter font called Prinzess Kupferstichschrift. Based on an old printed remnant, I revived this beautiful open-face fraktur and enriched it with several OpenType features. As usual in my blackletter fonts, the round ‘s’ lies on the number sign key, and a traditional number sign can be accessed via the Discretionary Ligature feature and typing 'N-r-period'. In this font you have also the possibility to turn I, V, X, L, C, D, and M into Roman numerals by activating the Stylistic Alternates feature. And last but not least, various useful ligatures polish up this font.

The font family "DEADman" is mostly inspired by the weird style of the British illustrator Ralph Steadman. He had a long partnership with the American journalist Hunter S. Thompson, drawing pictures for several of his articles and books e.g. "Fear and Loathing in Las Vegas." Like Steadman's artwork all the letters are painted with ink. The best ones were selected out of hundreds of variations to get the whole character set complete and look uniform. By combining the regular weight with one (or both) of the additional weights "Blotting" and "Squirting" you can achieve a more freaky and psychadelic look.

“Marne” is a new font inspired by letter designs from the 80's but updated. Standing out for its condensation, its angular touch, its slight slant and its thick and thin lines, “Marne” is the perfect mix of elegance and informality. Open Type features include a full complement of international characters, alternatives and ligatures. With all this, the text will look alive and dynamic, without the monotony of repeated letterforms. “Marne” can be the choice to create titles, logos and posters for branding and packaging, invitations, greeting cards, magazine and book covers, children's material, fashion, and wherever you want!

Our Carioca Script Pro was inspired the lettering from the RCA Records Stereo Action Series from the 1960's. It's a signature script that is both elegant yet slightly bouncy and truly sings…lending a happy-go-lucky flavor to any design. This script is loaded with extra features - truly giving Carioca Script Pro something to sing about. Opentype features include: - Swash Capitals. - Initial and Final forms of Lowercase letters via Stylistic & Contextual Alternates. - Full set of Inferiors and Superiors for limitless fractions. - Oldstyle figures. - Ordinals. - 10 Flourishes included in Carioca Script Pro. 90 Flourishes in Carioca Script Flourishes.

A slightly regularized digital version of a late Baroque Fraktur type, probably from the beginning of the 18th century, issued by the Norstedts type foundry in Stockholm in 56 point size as "Sju petit fraktur nr 2". This digital font is designed for rather large sizes, at least 30 points. The font includes accented letters for all Western languages, as well as a long s and the usual Fraktur ligatures, e.g. ch, ck, st, tz. The font can be used for logos, packaging, posters, restaurant menus, beer and wine labels etc. associated with traditional German and Scandinavian culture.

Proudly present Wetnessday - Groovy Type, created by ikiiko. This type is inspired by 70's typefaces with psychedelic touches and groovy vibes. Wetnessday has a bold and wavy font with expressive curves, so it looks playful and fun. This type is very suitable for making a poster, magazine layout, brand logo, sleeve cover, party flyer, quotes, or simply as a stylish text overlay to any background image. What's Included? Uppercase & Lowercase Numbers & Punctuation Bonus Ligature Multilingual Support Works on PC & Mac Enjoy our font and if you have any questions, you can contact us by email : ikiikowrk@gmail.com

I grew up with the ‘Save The Whales’ slogan: I remember watching the news and seeing little Greenpeace dinghies taking on huge Japanese whalers, and activists clinging on for dear life. I haven’t heard that slogan for a while: maybe because whaling is soooo 1890’s, but also maybe because the world has other problems to address. Out of respect for the ‘Save The Whale’ activists, I named this fattish font Whale Song. Whale Song is a robust comic font. It was especially created for book covers, product packaging and posters and, of course, it comes with a whale of diacritics.