Skaklia is a modern sans serif font with a geometric touch. It comes in 2 shapes regular and rounded and its matching italics.

Trouble never hangs around, when it hears this Mighty sound, These letters come to save the day -- Mighty Mouth is on the way! When there's Danger, never Despair; The Sound of Mighty Mouth is in the air! Now YOU TOO can shoot your mouth off with the Mouth Almighty of Mighty Mouth. Comicraft’s latest offering utilizes variable type technology, for user-adjustable bold, italic and BOUNCE in illustrator (or any other program that handles variable fonts)! CAUTION: You may wish you’d never opened it, this font has no control over your tongue!

Maver is a 7 - style font family designed by Ani Dimitrova. Maver containing Regular, Italic, Round, Round Italic, Modify and Modify Italic weights. All weights contain standard ligatures, proportional figures, tabular figures, old-style figure, numerals, and arrows, matching currency symbols and fraction. The fonts are carefully hinted and its wide proportions make them a perfect choice for screen usage. This style palette offers a flexible range for display typography. The Maver type family is ideally suited for magazines, branding, posters, as well as web and screen design and more.

The common Slavic word Osnova means basis in English and βάση in Greek. This universal but still distinctive typeface can make a good ground for any design project. Osnova has six weights from Thin to Heavy with Italic, Small Caps, Old Style & Tabular Figures, some ligatures, alternatives and letter variations. It supports Central European, Greek and Cyrillic codepages, and will be suited for both display and text use. Look how people use it: http://use.type.org.ua/tagged/osnova

Pickle Standard is the display version of bb-Standard rigorously built on a grid. Read the article by Madeleine Morley for Eye on Design: A Font as Crisp, Squat + Rounded as a Pickle 3 styles: italic, regular and reversed italic

Starx is a variable display typeface with angular lines, offering a futuristic and dynamic aesthetic. It consists of three axes: angular, rounded, and slanted. The bold version embodies a strong and high-tech expression, while the italic and rounded versions convey a dynamic, sporty, and futuristic impact.

Beround is a modern family based on Willgray font family with redesigned and improved glyphs for the rounded font. It comes in 16 weights, 8 uprights, and matching italics. Beround have softly rounded corners. This family is ideally suited for packaging, headlines, advertising, and corporate identities.

Cyber rock Brush Script bold, cool, cursive, design, editorial, grunge, handpaint, handwritten, ink, letter, logo, logotype, magazine, marker, modern, paint, ragged, ROUGH BRUSH, script, sign, style, stylish, swash, tag tagging, textured, trend, trendy, urban, vintage, written handwritten brush script dry brush cursive font with rough and dynamic look. Ideal for quotes, posters, branding, packaging, illustration, social media.

Budrick BB is a slick, clean body copy font family that's just a bit rounded. It is available in four weights: Regular, Italic, Bold, and Bold Italic. (And those Italics have some slightly different letter forms than the plain versions!) To top it all off, Budrick BB has a hefty collection of European characters.

Modern sans serif font that is out of this world. A strong balance between strong pointed corners and smooth curves, Perfect for all purposes but especially for headlines. With 8 Variant to choose : Light, Light Italic, Regular, Italic, Rounded, Shadow, Bold and Bold Italic. This font also includes alternative glyphs, ligatures and multilingual support.

The P22 Platten font family has been revisited and expanded by designer Colin Kahn. Platten is based on lettering found in German fountain pen practice books from the 1920s (you may have seen the similar Speedball books in the US). This round tip pen lettering is comparable to the basic forms used in grammar school teaching alphabets, but with a few original characteristics. The Italic version has even more of these unusual features. Geometric and simple yet casual and timeless. Perfect for many uses.

Aksen is a humanist sans-serif typeface that draws influence from Roger Excoffon’s Antique Olive. Its design is formed by the rounded, curving letters found in ancient Greek and Roman inscriptions but is implemented with a contemporary and pragmatic approach. This typeface comes in 56 styles consisting of four widths and seven weights, each with matching italics. Also available in variable font format, Aksen Variable boasts three variable axes: width, weight and italic. These axes open up a plethora of stylistic choices making this typeface highly adaptable. Aksen is a versatile typeface that seamlessly blends contemporary humanistic aesthetics with a touch of historical sophistication, making it a perfect fit for a wide range of design applications.

A ìthick and thinî Art Deco sans lettering design was found within the pages of the May, 1936 issue of Modern Screen magazine. This condensed typeface has rounded terminals, similar to that made by a round nib lettering pen. This is now available as Deco Film Ad JNL in both regular and oblique versions.

Illumini is a thin and rounded neoish sans-serif suitable for everything from logotypes to large text blocks. It contains several of the traditional ligatures normally found in serif fonts.

Brotherland is a handdrawn serif typeface wit a rough and vintage character inspired from American Vintage typography. Brotherland comes with 4 styles: Regular, Italic, Aged, Italic Aged. Perfect for logos, badges and any project needing a vintage touch.

Badire is a beautiful and unique sans-serif font that is perfect for wedding invitations, branding, logos, product packaging and so much more. With its clean lines and distinctive design, Badire offers endless creative possibilities. It comes in regular, italic, round, and round italic font styles, and includes uppercase and lowercase letters, numbers, punctuation, ligatures, alternates, and multilingual support." OpenType Features Kerning Alternates Ligatures Stylistic Sets If you have any questions, please feel free to get in touch. Thank you

Roundabout is a typeface that is extracted from an ellipse shape. Each and every character started at the same geometrical figure. By cutting it up in sections, twist and rotate the separate characters could be build. The ellipse provides this typeface with evident and smooth looking features. The name Roundabout is misleading, an ellipse is not round. But the word Roundabout has a nice ring to it and it seems to fit this typeface perfectly. The Roundabout as we know it is a place where the traffic circles. Sometimes in the greater metropoles it jams like clotting veins. Various exits are presented for those who know which way to go, for those who don’t it seems an eternal treadmill. Unlike my typeface, that seems rather careless, light weighted and knows her way around. A roundabout in a child’s mind is a playful carrousel or a merry go round. Merry go round has the sweetest sound and a match is found. My Roundabout is a joyful, optimistic and open typeface, which can be used over and over and over again for many or any purposes. ----- Roundabout ist eine Schrift die aus der Form einer Ellipse entstand. So teilen alle einzelnen Zeichen denselben geometrischen Ursprung. Durch das zerteilen, verdrehen und verflechten der elliptischen Grundform konnten die separaten Zeichen so geformt werden, dass sie einen klaren und weichen Charakter erhielten. Der Name Roundabout scheint auf den ersten Blick etwas irreleitend - ist eine Ellipse ja nicht wirklich rund. Er hat aber einen schönen Klang und doch eine tiefe Verbindung zu dieser Schrift. In unseren Gedanken ist Roundabout ein Kreisverkehr: Manchmal, in großen Städten, kann er blockieren, so wie eine verstopfte Ader. Verschiedenste Auswege zeigen sich denen, die ihr Ziel kennen; für alle anderen erscheint dieser Ort wie eine endlose Schlaufe. Dieses Bild widerspricht dem Auftreten meiner Schrift, welche eher sorglos und leichtfüßig ist; sie kennt ihren Weg. In dem Kopf eines Kindes jedoch ist ein Roundabout ein verspieltes Karussell, ein „merry go round“. ,,Merry go round“ klingt bezaubernd und so fiel die Entscheidung. Meine Roundabout ist eine fröhliche, optimistische und offene Schrift, die immer und immer wieder genutzt werden kann, zu jedem erdenklichen Zweck.

Roundpoint Pen JNL is based on instructional lettering found in an old Speedball® Pen textbook. The effect of a round nib pen letter evokes the charm of the 1920s or 1930s.

Zushboy is a ragged verion of my own tagging style (even though it has been years and years since I did a thing like that!). The font is spaced tight in order to copycat a real homeboy's handwriting! Yo!

Adept Sans is a rounded, modern and clean font that make it suited for small text to high-impact headlines. The family contains six fonts, 3 weights and its matching italics.

Bolded is a new complete type family, designed and developed by creative professionals. Contains geometric and rounded features, optimized for both long texts and small screens and texts. The complete family offers seven weights divided between the basic, italic, condensed and condensed italic family. Created in 2022, Bolded has a modern and functional look, designed for the most diverse uses and projects. Bolded is a geometric rounded family that can meet the needs of the most varied professionals looking for a clean and elegant font family with a wide set of Latin characters.

Fugues is a modern monospace display font. The typeface is made from a basic line, circle and square geometry. Fugues Regular and Italic are inspired by straight geometric shapes and Fugues Rounded and Rounded Italic are inspired by organic geometry similar to works by Antoni Gaudí and Alphonse Mucha. The name is derived from the Latin “Fuga” meaning flight and its current meaning “compositions of many parts on a short theme and using counterpoint.” Fugues is great for display work, logos, film titles, sports, monograms, headings and posters.

CTCo Hopps Condensed takes inspiration from vintage beer labels, newspaper headlines, and woodcut type. Hopps is the perfect typeface to make a big statement with a classic impact. Hopps comes in 4 flavours: Regular Soft (slightly rounded) Italic Italic Soft CTCo Hopps is a condensed grotesque designed for headlines, posters and logos.

French designer Christophe Badani developed the Linotype Rough family in 1999. The family contains nine different typeface styles, each with a slightly different voice. The forms appear to have found a unique middle ground between hand-drawn letters and pure geometry, especially Linotype Rough Outline. Make sure to pay special notice to the true-italic forms in the three italic weights! Badani's attention to typographic detail is not to be missed. Linotype Rough is perfect for headlines and display work. The medium and bold weights can also function splendidly in text. The entire family is included in the TakeType 4 collection, available through Linotype."

Roz is clean geometric sans round by one side and sharp on the other side. It has three weights and corresponding italics. Roz is ideal for package design, headlines and other typographic mediums.