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  1. KR Beautiful Flowers 3 - Unknown license
  2. KR Beautiful Flowers 2 - Unknown license
  3. KR Belated St Patricks - Unknown license
  4. KR Be Mine Forever - Unknown license
  5. Elliot's Bad Day - Unknown license
  6. KR Irish Kat 2 - Unknown license
  7. Bad Future - Unknown license
  8. KR Floral Color Me - Unknown license
  9. Charms BV - Unknown license
  10. Dev Gothic - Unknown license
  11. KR Easter No 2 - Unknown license
  12. BM figaro - Unknown license
  13. KR Irish Kat 1 - Unknown license
  14. KR Wreath Of Hearts - Unknown license
  15. KR Irish Kat 4 - Unknown license
  16. KR Holiday Teddies Three - Unknown license
  17. Cabaletta - Unknown license
  18. Pleasant Despair - Unknown license
  19. KR Irish Kat 3 - Unknown license
  20. Summerisle Demo - Unknown license
  21. Gooey - Unknown license
  22. BM press - Unknown license
  23. KR Apple A Day - Unknown license
  24. KR Irish Kat 5 - Unknown license
  25. KR Be Mine Always - Unknown license
  26. BM japan - Unknown license
  27. KR Be Mine More - Unknown license
  28. KR Be Mine Again - Unknown license
  29. KR St Patricks Frames - Unknown license
  30. Geek Speek - Unknown license
  31. Brush Hand New - Personal use only
  32. Patched Medium - Personal use only
  33. Basil by Karandash, $-
    A mix between tradition and innovation, Basil is a unique humanist slab serif well suitable for broad range of design projects - editorial, logotype, poster, etc. With its tall x-height and generous internal spaces, the type family was especially designed with legibility in mind and is well suitable for body text at small sizes. In the same time Basil is equally able as titling and headline font due to numerous distinctive visual features that shape its attractive appearance. A true workhorse, packed with lots of OpenType features and full multilingual support, the type family consisting of six weights, with Regular available for free! Basil type family received Special Mention in Cyrillic text Typeface category at 7th International Type Design Competition for non-Latin typefaces - Granshan 2014. It also was exhibited at New Bulgarian Typography exhibition part of Sofia Design week 2013 and then took part in several travelling exhibitions.
  34. Garibaldi by Harbor Type, $50.00
    🏆 Selected for Tipos Latinos 6. 🏆 Selected for the 12th Biennial of Brazilian Graphic Design. 🏆 Typographica Favorite Typefaces of 2015. Garibaldi is a text typeface based on humanist calligraphy. It has an organic look and feel, while preserves the traditional construction of roman typography. It all started with a desire to learn more about the origin of the strokes on humanist typefaces. To accomplish that, Garibaldi features a 20° axis, medium contrast based on translation and expansion, asymmetric serifs, and terminals related to the broad nib stroke. Garibaldi Regular was nominated for Tipos Latinos 2014. Since then, the family was expanded with more weights and matching italics, making it a solid choice for setting books, magazines and documents. Among many OpenType features, each font contains small caps, ligatures and contextual alternates, totalling more than 750 glyphs and supporting at least 80 languages.
  35. Punkstoric - Personal use only
  36. Spoonge Punk - Personal use only
  37. Sweet Steeffie - Personal use only
  38. Black Audio - Personal use only
  39. Atrium by Alex Jacque, $20.00
    Atrium, designed by Alex Jacque, is a strong, linear, geometric sans-serif display typeface based off century-old pen art by W.E. Dennis. Atrium's stubbornly geometric letterforms are set off with a few softening flourishes on a few glyphs. It's sharp corners, straight verticals and horizontals make Atrium pack some punch when used in headlines, pull quotes, and logotypes. Atrium was released in 2012 in OpenType format and comes in three different weights: light, regular, and bold, with a regular and oblique version of each for a total of 6 styles in the family.
  40. Northeast Railway by Fabio Ares, $9.99
    Northeast Railway is a product of argentine typographic archeology project called "Tipografía Histórica Ferroviaria" (Fabio Ares & Octavio Osores, since 2012). Is about the signboards of the stations of the line of the Argentine North Eastern Railway Company Limited (1987-1948). The letter of this signboards can be described as display type, with elementary geometric shapes and without line modulation. The principal font of the resultant family is the bold. The family is completed with complementary fonts of different styles. The proceeds from the sale of the fonts will be used to finance the project.
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